SKU: BT.YE0075

Four Double Basses. Eight well-known Christmas carols in a new guise. Score and parts.

The Programme of Christmas Carols was first performed in New Orleans in 1976. In its original version, the players were required to wear Dickensian costume and a seasonal narrative preceded each of the carol arrangements. The texts appear below.

Duration without text: c.20 minutes
Duration with text: c.45 minutes

Introduction by Robert Rohe

The introductory text, assembled with the kind assistance of Father Peacock of Loyola University of New Orleans, was designed for use where the receptivity of the audience warrants. So little is known about thebeloved Christmas carols, it is fitting that a brief sketch of the carols' past be used to enhance the familiar music.

If desired, the introductory text may be omitted at the discretion of the performers.

The brief text preceding each carol should be used to acquaint the audience with what to expect, from a quartet that will be playing the unexpected. The text also will pace the program and will extend performance time to around 45 minutes.

In performance, the bass viol quartet of New Orleans wore peaked caps, and turtle necked sweaters to simulate the street performers of Dickens' time. The choice of four string basses for this program was to bring the closest relatives of the true viol into play.

History and development of the Christmas Carol

The celebration of the birth of Jesus Christ has been observed for nearly 2,000 years, through the ritual of the Christian Church, with part of that ritual being devoted to celebration in song. In those early days, church music was sung only, no musical instruments taking part in the service.

The type of song used by the church had the name 'plain-song'. It was a single line of melody, plain and unadorned, sung by one or more voices. By the year 1660 A.D., it had developed a second name, 'The Gregorian Chant', after Pope Gregory, who encouraged the use.

SKU: PR.RL40940

SKU: MB.94367M

ISBN 9780786691432. 8.75 x 11.75 inches.

Mel Bay's Complete Fiddling Book is a compilation of arrangements of traditional tunes by several outstanding practitioners of the art of fiddle playing: Craig Duncan, Bill Guest, Dave Reiner, Frank Zucco, and Joe Castle. From The Arkansas Traveler to The Yellow Rose of Texas, over 300 colorful fiddle tunes populated this book's 205 pages. Scant on text or historical notes, but long on musical content, the Complete Fiddling Book is a great resource for any fiddler or teacher in search of a delightful, toe-tapping repertoire. Although most of the tunes are written for solo fiddle, the last ten pieces are arranged as fiddle duets. A masterful solo collection presenting a vivid assortment of fiddling styles and repertoire.

Includes access to an online video containing fiddler Craig Duncan and guitarist Robert Bowlin performing 34 favorite tunes which are played at a slow and medium tempo to demonstrate many fiddling techniques. Split-screen filming features close-up angles of both the left hand and the bow. This video is the perfect companion to the Complete Fiddling Book, bringing the teacher right into your living room.

â?¢ Compilation of arrangements of traditional tunes
â?¢ Over 300 colorful fiddle tunes populate the 205 pages
â?¢ Most for solo fiddle, but the last ten pieces are arranged as fiddle duets
â?¢ Intermediate to advanced in difficulty
â?¢ Split-screen companion online video of 34 tunes performed by Craig Duncan and guitarist Robert Bowlin.

SKU: BT.ZMRL50350

German-English.

SKU: FJ.BB212SB

ISBN 9781619282148. English.

This supplemental band book provides a comprehensive and extensive approach to improving band intonation. Written by Texas band director Robert Herrings and composer Brian Balmages, the book contains comprehensive studies in every major and minor key, over 30 chorales with block chord studies, and free downloadable drones in every key for directors who do not have access to more expensive solutions or need an on the go option!

SKU: CL.023-3904-01

Real music using only the first 6 notes! The legend of Robin Hood has stirred the imaginations of countless millions over the generations. Robin Hood and the Golden Arrow by Robert W. Smith brings the legend to life for the beginning band. Using only six notes, the composition evokes exciting imagery through the use of soaring melody, energetic accompaniment figures and dynamic contrasts. The percussion section explores a variety of colors creating a musically rewarding experience for all. Suitable for concert and festival performance, this is beginning band writing at its finest!

SKU: CL.RWS-2219-01

Woodwind flourishes, soaring melodic lines and powerful brass characterize this new symphonic statement by composer Robert W. Smith. Inspired by the Carolinas, one of America's most beautiful and historic regions, the composer takes us on a musically panoramic journey across the skies. From the mountains in the west (high country) to the Atlantic coast in the east (low country), the mid-Atlantic region epitomizes geographic and cultural beauty that is uniquely American and decidedly Carolinian. A brilliant addition to your next concert or festival performance.

SKU: CL.023-4292-01

Based on the folk song I Know Where I'm Going, this setting of Scottish Lullaby by Robert W. Smith is an excellent choice for concert or contest. Dramatic and poignant, this is written in a British band tradition and will be an excellent addition to your regular concert repertoire. Very musical!