C Instruments. By Various. Fake Book (Includes melody line and chords). Size 9x11 inches. 464 pages. Published by Hal Leonard.

Bass Clef Edition. By Various. Fake Book (Includes melody line and chords). Softcover. 464 pages. Published by Hal Leonard.

E Flat Edition. By Various. Fake Book (Includes melody line and chords). Softcover. Size 9x11 inches. 464 pages. Published by Hal Leonard.

For C instrument and voice. Format: fakebook (spiral bound). With chord names, vocal melody and lyrics. Jazz. Series: Hal Leonard Fake Books. 448 pages. 9x12 inches. Published by Hal Leonard.

Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 448 pages. Published by Hal Leonard.

Low Voice. By Various. Fake Book (Includes melody line and chords). 368 pages. Published by Hal Leonard.

(100 Songs in the Key of C). By Various. For Melody/Lyrics/Chords. Easy Fake Book. Softcover. 160 pages. Published by Hal Leonard

For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Sacred. 182 pages. 9x12 inches. Published by Creative Concepts

Choral SSAA choir, piano accompaniment, optional flute, optional synthesized strings

SKU: CF.CM9581

Composed by Traditional Appalachian Carol Anonymous. Arranged by Ruth Elaine Schram. Fold. Performance Score. 12 pages. Duration 3 minutes, 9 seconds. Carl Fischer Music #CM9581. Published by Carl Fischer Music (CF.CM9581).

ISBN 9781491154038. UPC: 680160912537. 6.875 x 10.5 inches. Key: G minor. English. Traditional Appalachian Carol.

This arrangement of the beautiful Appalachian carol is very expressive and meant to be performed with much freedom and thoughtful attention to the words, dynamic contrasts, and tempo alterations. Once you have learned this piece and are familiar with these changes to volume and tempo indications, watch your director very carefully for cues for these subtleties. It is very important that you stay together and make these changes as a unified group. The effect will be amazing! Even though this song begins very gently, be certain to pronounce your words carefully and with good diction. There are many words that sound similar: wonder / wander / under, for example. The beauty of the poetry and alliteration will be lost on your listener if your lyrics cannot be understood. Also, the story is in the words, carried to the listener on the wings of the melody and arrangement. Always, no matter what your volume level and even at the very softest levels, pronounce, pronounce, pronounce! Enjoy the ethereal beauty and reflective musings of this meditative piece! ~ Ruth Elaine Schram.
This arrangement of the beautiful Appalachian carol is very expressive and meant to be performed with much freedom and thoughtful attention to the words, dynamic contrasts, and tempo alterations. Once you have learned this piece and are familiar with these changes to volume and tempo indications, watch your director very carefully for cues for these subtleties. It is very important that you stay together and make these changes as a unified group. The effect will be amazing!Even though this song begins very gently, be certain to pronounce your words carefully and with good diction. There are many words that sound similar: wonder / wander / under, for example. The beauty of the poetry and alliteration will be lost on your listener if your lyrics cannot be understood. Also, the story is in the words, carried to the listener on the wings of the melody and arrangement. Always, no matter what your volume level and even at the very softest levels, pronounce, pronounce, pronounce!Enjoy the ethereal beauty and reflective musings of this meditative piece!~ Ruth Elaine Schram.

Choir Secular (SATB choir)

SKU: AP.48973

Composed by Heather Sorenson. MakeMusic Cloud; Performance Music Ensemble; Single Titles. Alfred Choral Designs. Peace/Brotherhood; Secular. Choral Octavo. 12 pages. Alfred Music #00-48973. Published by Alfred Music (AP.48973).

UPC: 038081562971. English.

Commissioned by Texas A&M University in remembrance of a lost friend and fellow Cadet, this thought-provoking piece is designed to be a conversation starter about mental illness, depression, grief, and suicide. Harmonically rich, musically expressive, and emotionally stirring, singers will be changed and encouraged. What if I could tell you no one has to walk alone? This title is available in MakeMusic Cloud.

Choir Secular (Men's Choir)

SKU: AP.48975

Composed by Heather Sorenson. MakeMusic Cloud; Performance Music Ensemble; Single Titles. Alfred Choral Designs. Peace/Brotherhood; Secular. Choral Octavo. 12 pages. Alfred Music #00-48975. Published by Alfred Music (AP.48975).

UPC: 038081562995. English.

Commissioned by Texas AandM University in remembrance of a lost friend and fellow Cadet, this thought-provoking piece is designed to be a conversation starter about mental illness, depression, grief, and suicide. Harmonically rich, musically expressive, and emotionally stirring, singers will be changed and encouraged. What if I could tell you no one has to walk alone? This title is available in MakeMusic Cloud.

String Orchestra and Piano

SKU: BT.EMBZ6338

Composed by Bela Bartok. Set (Score & Parts). Composed 1970. 304 pages. Editio Musica Budapest #EMBZ6338. Published by Editio Musica Budapest (BT.EMBZ6338).

Béla Bartók composed his Piano Quintet while at grammar school in Pozsony (Pressburg, now Bratislava), and it still shows the influence of Brahms in its melody and harmony. The work was always resoundingly successful at his youthful concerts. When on 7 January 1921 the Waldbauer Quartet wanted to repeat the programme of a concert given ten years previously, Bartók was displeased that this early work of his should be performed once again. Finally he consented to the performance, and played the piano part himself. The quintet was greeted with tumults of applause, unlike the other pieces on the programme, which were written later. According to a communication by Márta Ziegler,Bartók threw away the score in anger, and for many years it was believed to have been destroyed. In 1963, the editor Denijs Dille received a package inside which were the score and parts, which had been thought lost. Denijs Dille wrote: 'In preparing the text of this edition for practical purposes, I used the autograph score, and Bartók's own handwritten parts for the first and second violins, viola, and cello. [...] Bartók made so many deletions and significant changes in the score that the resulting version was somewhat different from the original. In this edition we give the last version, supplemented with the minor changes and signs that can be found in the string parts.'.