SKU: HL.14025397
ISBN 9783937041094. 9.0x12.0x0.098 inches.
Arrangement of themes from Peter And The Wolf for recorder ensemble. Can be used in conjunction with the Piano accompaniment in this series. German Edition.
SKU: HL.4005849
UPC: 888680930196. 9.0x12.0x0.023 inches.
From a song shared by Squamish First Nation artist and performer Bob Baker, comes a new work for concert band shaped by Robert Buckley that will allow your students to experience the music of one of North America's First Peoples. Using aleatory elements, Spirit of the Wolf flows from a powerful pentatonic melody and grows into a work that is at once atmospheric and exciting. Dur: 3:20.
SKU: HL.4005805
UPC: 888680916381. 9.0x12.0x0.067 inches. Bob Baker/Robert Buckley.
From a song shared by Squamish First Nation artist and performer Bob Baker, comes a new work for concert band shaped by Robert Buckley that will allow your students to experience the music of one of North America's First Peoples. Using aleatory elements, Wolf Song flows from a powerful pentatonic melody and grows into a work that is at once atmospheric and exciting. Dur: 6:30.
SKU: HL.4005848
ISBN 9781540049735. UPC: 888680930189. 9.0x12.0x0.344 inches.
From a song shared by Squamish First Nation and performer Bob Baker, comes a new work for concert band shaped by Robert Buckley that will allow your students to experience the music of one of North America's First Peoples. Using aleatory elements, Spirit of the Wolf flows from a powerful pentatonic melody and grows into a work that is at once atmospheric and exciting. Dur: 3:20.
SKU: HL.49006662
ISBN 9790001072069. UPC: 841886030725. 7.75x11.0x0.377 inches. German.
Klage eines verliebten Schafers (Albert) * Ergotzlichkeit zur rechten Zeit (Krieger) * Die vergessene Phillis (Telemann) * Von Erschaffung Adam und Eva (Rathgeber) * Von allerhand Nasen * Ich kehre wiederum (anon) * Der lieben Sonne Licht und Pracht (Bach) * Die Sommernacht (Gluck) * Rhapsodie (Reichardt) * Um Mitternacht (Zelter) * Der Musensohn (Zelter) * Gegenliebe (Haydn) * Das Veilchen (Mozart) * An Chloe (Mozart) * Ich liebe dich (Beethoven) * Aus Goethe's Faust (Beethoven) * Heinrich der Vogler (Loewe) * Heidenroslein (Schubert) * An eine Quelle (Schubert) * Der Wanderer an den Mond (Schubert) * Der Musensohn (Schubert) * An Silvia (Schubert) * Das Waldschloss (Mendelssohn) * Aus den ostlichen Rosen (Schumann) * Erstes Grun (Schumann) * Fruhlingsfahrt (Schumann) * Ein Jungling liebt ein Madchen (Schumann) * Wenn ich ein Voglein war * Dein blaues Auge (Brahms) * Salamander * Klange (Brahms) * Traume (Wagner) * Die Konige (Cornelius) * Das verlassene Magdlein (Wolff) * Auf ein altes Bild (Wolff) * Der Musikant * Waldeinsamkeit (Reger) * Morgen (Strauss) * Untreu und Trost (Pfitzner) * Hans und Grethe (Mahler) * Lied der Zigeunerin (Tchaikovsky) * Die Gefangene (Dvorak) * Im Kahne (Grieg) * Span auf den Wellen (Sibelius) * Apres un Reve (Faure) * Le Faune (Debussy) * Gott, ach Gott im Himmel (Bartok) * Ganse, Schwane fliegen aus (Stravinsky) * Wiegenlied (Shostakovich) * Von der Freundlichkeit der Welt (Eisler) * Geh unter, schone Sonne (Fortner).
SKU: BT.GOB-000149-130
This piece was commissioned by Nordhordland Brass Seminar in 1990 and written for a youth band. The title referes to a story from norse mythology. “The Binding of the Wolf” is not a programmatic piece of music, but I felt that there was a kind of coherence between the music and the dramatic story: “...The wolf Fenrir was one of the demonic offspring of Loki, and as he grew up in Asgard among the gods, he became so huge and fierce that only Tyr was willing to feed him. It was decided that he must be bound, and Odin in his wisdom caused the cunning dwarfs to forge a chain which could not be broken. It was made from the invisible and yet potent powers ofthe world, such as the roots of a mountain, the noise of a moving cat, the breath of a fish. When completed, this chain seemed to be no more than a silken cord, but the wolf refused to let it be laid upon him unless one of the gods would put a hand between his jaws as a pledge that it was harmless. Only Tyr was prepared to do this, and when the wolf found that the chain was unbreakable, the gods rejoiced, but Tyr lost his hand. The binding of the wolf may be seen as a means of protecting the world of men, as well as that of the gods, from destruction. The story of the god losing his hand appears to be one of the fundamental myths of nothern Europe...”.
SKU: BT.GOB-000149-030
SKU: HL.14006541
ISBN 9780711956100. 9.0x12.0x0.088 inches.
Twelve easy pieces for piano written and arranged by Carol Barratt. An entertaining selection all about animals: superbly arranged classics plus imaginative original pieces. Includes music from 'Peter And The Wolf', 'Carnival Of The Animals' and Carols Barratt's 'Giraffes'. Suitable for players of grade 1 to grade 2 standard. Contents: Aunty Lizzie's Old Pig * Giraffes * Sheep May Safely Graze * Swan Lake * The Bear * The Cat From Peter and the Wolf * The Cat in the Corner * The Crow * The Cuckoo (Muller) * The Duck (Peter and the Wolf) * The Elephant (Carnival of the Animals) * The Pony (Couppey).
SKU: M7.ERES-3375
ISBN 9790202433751. German.
'Peter und der Wolf' ist Programm-Musik zum Beginn der Moderne (20. Jh). Sergej Prokofjeff lebte von 1891 bis 1953. Er wurde in der Ukraine geboren, lebte und starb in Moskau. Die Vertonung des Märchens für großes Orchester schrieb er 1936. Die einzelnen Figuren (Peter, Singvogel, Ente, Katze, Großvater, Wolf, Jäger) werden in einprägsamen Themen (kleinen Melodien) vorgestellt. Im Original hat jeder Charakter seine eigene Klangfarbe durch die unterschiedlichen Instrumente des Orchesters. Aber auch mit dem Cello und dem Bogen haben wir viele Möglichkeiten der Tongestaltung! Prokofjew legte seine Figuren in Melodie und Rhythmik so an, dass sie auch in dieser Fassung für 3 Violoncelli eindeutig zu hören sind. Die Melodien werden euch bald vertraut sein. Aber die Harmonik ist gelegentlich irritierend durch die häufige chromatische (Halbtöne) Rückung. Die Dreiklänge sind ungewohnt, weil die Töne so weit auseinander liegen. Für die Cellistinnen und Cellisten heißt das: Ohren auf! Gut einhören und überlegen, wo die Töne liegen. Damit 'Peter und der Wolf' noch vielfältiger musiziert werden kann, liegt die 1. Stimme auch im Violinschlüssel bei. Die Icons (gestaltet von Yvonne Richter) zwischen den Noten helfen, dass sich der/die Spielende schnell in die jeweilige Rolle der Figur versetzen kann und sie entsprechend gestaltet. Schwierigkeitsgrad: fortgeschrittene Anfänger (1.-5.Lage) Für den einfacheren Einstieg in das Werk und seine Tücken gibt es einige Aufwärmübungen*. *Siehe Seite 15. So sollte 'Peter und der Wolf' gut zu knacken sein. Probiere aus, experimentiere und habe Spaß!
SKU: HL.48185683
What's the time, Mr Wolf? - Volume 1 is the first volume of a theory method for children aged from 6, written by Jo Gougat. To be used during the first year of learning, this volume includes the discovery of the notes, their positioning on the stave and an initiation to rhythm. It features the lessons 1 to 10. Accompanied by two CDs, it is really pedagogic and includes a copy book, explanations, children melodies and illustrations. This method also requires the use of a carillon for the child to play and sing along the notes. What's the time, Mr Wolf?</song> is a great method to teach music theory to young children while developing their musical ear..