SKU: HL.14065369

SKU: SP.TS558

ISBN 9781585609185.

Due to the success of our Instrumental Fingering Posters, we thought it would be helpful to create a smaller version that could be tucked comfortably into any method book as a reference guide. Unbeknownst to us after days of research, we were left with countless questions, much confusion, and a slew of poorly crafted images from contradicting publications. That being said, we realized that there weren't truly any trustworthy resources in print and decided to address the void. We consulted experts in every category asking questions until both we and they and we were satisfied. Finally, a guide to fingering for beginners that even the experienced players will find beneficial. Santorella's Basic Fingering Charts are essential for anyone that picks up an instrument. Initially intended for beginners but after understanding the importance of false fingerings or more appropriately called, alternate fingerings their necessity is vital for playing certain musical passages on a particular instrument. In addition, after observing the difficulties that students had in identifying key signatures, we decided to include the Circle of Fifths diagram and every major scale in two octaves in every key including their enharmonic counterparts. After all was said in done, we now know, we now have the best educational products available for fingering in the industry. Our Basic Fingering Charts are perfect for private students, classroom study, or simply for a quick and easy reference guide while practicing at home. These graphic reference guides for assorted brass, reeds, woodwinds, and orchestral strings are specifically available for Clarinet, Bass Clarinet, Trumpet, Flute, Piccolo, Recorder, Baritone Horn, Trombone, Bass Trombone, Alto Sax, Soprano Sax, Tenor Sax, Baritone Sax, French Horn, Euphonium, Tuba, Oboe, Bassoon, Violin, Viola, Cello, and Bass. Every chart displays the entire range of each instrument by clearly depicting the fingering for each note including all their enharmonic substitutions. Each chart includes a diagram identifying the levers, valves, keys, slides, frets and more of each and every instrument. Learn where, when, and why to place your fingers. Now is the time to truly start playing with assured confidence.

SKU: ST.LS4

ISBN 9790220205729.

CONTENTS
Cease these false sports (solo and 5-part)
Disdain me still (E - E)
Far from triumphing court (D - E)
From silent night (D - E)
Galliard to Lachrimae (lute solo)
Go nightly cares (C - D)
If my complaints (C - E)
If that a sinner's sighs (G - G)
In darkness let me dwell (C - E)
In this trembling shadow cast (F sharp - E flat)
Lady if you so spite me (G - F)
Lasso vita mia (D - E)
Love those beams (F sharp - G)
My heart and tongue were twins (A - A)
Shall I strive with words to move (E - D)
Stay time awhile thy flying (E - D)
Sweet stay awhile (E - E)
Tell me true love (D - D)
Thou mighty God (D - E)
To ask for all thy love (E - G)
Up merry mates (solo voices and 4-part)
Welcome black night (solo voice and 5-part chorus)
Were every thought and eye (G - G)
When David's life (E - E)
When the poor cripple (E - E)
Where sin sore wounding (A - G).

SKU: FA.MFGT055

8.27 x 11.69 inches.

Germaine Tailleferre first met Charlie Chaplin when she was living in New York City with her first husband Ralph Barton. Tailleferre and Chaplin spent a great deal of time improvising at the piano and Tailleferre convinced him to write his own themes for the music he used in his films. After her divorce from Ralph Barton, she did not see Chaplin until the early 1950s during a visit he made to Paris. At that time, she wrote this attractive waltz in Chaplin’s own style to give to him as a gift.