SKU: FG.55011-733-4
ISBN 9790550117334.
Ilkka Kuusisto's raucous and technically somewhat challenging suite for clarinet and piano Kissalan Aapelin soitteita (Aapeli of Kissala plays the Clarinet) is a musical portrait gallery of the Seven Brothers by playwright Aleksis Kivi. They all get musical pictures played by Aapeli, a character also appearing in the play. Musical motives are derived from the characteristics of the main persons, ie. the movement Tuomas is in slow tempo, as if portraying the trustworthiness of stable Tuomas. Aapo's Menuetto may refer to the characters abilities to tell stories. Simeoni wrestles with the Devil, as he does in the book with both alcohol and in his religious beliefs. Eero, the youngest of the brothers is portrayed in a fast polka. The suite was commissioned by Tapio Lotjonen for specifically for piccolo clarinet. In this volume the solo part is published both in B-flat and E-flat transpositions, as prepared by the composer. Contents: 1. Jussin polska * Jussi's polska 2. Tuomas 3. Menuetti Aapolle * A Menuetto for Aapo 4. Simeoni ja Perkele * Simeoni and the Devil 5. Timon Masurkka * Timo's mazurka 6. Laurin marssi * Lauri's march 7. Eeron polkka * Eeros's polka.
SKU: CA.2420400
Language: German.
No musical family has made such a significant contribution to the history of European music as the Bach family from Thuringia, in Saxony. From the 17th through 19th centuries one finds outstanding musicians among the family who participated in all levels of musical life whether it be town, court or church music - their works span all genres of vocal and instrumental music and reflect the stylistic developments of the individual eras in which they lived. Within the framework of the Bach-Repertorium research project at the Sachsische Akademie der Wissenschaften zu Leipzig, thematic catalogs are being compiled for all members of the Bach family. With catalogs which include incipits, texts, tables and indexes, the compositions will be described using a unified set of criteria and they will be based on the latest musicological research. To distinguish him from his brothers, in the 18th century Johann Christoph Friedrich Bach was known as the Buckeburger Bach. His extensive opus encompasses all genres of instrumental and vocal music. Systematic research has led to the rediscovery of a number of works previously believed to have been lost, as well as to works which until now have been completely unknown; furthermore the existence of other lost works also has been verified. Thus today, for the first time an overview of the creative output of the second youngest Bach son is possible, which now occupies its own independent position in the history of 18th century music.
SKU: HL.232651
ISBN 9781495092893. UPC: 888680678425. 8.5x11 inches. By John Jacobson and John Higgins.
Join a pair of modern day Brothers Grimm and a delightful re-telling of their famous take on the classic tale, the Bremen Town Musicians. In this musical version, you will meet the same lovable characters from the original story, a Donkey named Chocolate and his friends the hound, cat and rooster as they make their way to Bremen Town to join other musicians in an unforgettable JAM session. Along the way, they'll meet a ridiculous room of rascally robbers who need to be taught a lesson. In the end, all will learn the value of sticking together with your friends and ultimately making beautiful music together. This 25-minute musical features five original songs and easy-to-learn rhyming dialog with over 50 speaking parts adaptable to various cast sizes. The Teacher Edition includes piano/vocal arrangements with choreography, helpful production guide and digital access to PDFs of melody sheets, lyric sheets and dialog. For cost-saving value, the Performance Kit/Audio Access includes the Teacher Edition and digital access to performance/accompaniment audio recordings. Dialog not recorded. Approx. 25 minutes. Suggested for grades 1-3.
SKU: BR.PB-5622-07
With his first String Quartet in D minor, op. 77, composed in 1855, the native Swiss composer Joachim Raff (1822-1882) bid a brilliant farewell to Weimar.
ISBN 9790004215197. 6.5 x 9 inches.
With his first String Quartet in D minor, op. 77, composed in 1855, the native Swiss composer Joachim Raff bid a brilliant farewell to Weimar. He had been there as Franz Liszt's assistant since 1850 and had made a name for himself in the city's art scene - now he embarked on new paths. He composed his second Quartet in A major, op. 90, already in 1857 in Wiesbaden, the spa town that was to become his home for 21 years. The two quartets are unequivocal works: orchestrally-conceived, full of energetic vigor, and at times uncompromisingly modern. They confidently continue the Beethoven tradition and attest at the same time to Raff's intensive confrontation with Richard Wagner's music during the Weimar years. In his chamber music, the composer wanted to achieve progress in an inherently historical way and to ground the individual substance in existing forms, as he told the Viennese violinist Josef Hellmesberger, who launched opus 77. The quartets, first published in 1860/62, found illustrious interpreters, among them, the Muller brothers' renowned ensemble, to which opus 90 was also dedicated, and Joseph Joachim.In collaboration with the Joachim-Raff-Archiv Lachen (CH)Some eighteen years elapsed between Raff's first counted String Quartet op. 77 and his Quartets Nos. 6-8 op. 192, combined as one work. As such, Raff parted with the weighty single opus in quartet composition - without, however, sacrificing musical quality.
SKU: PE.EP11503
ISBN 9790014127084.
The Notebook for Johann Christian Bach completes the collection of surviving instructional works from within the Bach family, following the highly praised Notebooks for Anna Magdalena and Wilhelm Friedemann Bach. Together, Bach's Notebooks provide a fascinating glimpse into the domestic music academy of the Bach family home. They contain original compositions, exercises, and model examples by other composers, all collected with a view to providing a rounded musical education to family members. Presented as a luxury linen-bound edition with gold-embossed cover lettering, illustrations and critical commentary, this volume includes pieces not featured in previous collections.This first Urtext edition Notebook for Bach's son Johann Christian has been reconstructed by renowned Bach scholar Christoph Wolff from copies from the estate of C.P.E. Bach. It includes pieces for keyboard by J.S. Bach, Johann Christian's initial attempts at composition (minuets and polonaises), and pieces by the older brothers Carl Philipp Emanuel and Johann Christoph Friedrich and son-in-law Johann Christoph Altnickol. The collection is completed by two sets of short preludes and fughettas from Bach's early Leipzig teaching practice, which may have come from other lost notebooks for his family, possibly the one for C.P.E. Bach.Clavier-Büchlein für Johann Christian BachNach den hochgelobten Ausgaben der Clavier-Büchlein für Anna Magdalena Bach und Wilhelm Friedemann Bach vervollständigt das Clavier-Büchlein für Johann Christian Bach die Sammlung an überlieferten Unterrichtswerken innerhalb der Bachfamilie. In ihrer Gesamtheit bieten Bachs Clavier-Büchlein einen faszinierenden Einblick in das häusliche Musizieren der Familie Bach. Sie enthalten Originalkompositionen, Übungen für den Unterricht sowie beispielhafte Werke anderer Komponisten, die alle gesammelt wurden, um den Familienmitgliedern Literatur für eine umfassende musikalische Ausbildung bereitzustellen. In e.
SKU: BR.EB-8939
ISBN 9790004186084.
SKU: HL.35031192
ISBN 9781495073205. UPC: 888680640385. 6.75x10.5x0.029 inches.
A beautiful melody captures the essence of the poetry of John Thornburg. In a safe place, among their friends, the young men of the choir can explore feelings and emotions not always available to them as they move into adulthood. A truly special musical and emotional experience.
SKU: PL.0031
This anthem was commissioned for the 150th anniversary celebration of the arrival of the De La Salle Christian Brothers in New York. It is based on an original hymn-tune as well as the antiphon Sinite parvulos which acts as a melodic thread throughout the piece. The organ introduction is based on the chant antiphon and the hymn tune is also reminiscent of the chant. In the second verse the chant is sung by the women simultaneously with the men as they sing the hymn tune. The organ interludes are quite developed making the organ a fifth voice in this hymn-anthem. The final verse is sung a cappella and ends with a peaceful coda from the organ using the chant. This piece continues Dr. Saylor's long tradition of expertly realized hymn-anthems and can be used throughout the church year.
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