| 5 Folk Songs Breitkopf & Härtel
Piano Trio SKU: BR.EB-9382 Composed by Shen Ye. Chamber music; stapled. E...(+)
Piano Trio SKU: BR.EB-9382 Composed by Shen Ye. Chamber music; stapled. Edition Breitkopf. Music post-1945; New music (post-2000). Score. Composed 2011. 64 pages. Duration 17'. Breitkopf and Haertel #EB 9382. Published by Breitkopf and Haertel (BR.EB-9382). ISBN 9790004188521. 9 x 12 inches. This work was commissioned by the Phoenix Concerts of New York State Council. I clarified that I tend to provide sensation, instead of telling a story under the frame of the Folk Tale Project. It's the sensation of a traveller, stranger, geographical, temporal or cultural, while he/she reaches a new spot just with his/her memories, knowledges and songs. The work Five Folk Songs is about exploration and integration. Folk song is just like the goblet. Every time it is refilled, the fragrance of wine is different. From the goblet she drinks Muscat. Happy or sad in her heart fulfilled? It is also variant. The Five Folk Songs could be listened to paradigmatically. You may notice that essentially the Folk Songs are like the wine bottles, Bartok, Brahms, Berio..., composers pour their thinking and consciousness into. (SHEN Ye)
World premiere: New York City, Church of St. Matthew & St. Timothy, December 9, 2011. $58.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Hope Arriving (Advent) - Orchestration Word Music
Various instruments SKU: WD.080689483677 Composed by Christy Semsen. Arra...(+)
Various instruments SKU: WD.080689483677 Composed by Christy Semsen. Arranged by David Hamilton. Choral, cantatas. Eastertide. Orchestration. Word Music #080689483677. Published by Word Music (WD.080689483677). UPC: 080689483677. For centuries, believers have celebrated the season of Advent (or coming) in anticipation of the celebration of Christ's arrival. Hope Arriving offers a unique and refreshing means to easily yet powerfully usher in this special season. Five anthems (one for each Sunday of Advent plus one for Christmas) are included, centering around the five candles/themes of Advent and Christmas. Each song can be performed separately during Advent and Christmas or together as a special, 25-minute Advent worship experience. David Hamilton brings his signature of stunning arranging/orchestrations in a perfect blend from chamber to fuller instrumentations. Christy Semsen's optional narrative offers the opportunity to have church laypeople and/or families to read prior to each song. An optional devotional booklet is available separately for choir members or the entire church to enrich the experience. Songs include the breathtaking Be Born In Me (as recorded by Francesca Battistelli) along with favorite carols and two brand new songs penned by David Hamilton (Glory to God and Tiny Little Town). Create an unforgettable Advent experience for your church and community with Hope Arriving. $300.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Consoliere Classic Volume 3 Organ GIA Publications
Organ SKU: GI.G-003062 Advent and Christmas. Composed by Alison Lu...(+)
Organ SKU: GI.G-003062 Advent and Christmas. Composed by Alison Luedecke. Edited by Alison Luedecke. Advent, Christmastide. Tune Name: Dix, Aie Schön Leuchtet, Aderte Fideles, In Dulci Jubilo, Mueller, Picardy, Es Ist Ein Ros, Venez, Divin Messie. Sacred. 28 pages. GIA Publications #003062. Published by GIA Publications (GI.G-003062). UPC: 641151030623. Responding to the pastoral needs of church musicians, Luedecke researched WLP's extensive organ library and edited five volumes of music that are musts for any church organist. Table of Contents As with Gladness, Johannes Petrus Algra How Brightly Shines the Morning Star, Johann Christoph Bach O Come, All Ye Faithful, John Hebden Schnaffer Good Christian Friends, Rejoice, Wolfgang Bottenberg Away in a Manger, Robert Hilf Good Christian Friends, Rejoice, Anonymous Let All Mortal Flesh Keep Silence, C. Griffith Bratt Lo, How A Rose E'er Blooming, C. Griffith Bratt O Come, Divine Messiah, César Franck O Come, All Ye Faithful, André Fleury. $12.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Requiem in C major Organ Carus Verlag
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 cl...(+)
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ SKU: CA.2731515 Composed by Charles Francois Gounod. Edited by Barbara Grossmann. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; French Sacred Music. Requiem (Gounods Letztes Werk). Sacred vocal music, Requiem, End of the church year, Mourning, death. Single Part, Double Bass. CG op. Posth. 8 pages. Duration 35 minutes. Carus Verlag #CV 27.315/15. Published by Carus Verlag (CA.2731515). ISBN 9790007201739. Key: C major. Language: Latin. Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and part available separately - see item CA.2731500. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Requiem in C major Organ Carus Verlag
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 cl...(+)
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ SKU: CA.2731509 Composed by Charles Francois Gounod. Edited by Barbara Grossmann. This edition: urtext. 1x 27.315/21 flute 1, 1x 27.315/22 flute 2, 1x 27.315/23 oboe 1, 1x 27.315/24 oboe 2, 1x 27.315/25 clarinet 1, 1x 27.315/26 clarinet 2, 1x 27.315/27 bassoon 1, 2x 27.315/28 bassoon 2, 1x 27.315/31 horn 1, 1x 27.315/32 horn 2, 1x 27.315/33 horn 3, 1x 27.31. Stuttgart Urtext Edition: Urtext Editions; French Sacred Music. Requiem (Gounods Letztes Werk). Sacred vocal music, Requiem, End of the church year, Mourning, death. Set of Orchestra Parts. CG op. Posth. 104 pages. Duration 35 minutes. Carus Verlag #CV 27.315/09. Published by Carus Verlag (CA.2731509). ISBN 9790007201685. Key: C major. Language: Latin. Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and parts available separately - see item CA.2731500. $82.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Requiem in C major Organ Carus Verlag
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 cl...(+)
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ SKU: CA.2731513 Composed by Charles Francois Gounod. Edited by Barbara Grossmann. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; French Sacred Music. Requiem (Gounods Letztes Werk). Sacred vocal music, Requiem, End of the church year, Mourning, death. Single Part, Viola. CG op. Posth. 12 pages. Duration 35 minutes. Carus Verlag #CV 27.315/13. Published by Carus Verlag (CA.2731513). ISBN 9790007201715. Key: C major. Language: Latin. Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and part available separately - see item CA.2731500. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Requiem in C major Organ Carus Verlag
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 cl...(+)
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ SKU: CA.2731519 Composed by Charles Francois Gounod. Edited by Barbara Grossmann. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; French Sacred Music. German title: Requiem (Gounods Letztes Werk). Sacred vocal music, Requiem, End of the church year, Mourning, death. Set of Orchestra Parts. CG op. Posth. Duration 35 minutes. Carus Verlag #CV 27.315/19. Published by Carus Verlag (CA.2731519). ISBN 9790007137366. Key: C major. Language: Latin. Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and parts available separately - see item CA.2731500. $222.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Requiem in C major Organ Carus Verlag
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 cl...(+)
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ SKU: CA.2731512 Composed by Charles Francois Gounod. Edited by Barbara Grossmann. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; French Sacred Music. Requiem (Gounods Letztes Werk). Sacred vocal music, Requiem, End of the church year, Mourning, death. Single Part, Violin 2. CG op. Posth. 12 pages. Duration 35 minutes. Carus Verlag #CV 27.315/12. Published by Carus Verlag (CA.2731512). ISBN 9790007201708. Key: C major. Language: Latin. Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and part available separately - see item CA.2731500. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Requiem in C major Organ Carus Verlag
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 cl...(+)
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ SKU: CA.2731511 Composed by Charles Francois Gounod. Edited by Barbara Grossmann. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; French Sacred Music. Requiem (Gounods Letztes Werk). Sacred vocal music, Requiem, End of the church year, Mourning, death. Single Part, Violin. CG op. Posth. 12 pages. Duration 35 minutes. Carus Verlag #CV 27.315/11. Published by Carus Verlag (CA.2731511). ISBN 9790007201692. Key: C major. Language: Latin. Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and part available separately - see item CA.2731500. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Requiem in C major Organ Carus Verlag
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 cl...(+)
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ SKU: CA.2731500 Composed by Charles Francois Gounod. Edited by Barbara Grossmann. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; French Sacred Music. German title: Requiem (Gounods Letztes Werk). Sacred vocal music, Requiem, End of the church year, Mourning, death. Full score. CG op. Posth. 136 pages. Duration 35 minutes. Carus Verlag #CV 27.315/00. Published by Carus Verlag (CA.2731500). ISBN 9790007095604. Key: C major. Language: Latin. Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. $91.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Requiem in C major Organ Carus Verlag
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 cl...(+)
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ SKU: CA.2731514 Composed by Charles Francois Gounod. Edited by Barbara Grossmann. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; French Sacred Music. Requiem (Gounods Letztes Werk). Sacred vocal music, Requiem, End of the church year, Mourning, death. Single Part, Cello. CG op. Posth. 8 pages. Duration 35 minutes. Carus Verlag #CV 27.315/14. Published by Carus Verlag (CA.2731514). ISBN 9790007201722. Key: C major. Language: Latin. Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and part available separately - see item CA.2731500. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Requiem in C major Organ Carus Verlag
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 cl...(+)
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ SKU: CA.2731549 Composed by Charles Francois Gounod. Edited by Barbara Grossmann. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; French Sacred Music. Requiem (Gounods Letztes Werk). Sacred vocal music, Requiem, End of the church year, Mourning, death. Single Part, Organ. CG op. Posth. 4 pages. Duration 35 minutes. Carus Verlag #CV 27.315/49. Published by Carus Verlag (CA.2731549). ISBN 9790007201746. Key: C major. Language: Latin. Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and part available separately - see item CA.2731500. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Omnia vanitas Choral SSATB - Easy Oxford University Press
SSATB choir, a cappella (SATB) - easy SKU: OU.9780193953956 Composed by S...(+)
SSATB choir, a cappella (SATB) - easy SKU: OU.9780193953956 Composed by Samuel Wesley. Edited by Richard Lyne. Sacred choral - mixed voices. Church Music Society Publications. Sacred, Choral Leaflet. Vocal score. 16 pages. Duration 6'. Oxford University Press #9780193953956. Published by Oxford University Press (OU.9780193953956). ISBN 9780193953956. 12 x 8 inches. For SSATB unaccompanied This piece was cited as an example of good church music in S.S.Wesley's pamphlet about the state of church music in 1849. The text had significance for Samuel Wesley as these were the last words said to him by his father. He uses the unusual key (for the time) of C sharp minor, giving the work a special intensity. $4.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Easy Hymn Favorites Trumpet [Sheet music + CD] - Easy Carl Fischer
By George J. Elvey; Henri F. Hemy; John B. Dykes; Ludwig Van Beethoven; Lyra Dav...(+)
By George J. Elvey; Henri F. Hemy; John B. Dykes; Ludwig Van Beethoven; Lyra Davidica; Martin Luther; Samuel Sebastian Wesley. Arranged by Larry Clark. For Trumpet. E-Solos - a Series for Solo Instruments With CD Play Along and Piano Accompaniment. Classical. Score and Audio CD. 16 pages. Published by Carl Fischer.
$14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| What Can I Play on Sunday?, Complete Collection Piano solo - Intermediate Alfred Publishing
(60 Easily Prepared Piano Arrangements for Services Throughout the Year). Arrang...(+)
(60 Easily Prepared Piano Arrangements for Services Throughout the Year). Arranged by Cindy Berry. For Piano. Book; Piano Collection; Piano Supplemental. Sacred Performer Collections. Sacred. Late Intermediate. 232 pages. Published by Alfred Music
$35.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Seven Last Words of Our Saviour on the Cross Carus Verlag
Orchestra Soli SSATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, Cfg, 2 Cor, 2 Tr, 2 Tr...(+)
Orchestra Soli SSATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, Cfg, 2 Cor, 2 Tr, 2 Trb, Timp, 2 Vl, Va, Vc, Cb SKU: CA.5199219 Composed by Franz Joseph Haydn. Edited by Wolfgang Hochstein. Set of Orchestra Parts. Composed 1796. Hob. XX:2. Duration 65 minutes. Carus Verlag #5199200. Published by Carus Verlag (CA.5199219). ISBN 9790007293147. German. Text: van Swieten, Gottfried. Joseph Haydn's oratorio Die sieben letzten Worte unseres Erlosers am Kreuze is probably one of the most frequently performed settings of music for Good Friday. Haydn set these Seven Words in a dramatic, extremely gripping emotional style which is utterly compelling. Originally the work was conceived as a purely instrumental composition - as meditative music in seven slow movements with an introduction and concluding movement (Il Terremoto - the earthquake) for a Passiontide church service. From the outset, Haydn had composed the themes of the movements with a vocal spirit in mind, so when he heard a vocal arrangement of his work in 1794 in Passau with a German singing text - an obvious idea - it inspired him to write his own vocal version. The first performance took place in 1796 in Vienna. With the flourishing of choral societies in the 19th century, this vocal version of the Seven Words became one of the most frequently-performed Passion music settings of all. The critical Urtext edition of the work now published offers a revised musical text reflecting current scholarly standards. $316.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Seven Last Words of Our Saviour on the Cross Carus Verlag
Orchestra Soli SSATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, Cfg, 2 Cor, 2 Tr, 2 Tr...(+)
Orchestra Soli SSATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, Cfg, 2 Cor, 2 Tr, 2 Trb, Timp, 2 Vl, Va, Vc, Cb SKU: CA.5199203 Composed by Franz Joseph Haydn. Edited by Wolfgang Hochstein. Vocal score. Composed 1796. Hob. XX:2. 104 pages. Duration 65 minutes. Carus Verlag #5199200. Published by Carus Verlag (CA.5199203). ISBN 9790007186661. German. Text: van Swieten, Gottfried. Joseph Haydn's oratorio Die sieben letzten Worte unseres Erlosers am Kreuze is probably one of the most frequently performed settings of music for Good Friday. Haydn set these Seven Words in a dramatic, extremely gripping emotional style which is utterly compelling. Originally the work was conceived as a purely instrumental composition - as meditative music in seven slow movements with an introduction and concluding movement (Il Terremoto - the earthquake) for a Passiontide church service. From the outset, Haydn had composed the themes of the movements with a vocal spirit in mind, so when he heard a vocal arrangement of his work in 1794 in Passau with a German singing text - an obvious idea - it inspired him to write his own vocal version. The first performance took place in 1796 in Vienna. With the flourishing of choral societies in the 19th century, this vocal version of the Seven Words became one of the most frequently-performed Passion music settings of all. The critical Urtext edition of the work now published offers a revised musical text reflecting current scholarly standards. $22.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Seven Last Words of Our Saviour on the Cross Carus Verlag
Orchestra Soli SSATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, Cfg, 2 Cor, 2 Tr, 2 Tr...(+)
Orchestra Soli SSATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, Cfg, 2 Cor, 2 Tr, 2 Trb, Timp, 2 Vl, Va, Vc, Cb SKU: CA.5199205 Composed by Franz Joseph Haydn. Edited by Wolfgang Hochstein. Choral Score. Composed 1796. Hob. XX:2. 40 pages. Duration 65 minutes. Carus Verlag #5199200. Published by Carus Verlag (CA.5199205). ISBN 9790007186654. German. Text: van Swieten, Gottfried. Joseph Haydn's oratorio Die sieben letzten Worte unseres Erlosers am Kreuze is probably one of the most frequently performed settings of music for Good Friday. Haydn set these Seven Words in a dramatic, extremely gripping emotional style which is utterly compelling. Originally the work was conceived as a purely instrumental composition - as meditative music in seven slow movements with an introduction and concluding movement (Il Terremoto - the earthquake) for a Passiontide church service. From the outset, Haydn had composed the themes of the movements with a vocal spirit in mind, so when he heard a vocal arrangement of his work in 1794 in Passau with a German singing text - an obvious idea - it inspired him to write his own vocal version. The first performance took place in 1796 in Vienna. With the flourishing of choral societies in the 19th century, this vocal version of the Seven Words became one of the most frequently-performed Passion music settings of all. The critical Urtext edition of the work now published offers a revised musical text reflecting current scholarly standards. $11.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Seven Last Words of Our Saviour on the Cross Carus Verlag
Orchestra Soli SSATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, Cfg, 2 Cor, 2 Tr, 2 Tr...(+)
Orchestra Soli SSATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, Cfg, 2 Cor, 2 Tr, 2 Trb, Timp, 2 Vl, Va, Vc, Cb SKU: CA.5199200 Composed by Franz Joseph Haydn. Edited by Wolfgang Hochstein. Carus digital: Extra digital products. Full Score. Composed 1796. Hob. XX:2. 212 pages. Duration 65 minutes. Published by Carus Verlag (CA.5199200). ISBN 9790007186647. German. Text: van Swieten, Gottfried. Joseph Haydn's oratorio Die sieben letzten Worte unseres Erlosers am Kreuze is probably one of the most frequently performed settings of music for Good Friday. Haydn set these Seven Words in a dramatic, extremely gripping emotional style which is utterly compelling. Originally the work was conceived as a purely instrumental composition - as meditative music in seven slow movements with an introduction and concluding movement (Il Terremoto - the earthquake) for a Passiontide church service. From the outset, Haydn had composed the themes of the movements with a vocal spirit in mind, so when he heard a vocal arrangement of his work in 1794 in Passau with a German singing text - an obvious idea - it inspired him to write his own vocal version. The first performance took place in 1796 in Vienna. With the flourishing of choral societies in the 19th century, this vocal version of the Seven Words became one of the most frequently-performed Passion music settings of all. The critical Urtext edition of the work now published offers a revised musical text reflecting current scholarly standards. $92.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Messe solennelle (Saint Cecile) for Soloists, Choir and Orchestra Organ Barenreiter
Organ SKU: BA.BA08966-67 Composed by Charles Francois Gounod. Edited by H...(+)
Organ SKU: BA.BA08966-67 Composed by Charles Francois Gounod. Edited by Hans Schellevis. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. 15 pages. Baerenreiter Verlag #BA08966_67. Published by Baerenreiter Verlag (BA.BA08966-67). ISBN 9790006563999. 32.5 x 25.5 cm inches. Sacred works occupy a large part of Charles Gounod's oeuvre. It was the Messe solennelle en l'honneur de Sainte Cecile that established his fame as a church composer. Its melodic invention and effective handling of the orchestra reveal a close proximity to opera. This Urtext edition is based not only on the original print of 1856 but also on copyists' manuscripts and autograph sources. Rounding off this well-researched Urtext edition are an informative Introduction and a detailed Critical Commentary. The edition is being published to celebrate the 200th anniversary of Gounod's birth. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$17.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Old Hundredth Brass ensemble - Intermediate Anglo Music
Brass Band - Grade 3 SKU: BT.AMP-238-130 Composed by Louis Bourgeois. Arr...(+)
Brass Band - Grade 3 SKU: BT.AMP-238-130 Composed by Louis Bourgeois. Arranged by Philip Sparke. Anglo Music Midway Series. Hymns & Chorals. Score Only. Composed 2008. 16 pages. Anglo Music Press #AMP 238-130. Published by Anglo Music Press (BT.AMP-238-130). 9x12 inches. English-German-French-Dutch. The tune Old Hundredth is one of the best-known melodies in all Christian musical traditions and first appeared in the 1551 psalter Pseaumes Octante Trois de David, where it is used as a setting for a version of Psalm 134; it is usually attributed to the French composer Louis Bourgeois (c.1510 - c.1560). The melody was then used in 1561 by the Scots clergyman, William Kethe in Sternhold and Hopkins’ Psalter for his paraphrase of Psalm 100 - All People that on Earth do Dwell<(I>, which is still the most familiar hymn sung to this noble tune. When Tate and Brady’s New Version of the Psalms was published in 1696, the melody became know as the ‘old’ version - henceits current title. This arrangement presents three contrasting verses and is effective as a concert piece as well as an instrumental interlude as part of a church service or wedding.
De melodie van Old Hundredth is een van de bekendste in alle christelijke muziektradities, ze verscheen voor het eerst in Pseaumes Octante Trois de David uit 1551. De muziek wordt meestal toegeschreven aan de Fransecomponist Louis Bourgeois (ca.1510-ca.1560). In 1561werd de melodie gebruikt door de Schotse geestelijke William Kethe voor zijn parafrase van psalm 100. Later werd de melodie in Engeland bekend als de ‘oude’ versie - daar komt ookde huidige titel vandaan. Dit arrangement, met drie contrasterende coupletten, is geschikt als concertwerk of als instrumentaal tussenspel tijdens een kerkdienst of huwelijksceremonie.
Old Hundtredth ist eine der bekanntesten Melodien aller christlichen Musiküberlieferungen. Es erschien erstmals in dem Psalter Pseaumes Octante Trois de David von 1551, wo es als Satz für zwei Psalmen verwendet wurde. Diese Bearbeitung präsentiert drei kontrastierende Strophen und kann sehr wirkungsvoll sowohl als Konzertwerk als auch als instrumentales Zwischenspiel in einem Gottesdienst oder während einer Hochzeitszeremonie eingesetzt werden.
L’hymne Old Hundredth est une des plus célèbres hymnes chrétiennes de tous les temps. Elle fut publiée pour la première fois en 1551 dans le psautier de Genève Pseaumes octante-trois de David avec accompagnement du Psaume 134. La mélodie est fréquemment attribuée au compositeur français Louis Bourgeois (vers 1510-vers 1560).En 1561, William Kethe, un pasteur écossais, reprend la mélodie pour réaliser une paraphrase du Psaume 100, All People that on Earth do Dwell (Vous tous, habitants de la terre !), qui sera publiée dans le Psautier de Sternhold et Hopkins. Cette paraphrase reste le texte le plus chanté sur la mélodie de Bourgeois. En 1696,Nahum Tate et Nicholas Brady réalisent une Nouvelle Version des Psaumes de David (New Version of the Psalms). Par opposition la version révisée de la mélodie, la version initiale prend alors le nom de Old Hundredth, autrement dit « l’ancienne version du Psaume 100 ». $21.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Old Hundredth Concert band - Intermediate Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-238-140 Composed by Louis Bou...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-238-140 Composed by Louis Bourgeois. Arranged by Philip Sparke. Anglo Music Midway Series. Hymns & Chorals. Score Only. Composed 2007. 16 pages. Anglo Music Press #AMP 238-140. Published by Anglo Music Press (BT.AMP-238-140). 9x12 inches. English-German-French-Dutch. The tune Old Hundredth is one of the best-known melodies in all Christian musical traditions and first appeared in the 1551 psalter Pseaumes Octante Trois de David, where it is used as a setting for a version of Psalm 134; it is usually attributed to the French composer Louis Bourgeois (c.1510 - c.1560). The melody was then used in 1561 by the Scots clergyman, William Kethe in Sternhold and Hopkins’ Psalter for his paraphrase of Psalm 100 - All People that on Earth do Dwell<(I>, which is still the most familiar hymn sung to this noble tune. When Tate and Brady’s New Version of the Psalms was published in 1696, the melody became know as the ‘old’ version - henceits current title. This arrangement presents three contrasting verses and is effective as a concert piece as well as an instrumental interlude as part of a church service or wedding.
De melodie van Old Hundredth is een van de bekendste in alle christelijke muziektradities, ze verscheen voor het eerst in Pseaumes Octante Trois de David uit 1551. De muziek wordt meestal toegeschreven aan de Fransecomponist Louis Bourgeois (ca.1510-ca.1560). In 1561werd de melodie gebruikt door de Schotse geestelijke William Kethe voor zijn parafrase van psalm 100. Later werd de melodie in Engeland bekend als de ‘oude’ versie - daar komt ookde huidige titel vandaan. Dit arrangement, met drie contrasterende coupletten, is geschikt als concertwerk of als instrumentaal tussenspel tijdens een kerkdienst of huwelijksceremonie.
Old Hundtredth ist eine der bekanntesten Melodien aller christlichen Musiküberlieferungen. Es erschien erstmals in dem Psalter Pseaumes Octante Trois de David von 1551, wo es als Satz für zwei Psalmen verwendet wurde. Diese Bearbeitung präsentiert drei kontrastierende Strophen und kann sehr wirkungsvoll sowohl als Konzertwerk als auch als instrumentales Zwischenspiel in einem Gottesdienst oder während einer Hochzeitszeremonie eingesetzt werden.
L’hymne Old Hundredth est une des plus célèbres hymnes chrétiennes de tous les temps. Elle fut publiée pour la première fois en 1551 dans le psautier de Genève Pseaumes octante-trois de David avec accompagnement du Psaume 134. La mélodie est fréquemment attribuée au compositeur français Louis Bourgeois (vers 1510-vers 1560).En 1561, William Kethe, un pasteur écossais, reprend la mélodie pour réaliser une paraphrase du Psaume 100, All People that on Earth do Dwell (Vous tous, habitants de la terre !), qui sera publiée dans le Psautier de Sternhold et Hopkins. Cette paraphrase reste le texte le plus chanté sur la mélodie de Bourgeois. En 1696,Nahum Tate et Nicholas Brady réalisent une Nouvelle Version des Psaumes de David (New Version of the Psalms). Par opposition la version révisée de la mélodie, la version initiale prend alors le nom de Old Hundredth, autrement dit « l’ancienne version du Psaume 100 ».Cet arrangement présente trois strophes contrastantes. Il peut être interprété comme une œuvre de concert ou comme un interlude dans le cadre d’un office religieux ou d’une cérémonie de mariage. $21.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Old Hundredth Brass ensemble - Intermediate Anglo Music
Brass Band - Grade 3 SKU: BT.AMP-238-030 Composed by Louis Bourgeois. Arr...(+)
Brass Band - Grade 3 SKU: BT.AMP-238-030 Composed by Louis Bourgeois. Arranged by Philip Sparke. Anglo Music Midway Series. Hymns & Chorals. Set (Score & Parts). Composed 2008. Anglo Music Press #AMP 238-030. Published by Anglo Music Press (BT.AMP-238-030). 9x12 inches. English-German-French-Dutch. The tune Old Hundredth is one of the best-known melodies in all Christian musical traditions and first appeared in the 1551 psalter Pseaumes Octante Trois de David, where it is used as a setting for a version of Psalm 134; it is usually attributed to the French composer Louis Bourgeois (c.1510 - c.1560). The melody was then used in 1561 by the Scots clergyman, William Kethe in Sternhold and Hopkins’ Psalter for his paraphrase of Psalm 100 - All People that on Earth do Dwell<(I>, which is still the most familiar hymn sung to this noble tune. When Tate and Brady’s New Version of the Psalms was published in 1696, the melody became know as the ‘old’ version - henceits current title. This arrangement presents three contrasting verses and is effective as a concert piece as well as an instrumental interlude as part of a church service or wedding.
De melodie van Old Hundredth is een van de bekendste in alle christelijke muziektradities, ze verscheen voor het eerst in Pseaumes Octante Trois de David uit 1551. De muziek wordt meestal toegeschreven aan de Fransecomponist Louis Bourgeois (ca.1510-ca.1560). In 1561werd de melodie gebruikt door de Schotse geestelijke William Kethe voor zijn parafrase van psalm 100. Later werd de melodie in Engeland bekend als de ‘oude’ versie - daar komt ookde huidige titel vandaan. Dit arrangement, met drie contrasterende coupletten, is geschikt als concertwerk of als instrumentaal tussenspel tijdens een kerkdienst of huwelijksceremonie.
Old Hundtredth ist eine der bekanntesten Melodien aller christlichen Musiküberlieferungen. Es erschien erstmals in dem Psalter Pseaumes Octante Trois de David von 1551, wo es als Satz für zwei Psalmen verwendet wurde. Diese Bearbeitung präsentiert drei kontrastierende Strophen und kann sehr wirkungsvoll sowohl als Konzertwerk als auch als instrumentales Zwischenspiel in einem Gottesdienst oder während einer Hochzeitszeremonie eingesetzt werden.
L’hymne Old Hundredth est une des plus célèbres hymnes chrétiennes de tous les temps. Elle fut publiée pour la première fois en 1551 dans le psautier de Genève Pseaumes octante-trois de David avec accompagnement du Psaume 134. La mélodie est fréquemment attribuée au compositeur français Louis Bourgeois (vers 1510-vers 1560).En 1561, William Kethe, un pasteur écossais, reprend la mélodie pour réaliser une paraphrase du Psaume 100, All People that on Earth do Dwell (Vous tous, habitants de la terre !), qui sera publiée dans le Psautier de Sternhold et Hopkins. Cette paraphrase reste le texte le plus chanté sur la mélodie de Bourgeois. En 1696,Nahum Tate et Nicholas Brady réalisent une Nouvelle Version des Psaumes de David (New Version of the Psalms). Par opposition la version révisée de la mélodie, la version initiale prend alors le nom de Old Hundredth, autrement dit « l’ancienne version du Psaume 100 ». $75.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Old Hundredth Concert band - Intermediate Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-238-010 Composed by Louis Bou...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-238-010 Composed by Louis Bourgeois. Arranged by Philip Sparke. Anglo Music Midway Series. Hymns & Chorals. Set (Score & Parts). Composed 2007. Anglo Music Press #AMP 238-010. Published by Anglo Music Press (BT.AMP-238-010). 9x12 inches. English-German-French-Dutch. The tune Old Hundredth is one of the best-known melodies in all Christian musical traditions and first appeared in the 1551 psalter Pseaumes Octante Trois de David, where it is used as a setting for a version of Psalm 134; it is usually attributed to the French composer Louis Bourgeois (c.1510 - c.1560). The melody was then used in 1561 by the Scots clergyman, William Kethe in Sternhold and Hopkins’ Psalter for his paraphrase of Psalm 100 - All People that on Earth do Dwell<(I>, which is still the most familiar hymn sung to this noble tune. When Tate and Brady’s New Version of the Psalms was published in 1696, the melody became know as the ‘old’ version - henceits current title. This arrangement presents three contrasting verses and is effective as a concert piece as well as an instrumental interlude as part of a church service or wedding.
De melodie van Old Hundredth is een van de bekendste in alle christelijke muziektradities, ze verscheen voor het eerst in Pseaumes Octante Trois de David uit 1551. De muziek wordt meestal toegeschreven aan de Fransecomponist Louis Bourgeois (ca.1510-ca.1560). In 1561werd de melodie gebruikt door de Schotse geestelijke William Kethe voor zijn parafrase van psalm 100. Later werd de melodie in Engeland bekend als de ‘oude’ versie - daar komt ookde huidige titel vandaan. Dit arrangement, met drie contrasterende coupletten, is geschikt als concertwerk of als instrumentaal tussenspel tijdens een kerkdienst of huwelijksceremonie.
Old Hundtredth ist eine der bekanntesten Melodien aller christlichen Musiküberlieferungen. Es erschien erstmals in dem Psalter Pseaumes Octante Trois de David von 1551, wo es als Satz für zwei Psalmen verwendet wurde. Diese Bearbeitung präsentiert drei kontrastierende Strophen und kann sehr wirkungsvoll sowohl als Konzertwerk als auch als instrumentales Zwischenspiel in einem Gottesdienst oder während einer Hochzeitszeremonie eingesetzt werden.
L’hymne Old Hundredth est une des plus célèbres hymnes chrétiennes de tous les temps. Elle fut publiée pour la première fois en 1551 dans le psautier de Genève Pseaumes octante-trois de David avec accompagnement du Psaume 134. La mélodie est fréquemment attribuée au compositeur français Louis Bourgeois (vers 1510-vers 1560).En 1561, William Kethe, un pasteur écossais, reprend la mélodie pour réaliser une paraphrase du Psaume 100, All People that on Earth do Dwell (Vous tous, habitants de la terre !), qui sera publiée dans le Psautier de Sternhold et Hopkins. Cette paraphrase reste le texte le plus chanté sur la mélodie de Bourgeois. En 1696,Nahum Tate et Nicholas Brady réalisent une Nouvelle Version des Psaumes de David (New Version of the Psalms). Par opposition la version révisée de la mélodie, la version initiale prend alors le nom de Old Hundredth, autrement dit « l’ancienne version du Psaume 100 ». $115.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Easy Piano Classics: 104 Pieces for Early and Intermediate Players Piano solo [Sheet music] - Easy Dover Publications
Edited by Ronald Herder. For Piano. Piano Collection. Masterwork. Book. Publishe...(+)
Edited by Ronald Herder. For Piano. Piano Collection. Masterwork. Book. Published by Dover Publications.
$14.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Hymn Enhancements for Piano: 30 Introductions, Interludes, and Reharmonizations Piano solo - Intermediate MorningStar Music Publishers
Composed by Anna Laura Page. Accompaniments/Intros. 21st Century. Published by...(+)
Composed by Anna Laura Page.
Accompaniments/Intros. 21st
Century. Published by
MorningStar Music Publishers
$23.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Christ Is Risen! Alleluia! (Bulk Cds) - Easy Lillenas Publishing Co.
Unison or 2-part choir - Easy SKU: LP.765762117525 An Easter Presentat...(+)
Unison or 2-part choir - Easy SKU: LP.765762117525 An Easter Presentation of 5 Songs in Unison/2-Part. Composed by Marty Parks. Arranged by J. Daniel Smith. This edition: Paperback. Musical. Worship in Unison. Traditional and Sacred. Bulk CDs (10 pack). Published by Lillenas Publishing Company (LP.765762117525). UPC: 765762117525. Because we are committed to serving the needs of church choirs of all sizes - and especially those of smaller choirs in the real world - we're excited to offer you Christ Is Risen! Alleluia!, the latest from our Worship in Unison Series. We feel certain you'll appreciate the flexibility and accessibility built into the vocal arrangements here. And the theme and celebratory nature of this new, 15-minute musical is just right for Easter Sunday morning worship, leaving enough time for other elements of the service. While the entire work can be sung in unison, there are a few optional voice divisions available to you. And you can assign these however you wish, the choice is yours! Because the opening and closing medleys in this musical include lots of familiar material, the option of including the congregation on these selections is obvious. The narrations are taken exclusively from the book of I John, so the theme of God's love in Christ is prominent. The narrator may read these passages dressed in street clothes. Or, for added dramatic effect, you may choose to have the narrator portray the apostle John, dressed in biblical attire, and reading as if from his actual letters. We're honored to partner with you in your ministry. May the reality of the risen Christ be very real to you this Easter season and throughout the year. Bulk pack of ten performance demo CDs, each in a paper sleeve; useful as an aid for choir members learning music. Value-priced. $59.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Hymn Mashups Collection - Choral Book Choral SATB Word Music
SATB choir - Moderate SKU: WD.080689661174 Composed by Cliff Duren. Book....(+)
SATB choir - Moderate SKU: WD.080689661174 Composed by Cliff Duren. Book. Word Music #080689661174. Published by Word Music (WD.080689661174). UPC: 080689661174. Following on the heels of the success of The Worship Mashups Collection, from Word Music and Church Resources, and riding on the cusp of Church music innovation, comes the latest release in the Worship Mashups Series, The Hymn Mashups Collection, arranged and orchestrated by Cliff Duren. In these unique Hymn Mashups featuring two or more hymns joined together by flawless transitions, with lyrics weaving in and out, back and forth, creating a thematic canvas resulting in a new, hybrid composition, at once both fresh and familiar. These 9 uplifting, new hymn mashup arrangements iconic hymn titles such as Great Is Thy Faithfulness; It Is Well with My Soul; I Surrender All; This Is My Fatherââ¬â¢s World; I Sing The Mighty Power of God; Take My Life, and Let It Be Consecrated; To God Be the Glory; My Jesus, I Love Thee; At Calvary and many more. $12.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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