Composed by Victor C. Johnson. For TTB/TBB choir, piano. Concert, Festival. Octavo. Published by Heritage Music Press

Composed by James Biery. Sacred. Score and parts. Published by Concordia Publishing House (CR.97-7795).

SKU: LO.99-3579H

Choral. Performance/accompaniment CD. Heritage Music Press #99/3579H. Published by Heritage Music Press (LO.99-3579H).

UPC: 000308144796.

Save money on individual recordings with the 2016 Three-part Accompaniment/Performance Pack! This pack includes the accompaniment and performance tracks for all Three-part pieces in the 2016 Heritage Music Press Release.

By Franz Joseph Haydn. Arranged by Russell L. Robinson. For Choir. (2-part). Choral Octavo. Belwin Festival Series. Masterwork. Level: Moderate (grade 3). Choral Octavo. 12 pages. Published by Alfred Publishing.

By Richard Proulx. For Voices: SATB, assembly. Instruments: Brass sextet (3 trumpets, 3 trombones), timpani, snare drum, triangle (instruments optional). Organ. Lit; Mass Sacred. Level: easy/medium. 14 pages. Published by GIA Publications.

By Steven Lance. For SATB choir. (Satb). Choral Octavos. Sacred. Level: Grade 4. Choral Octavo. Published by Neil A. Kjos Music Company.

By Robert Ray. (SATB). Choral. Festival. Size 8.5x11 inches. 56 pages. Published by Hal Leonard.

SATB choir, assembly, organ accompaniment, trumpet 1, trumpet 2, trumpet 3, trombone 1, trombone 2, trombone 3, timpani, percussion - Beginning

SKU: GI.G-2083

From A Festival Eucharist. Composed by Richard Proulx. Sacred. Octavo. 8 pages. GIA Publications #2083. Published by GIA Publications (GI.G-2083).

By N.L. Norden. For SATB Choir. Choral, Contest/Festival Music, General Use, Christmas and Sacred. Sheet Music. Published by Shawnee Press.

Composed by Mary Lynn Lightfoot. Concert. Performance/accompaniment CD. Heritage Music Press #99/2794H. Published by Heritage Music Press

Soloists, Mixed choir (SATB), Orchestra (Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Orchestra)

SKU: BA.BA11310-90

Composed by Wolfgang Amadeus Mozart. Edited by Michael Ostrzyga. This edition: urtext edition. Paperback. New Completion. Vocal Score. Baerenreiter Verlag #BA11310_90. Published by Baerenreiter Verlag (BA.BA11310-90).

ISBN 9790006569267. 27 x 19 cm inches. Text Language: Latin.

This publication offers a source-critical edition of Mozartâ??s fragmentary â??Requiemâ? as well as an alternative to the traditional SüÃ?mayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a stylistically appropriate orchestration, and 3) those sections missing entirely in the fragment, newly added in Mozartâ??s idiom taking into account historical additions by SüÃ?mayr and Eybler.

When completing the fragment, the editor drew on comprehensive comparative and analytical studies of Mozartâ??s church style and compositional workmanship. The influence of Handel and Bach manifested in his final years, particularly in the â??Requiemâ? fragment, is taken into account in those sections requiring completion or fresh composition.

At two points readers may choose between alternative movements (or sections), since proceeding from SüÃ?mayrâ??s historical version, two divergent options cannot be weighed against each other but each one may well reflect Mozartâ??s intentions: the â??Lacrimosaâ? may end with or without â??Amenâ? fugue, and the â??Sanctusâ? may begin in the customary D major or in D minor. Above all, this makes it possible to retain the B-flat major â??Hosannaâ? from SüÃ?mayrâ??s autograph, a movement which, until now, has not been appreciated as compositionally flawless.

â?¢ Scholarly-critical edition of the â??Requiemâ? fragment
â?¢ With performance material for presentation of
1) the fragment,
2) a version with completions of the authentic Mozart sections or
3) a full completion consistent with Mozartâ??s musical idiom
â?¢ Missing sections were completed by drawing from other fragmentary sacred works by Mozart
â?¢ Added or completed sections incorporate influences from Bach and Handel already detectable in the fragment
â?¢ Alternative performance options for the â??Lacrimosaâ?, â??Sanctusâ? and â??Benedictusâ?
â?¢ Easy-to-play piano reduction
â?¢ Extensive foreword (Ger/Eng) on the workâ??s history, reception and modern completions, with analytical stylistic critique
� Detailed Critical Commentary (Eng), partly available on the Bärenreiter website
â?¢ Tried and tested on many occasions, e.g. at Harvard University, the Rheingau Music Festival, the Monadnock Music Festival (New Hampshire), in Salt Lake City (Utah), as well as in radio broadcasts (NDR, SWR, WDR) and CD recordings with Concerto Köln, Chorwerk Ruhr and Florian Helgath (â??Le Disque classique du jourâ? from francemusique.fr and three nominations for Opus Klassik 2021 in the categories â??Ensembleâ?, â??Choral Recordingâ? and â??Editorial Achievementâ?)

You will find a detailed brochure on the new completion of Mozart's Requiem here.