SKU: HL.14047929
12.0x8.25 inches.
Robert Saxton 's Passacaglia On The Name John McCabe for Organ. Commissioned by George Vass for a concert in celebration of the life and work of John McCabe CBE. First performed in Faversham Church, Kent, on 28th June 2015 by Edward Kemp-Luck. Duration: 6 mins ca. A review in the June 2016 edition of Organist's Review calls this piece a beautifully produced work that features the pleasing disorientation of false relations and is as inventive as it is impressive. A similarly glowing review in the August-October edtion of The Organ magazine calls this piece a very impressive short work indeed; brilliantly imagines and written for the instrument...one can only urge thismusic on all recital organists - it is a splendid piece, and would surely make a counterpart to an original McCabe organ work in the same programme - the Johannes-Partita , especially.
Robert Saxton's Passacaglia On The Name John McCabe for Organ.
Commissioned by George Vass for a concert in celebration of the life and work of John McCabe CBE.
First performed in Faversham Church, Kent, on 28th June 2015 by Edward Kemp-Luck.
Duration: 6 mins ca.A review in the June 2016 edition of Organist's Review calls this piece a 'beautifully produced work' that features 'the pleasing disorientation of false relations' and is 'as inventive as it is impressive.'
A similarly glowing review in the August-October edtion of The Organ magazine calls thispiece 'a very impressive short work indeed; brilliantly imagines and written for the instrument...one can only urge this music on all recital organists - it is a splendid piece, and would surely make a counterpart to an original McCabe organ work in the same programme - the Johannes-Partita, especially.'
SKU: GI.G-10873G
Text Source: English ref.: Psalm 103, Lectionary for Mass, English vss: Psalm 103, The Abbey Psalms and Canticles, Spanish: Salmo 103(102),
SKU: HL.49047358
ISBN 9783795730635. UPC: 196288207498.
This book is about the perfect saxophone sound. In an easygoing, yet accurate manner, Dirko Juchem explains all effects that a saxophonist should be able to master on his instrument: Professional breathing, embouchure, intonation, vibrato, growl, subtone, false fingerings, high notes, glissando, jazz and rock phrasing are all dealt with in detail and demonstrated on the accompanying audio tracks. Additional session tracks provide the possibility to put the acquired knowledge into practice immediately 'with a band'. Due to the easygoing way of imparting fundamental knowledge, 'Saxophon-Sound' is a valuable addition to instrumental lessons, and even the experienced saxophonist will find the advanced techniques, such as false fingerings or high notes, to be professional practising material. 'Saxophon-Sound' is ideal for saxophone lessons and can be used as motivating accompanying material in addition to any customary method.
SKU: AP.49757
UPC: 038081568447. English.
It's a dynamic duo of fabulous '50s holiday hits! Choral singers will enjoy the traditional harmonies and laid-back swing of this mini-medley that clocks in at just over three minutes. The doo-wop falsetto pops near the end provide a nifty nod to nostalgia. For even more fun, add some showmanship with Santa hats, jingle bells, and riser choreography. SoundPax includes parts for a standard rhythm section.
SKU: HL.49019522
ISBN 9783795707934. UPC: 884088953539. 5.5x8.5x0.845 inches. German.
Selected articles in German and English on the countertenor voice type. Articles in English include: Henry Purcell's Countertenors and Tenors, The Role of the Countertenor on the 18th Century English Stage, and others.
SKU: HL.35032489
ISBN 9781540038784. UPC: 888680890575. 6.75x10.5 inches.
In 1964 a group called The Newbeats released their first and most popular hit with its opening two-chord riff and lead falsetto singing being its most notable features. Here it is as a fun 2-part and 3-part mixed novelty number for your program hearkening back to the 1960s and the novelty craze that hit the radio airwaves.
SKU: CA.3105223
Language: German/English. Text: Birkmann, Christoph.
It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and part available separately - see item CA.3105200.
SKU: HL.35032492
ISBN 9781540038814. UPC: 888680890605. 5.0x5.0x0.142 inches.
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