SKU: SU.80101107
Consolation is a serene and meditative work for organ. A lyrical theme is developed by a flute stop over a slowly moving warm accompaniment. It is highly suitable as a service prelude or offertory. 8 pages Published by: Zimbel Press.
SKU: HL.48000603
UPC: 073999255454. 8.25x11.75x0.179 inches.
Contents: Romance (Mielck) * Elegie (Sohlstrom) * Berceuse (Jarnefelt) * Romance (Merikanto) * Chanson sans paroles (Kuula) * Menuetto (Melartin) * Elegie (Sibelius) * Romance (Sibelius) * Consolation (Kuusisto) * Juvenalia (Sonninen) * Andante religioso (Marttinen) * Adagio (Salmenhaara) * Arioso (Saikkola) * Canzona (Johansson) * Menestrel (Johansson) * Metamorfora (Sallinen).
SKU: BT.GS27400
English.
Work for Solo Piano.
SKU: PR.110418470
ISBN 9781491137253. UPC: 680160688777.
Grief and gratitude for a departed friend mingle in this short yet impactful solo. Textures and harmonic turns are fresh and unexpected, though never jarring and always from the heart. Composed in remembrance of musicologist, record producer, and self-described “sound archaeologist†Allan Evans, CONSOLATION is a moving addition to recital repertoire as well as for use at memorial services.
SKU: CA.701800
ISBN 9790007013103. Key: E flat major. Language: Latin.
SKU: PR.14440652S
UPC: 680160634002. 9 x 12 inches.
Salerni, whose recent works include two one-act operas (Tony Caruso's Final Broadcast and The Life and Love of Joe Coogan), turns to the piano works of Mendelssohn and fashions four beautiful string quartet arrangements. While Consolations is lush and languid, Hunting-Song and Unrest will require a tight rhythmic control. Includes Consolation, Op. 30, No. 3; Hunting-Song, Op. 19, No. 3; Venetian Boat-Song No. 1, Op. 19, No. 6; Unrest, Op. 30, No. 2.
SKU: BT.WMP2517
ISBN 9789811479939. English.
SKU: PR.144406520
UPC: 680160633982. 9 x 12 inches.
SKU: BT.EMBZ14766
The latest volume in the series contains not too lengthy romantic works arranged for four cellos.In addition to two choral works by Liszt and an orchestral funeral march by Tchaikovsky, well-known piano pieces by Schumann, Chopin and Liszt served as the bases for these arrangements.The four parts differ in their degree of difficulty: the upper ones lie higher, while the lower ones are easier, playable at the level of the top classes in music schools. inhoud:1. Liszt: Consolations2. Liszt: LÉternel est son nom3. Liszt: O Roma nobilis4. Tchaikovsky: Marche funebre5. Schumann, Robert: Ein Choral6. Schumann, Robert: Figurierter Choral7. Schumann, Robert: Der Dichter spricht8. Schumann, Robert: Sylvesterlied9. Chopin: PréludeDer neueste Band der Serie beinhaltet für vier Violoncelli bearbeitete, nicht allzu umfangreiche romantische Werke. Als Grundlage der Transkriptionen wurden neben zwei Liszt-Chorwerken und einem orchestralen Trauermarsch Tschaikowskis auch wohlbekannte Klavierwerke von Schumann, Chopin und Liszt herangezogen. Der Schwierigkeitsgrad der vier Stimmen ist unterschiedlich: Die oberen sind höher gelegen, die unteren hingegen sind leichter und können schon in den obersten Klassen der Musikschule gespielt werden.Sommaire:1. Liszt: Consolations2. Liszt: LÉternel est son nom3. Liszt: O Roma nobilis4. Tchaikovsky: Marche funebre5. Schumann, Robert: Ein Choral6. Schumann, Robert: Figurierter Choral7. Schumann, Robert: Der Dichter spricht8. Schumann, Robert: Sylvesterlied9. Chopin: PréludeContents:1. Liszt: Consolations2. Liszt: LÉternel est son nom3. Liszt: O Roma nobilis4. Tchaikovsky: Marche funebre5. Schumann, Robert: Ein Choral6. Schumann, Robert: Figurierter Choral7. Schumann, Robert: Der Dichter spricht8. Schumann, Robert: Sylvesterlied9. Chopin: Prélude
SKU: BT.EMBZ14768
Not many people know that Franz Liszt arranged some of his piano pieces for the cello, with piano accompaniment, and that these versions of the works appeared in print during the maestro's lifetime. Ãrpád Pejtsik selected two of these for this volume compiled to mark Liszt's jubilee: Elegies I and II. The other compositions by Liszt that appear in the collection were likewise originally works for piano: the Ave Maria and Cantique d'amour (pieces from the Harmonies poétiques et religieuses cycle) were transcribed by a pupil of Liszt, Robert Pflughaupt the cello version, transposed into G major, of the E Major Consolation is by Jules de Swert, solo cellist in the Weimar orchestraof those days that of the Angelus (the opening piece in Volume 3 of the cycle entitled Years of Pilgrimage ) is by Lothar Windsperger, a German composer who lived at the turn of the 19th-20th century. The Valse oubliée No. 1 was transcribed by Liszt s virtuoso piano pupil Ferruccio Busoni Notturno, which became famous as the third piece in the Liebesträume series, is a transposed version of the original song ( O lieb, so lang du lieben kannst ) made by the editor of this volume. Not many people know that Ferenc Liszt arranged some of his piano pieces for the cello, with piano accompaniment, and this version of the works appeared in print during the maestro's lifetime. Ãrpád Pejtsik selected two of these forthis volume compiled to mark Liszt's jubilee: Elegy I and Elegy II. The other compositions by Liszt that appear in the collection were likewise originally works for piano: the Ave Maria and Cantique d'amour(pieces from the Harmonies poétiques et religieuses cycle) were transcribed by a pupil of Liszt, Robert Pflughaupt; the cello version, transposed into G major, of the E major Consolation is by Jules de Swert, solo cellistin the Weimar orchestra of those days; that of the Angelus (the opening piece in Volume 3 of the cycle entitled Years of Pilgrimage) is by Lothar Windsperger, a German composer who lived at the turn of the 19th-20thcentury.Nur Wenigen ist bekannt, dass Liszt einige seiner Klavierstücke auch für Violoncello mit Klavierbegleitung bearbeitet hatte, und dass diese Version der Werke noch zu Lebzeiten des Komponisten in Druck erschien. In diesem Band nahm Ãrpád Pejtsik zwei dieser Stücke, die I. und II. Elegie auf. Die anderen Liszt-Kompositionen in der Sammlung sind auch ursprünglich Klavierwerke: der Bearbeiter ist beim Ave Maria und Cantique d'amour (Stücke aus dem Zyklus Harmonies poétiques et religieuses) der Liszt-Schüler Robert Pflughaupt. Von Jules de Swert, der damals Solocellist des Weimarer Orchesters war, wurde die in G-Dur transponierte Violoncelloversion der E-Dur Consolation, und vonLothar Windsperger, dem an der Wende zum 20. Jahrhundert lebenden deutschen Komponisten, das Angelus (das Eröffnungsstück des III. Bandes des Zyklus Pilgerjahre) bearbeitet.
SKU: CF.WE40
ISBN 9781491161975. UPC: 680160920655.
In his poem Mending Wall, the inspiration for this piece, Robert Frost famously says “Something there is that doesn’t love a wall.†Mending Time, composed for Soprano, Alto, Tenor and Baritone Saxophones, explores the many meanings of walls in life, from barriers of safety, to murals upon which the art and history of people are transcribed. This 'musical wall of sound' is intended to invoke reflection and encourage mending to bring unity in times of joy, contemplation, and consolation.Robert Frost thought that poetry was, as he wrote, “a momentary stay against confusion.†In his poem Mending Wall, the inspiration for my piece, Frost famously says “Something there is that doesn’t love a wall.â€Confusion indeed!As the always tricky Frost well knew:A wall may be the strong barrier that protects our young or old from harm.A wall may be the mural upon which we inscribe the art and the history of our people.A wall may the sacred, embroidered fabric that keeps us from the cold.A wall may be the skin of our lovers and the dearest ones we treasure.And so, the barriers and walls between us may be, at last, paradoxically, the special place where we as neighbors meet together, if only to repair those walls and build them up again.But walls and barriers must also have a passage through them or what lies within and without them will surely starve and die.“Mending Time†is musical wall of sound, written to help our mending, to help bring us together in joy, contemplation, and consolation.Martin Bresnick.
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