3 to 6 octave handbells - Level 4

SKU: BP.HB755

Composed by Jason W. Krug. General. With Handchimes. Score. Beckenhorst Press #HB755. Published by Beckenhorst Press (BP.HB755).

Written for 3 to 6 octave handbell choir. Level 4.

This exciting original tune from the pen of Jason Krug is not to be missed! Featuring alternating measures of 4/4 and 3/4, the joyful, memorable melody moves throughout the ensemble. Frequent interludes take the piece off in different directions before coming back to the melody once more. A slower, retrospective middle section gives a respite before the driving feeling returns once more to close the piece out in explosive, festive fashion!

(Easy Piano). Arranged by Dan Coates. For Piano. Book; Piano - Easy Piano Collection; Piano Supplemental. Top 50. Easy Piano. 196 pages. Published by Alfred Music Publishing

Composed by John Moss. MusicWorks Grade 3. Concert. Score and parts. Published by Hal Leonard

Bluegrass Banjo from A to Z. Composed by Ross Nickerson. Perfect binding. Encyclopedia. Book and online audio. Published by Mel Bay Publications, Inc (MB.99443M).

SATB choir, a cappella

SKU: OU.9780193866652

Composed by Rebecca Clarke. Vocal score. 8 pages. Duration 2.5'. Oxford University Press #9780193866652. Published by Oxford University Press (OU.9780193866652).

ISBN 9780193866652. 10 x 7 inches.

For unaccompanied SATB to words by from 'Twelfth Night' by William Shakespeare. Taken at a slow processional tempo this work has a predominantly canonic texture. The syncopated passages are at once sombre and sensual, and the balancing homphonic phrases achieve real power. A short, fairly easy piece that establishes a compelling mood, it is suitable for school and adult choirs.

By Erik Satie (1866-1925). Arranged by Bob Phillips. Orchestra. Masterworks; Score; String Orchestra. Sound Innovations for Strings. 20th Century; Masterwork Arrangement; Romantic. Grade 2. 8 pages. Published by Alfred Music

By Eastmond. For concert band. Concert Band. Level: Grade 3. Score and set of parts. Published by C.L. Barnhouse.

Concert Band Concert Band - Grade 1.5

SKU: FJ.B1753

Composed by William Owens. Concert Band. FJH Developing Band. Programmatic. Score and Part(s). Duration 2:00. The FJH Music Company Inc #98-B1753. Published by The FJH Music Company Inc (FJ.B1753).

UPC: 241444391754. English.

Take flight into mythology with this enchanting piece named for the legendary winged messenger himself! Beginning slowly and magically, the music suddenly becomes sprightly and playful. Your students and audiences will quickly take to this one - engaging and enchanting!

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Timpani, Triangle, Trombone, Trumpet 1, Trumpet 2, Tuba and more. - Grade 2

SKU: CF.YPS227F

Composed by William Harbinson. Sws. Yps. Full score. 16 pages. Duration 3 minutes, 40 seconds. Pembroke Music Co. #YPS227F. Published by Pembroke Music Co. (CF.YPS227F).

ISBN 9781491155202. UPC: 680160913749. 9 x 12 inches.

Sandhills Saga was commissioned by the Aberdeen Middle School Band of North Carolina led by Neil P. McCrimmon. The composition opens slowly and quietly with a principal theme presented by the flutes and oboe. The theme is repeated by the alto saxophones and trumpet in canon with the flutes, oboe and clarinets. The head motive of the theme is repeated and imitated, sometimes in inversion, as the A-section comes to a quiet close. The auxiliary percussion instruments play an integral role in creating the delicate colors of the A-section. The trumpets introduce the contrasting Alla marcia section and then are joined by the alto saxophones for a presentation of a syncopated, martial version of the principal theme. The low brass take the lead, in canon with the upper woodwinds, for a repetition of this theme. A quieter (but still syncopated) section provides contrast and leads to the return of the march theme. The low brass lead once again as the upper woodwinds provide an arching countermelody. A brief coda brings the work to a lively close.