Composed by Craig Duncan. Cello,Method. First Lessons. Book and Online Audio. 32 pages. Published by Mel Bay Publications, Inc

(A New Approach to Mastering Scales on the Cello). By Wells Cunningham. For Cello. Technic. Bill's Music Shelf. All Styles. Intermediate-Advanced. Book. 96 pages. Published by Mel Bay Publications, Inc

Cello

SKU: HL.14012124

Composed by Giles Swayne. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV950348. Published by Music Sales (HL.14012124).

Composed by John Bauer. For Cello. Squareback saddle-stitched, Technic. Archive Edition. All Styles. Beginning-Intermediate. Book. 100 pages. Published by Mel Bay Publications, Inc

Instrumental Solos for Cello. By Claude-Michel Schonberg, Alain Boublil. Instrumental Solo. Softcover. 16 pages. Published by Hal Leonard.

Have Fun Playing the Cello. String. Softcover with CD. 72 pages. Schott Music #ED22502. Published by Schott Music

Cello Solo - Grade 1.5

SKU: AP.36-52730544

Composed by Lynne Latham. Method/Instruction; Reference Textbooks; Solo; Solo Small Ensembles. Ludwig Masters. Book. Latham Music Enterprises #36-52730544. Published by Latham Music Enterprises (AP.36-52730544).

ISBN 9781628761221. UPC: 679360789353. English.

This audition survival guide for teachers and students of all levels begins with one-octave major and minor scales to three sharps and flats. Two-octave scales are introduced subsequently, and the book concludes with three-octave scales to five sharps and flats. Two-octave blues scales to four sharps and flats are included as a bonus. Bowings and fingerings are not included in this workbook, which includes blank staves in the back for teachers to make suggestions. An introduction by Lynne Latham offers tips on how to practice scales and includes a lesson on scale construction and theory.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Cello (Cello)

SKU: HL.14028556

Composed by Kaija Saariaho. Music Sales America. 20th Century. Book [Softcover]. 24 pages. Music Sales #HH00111. Published by Music Sales (HL.14028556).

ISBN 9788759852446. 8.5x11.75x0.065 inches. English.

This composition was written quickly in a matter of days, however the composer describes the longer process of writing the piece as unconscious preparation. There are opposite elements on display within the piece, fragile coloristic passages give birth to energetic events with clear rhythmic and melodic charachter. More sharpely focused figures pass through different transformations then finally merge back to less dynamic but no less intensive filigration. In bringing these compositional elements together and by forcing opposite modes of expression, the composer has aimed to force the listener to stretch their own sensibility. Work for Cello and Electronics which was premiered by Anssi Karttunen at the Musica Nova Festival, Bremen in May 1988.

Cello - intermediate

SKU: MB.31083

Composed by Craig Duncan. Celtic, Saddle-stitched. Strings. Book. 40 pages. Mel Bay Publications, Inc #31083. Published by Mel Bay Publications, Inc (MB.31083).

ISBN 9781513472225. 8.75x11.75 inches.

Beautiful Airs and Ballads of the British Isles for Cello is a collection of 30 traditional Irish, Scottish, and English melodies that are particularly suited to the cello.  Traditional airs, love songs, songs of home and longing as well as compositions of Turlough O'Carolan and J. Scott Skinner make up the collection. The arrangements include stylistic phrasing and variations as well as chord changes for accompaniment.

Cello - very easy

SKU: HL.49007547

Ein neuer Weg zum Cellospiel. Composed by Gerhard Mantel and Renate Mantel. This edition: Saddle stitching. Sheet music. Edition Schott. Diese Celloschule wendet sich an den Einzel- und Gruppenunterricht mit Kindern von 5-10 Jahren. Classical. Student book. 87 pages. Schott Music #ED7815. Published by Schott Music (HL.49007547).

ISBN 9783795751739. UPC: 884088099732. 9.0x12.0x0.2 inches. German. Renate Mantel.

Diese Celloschule wendet sich an den Einzel- und Gruppenunterricht mit Kindern von 5-10 Jahren. Die Lese- und Spielfahigkeit werden parallel entwickelt. Neben der traditionellen Notenschrift gibt es zur visuellen Verdeutlichung Block-Noten und eine Griffschrift. Von Anfang an wird Musik gemacht. Die cellistischen Bewegungsablaufe werden leicht verstandlich erlautert und bewusst trainiert. Mit speziellen Hinweisen erhalten auch die Eltern die wichtigsten Informationen, damit sie das Uben ein wenig unterstutzen konnen. Locker formulierte Texte, frohliche Lieder, farbige Illustrationen und Anregungen fur Improvisation und Auswendigspiel bringen Spass am Cellospiel. Band 1 fuhrt behutsam und spielerisch in das Cellospiel ein und erreicht am Ende, dass auf allen Saiten in der 1. engen Lage gespielt werden kann. Das Kind erlebt dabei den Zusammenhang von Tonqualitat und Korperbewegung.

By Janet Coles. For Cello. A New Tune A Day. Level: Beginner. Sheet Music, Audio CD and DVD (Region 0), Instrumental Tutor. 48 pages. Published by Boston Music.

Cello - intermediate

SKU: BT.DHP-1135502-400

Composed by Joachim Johow. Folk Klezmer. Book with CD. Composed 2013. 28 pages. De Haske Publications #DHP 1135502-400. Published by De Haske Publications (BT.DHP-1135502-400).

ISBN 9789043137683. 9x12 inches. English-German-French-Dutch.

This is a wonderful collection of klezmer music, inspired by the Jewish dances and songs of the klezmorim from Eastern Europe - from the lyrical HORA to the fast, compelling FREILACH. Some of the pieces have a second part ad libitum - for playingtogether or for variation in a repeat. For the accompaniment, chord symbols have been added and on the included CD there are complete versions as well as play-along versions of all pieces, played live by genuine klezmer musicians.

Een prachtige verzameling klezmermuziek, ge nspireerd op de joodse dansen en liederen van de klezmorim uit Oost-Europa: van de lyrische Hora tot de snelle, meeslepende Freilach. Ook de invloed van de nieuwere Israëlische volksmuziek la Giora Feidman is hoorbaar. Sommige stukken hebben een tweede stem ad libitum - voor samenspel of ter afwisseling bij herhaling. Voor de begeleiding zijn akkoordsymbolen toegevoegd - en op de bijgevoegde cd staan van alle stukken mooie demo- én play-along-versies, die live zijn ingespeeld door rasechte klezmermuzikanten.

ALL TIME KLEZMERS ist eine wundervolle Sammlung von Klezmermusik, inspiriert von den jüdischen Tänzen und Liedern der Klezmorim aus Osteuropa: vom lyrischen Hora bis hin zum schnellen, unwiderstehlichen Freilach. Einige Stücke haben eine optionalezweite Stimme für das Zusammenspiel oder eine Variation in einer Wiederholung. Für die Begleitung wurden Akkordsymbole hinzugefügt. Auf der beiliegenden CD gibt es vollständige Aufnahmen sowie Mitspielversionen aller Stücke, live eingespielt vonechten Klezmermusikern.

Le recueil All Time Klezmers sâ??inspire des danses et des chants juifs joués par les klezmorim : de la beauté lyrique de la Hora lâ??exubérance du Freilach. Lâ??accompagnement a été confié dâ??authentiques klezmorim évoluant dans la plus pure tradition de la musique klezmer.

La raccolta All Time Klezmers si ispira alle danze e ai balli: dalla bellezza lirica della Hora allâ??esuberanza di Freilach. Ci si ritrova ugualmente lâ??influenza della musica tradizionale israeliana nello spirito di Giora Feidman. Lâ??accompagnamento è affidato ad un vero gruppo klezmorim che vi trasciner nellâ??autenticit di questo genere musicale.

By Peter Ilyich Tchaikovsky (1840-1893). For cello. Dominique de Williencourt, violoncello; Les Orpheistes Chamber Orchestra Vienna with Nayden Todorov, conductor. Solo part and performance/accompaniment CD. Published by Music Minus One

Cello

SKU: HL.14028929

Composed by David Blake. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV120425. Published by Music Sales (HL.14028929).

Written for Moray Welsh whilst still an undergraduate at York University. This piece was completed in mid-September. Inspired by Hermann Hesse's Steppenwolf. A solo 'cello seemed an appropriate medium for music which might explore the character of Harry Haller, with his desire for bourgeois comfort and his strong misanthropic and suicidal tendencies. The opening theme attempts to express this - melancholy, nostalgic, a bit Biedermeyer (cf. Brahms Intermezzi). The basic theme of the book, at its simplest, is that every human personality consists of hundred of different personalities - within every man there lurks a wolf. Accordingly the tendency of my piece is for all its musical material to become distorted, either by thematic transformation or by changes of timbre. There are three movements played without a break. The first is a character portrait of the Steppenwolf. The second is concerned in the most general sort of way with the dance elements in the novel - Harry's being taught to dance and appreciate low 'popular' music - a tango is recapitulated in a waltz and 'Yearning', a popular song of the time (1927) is hinted at. The third movement concerns the Masked Ball and the Magic Theatre. Mozart is one of Hesse's great loves and he is repeatedly mentioned in the book. Inevitably some Mozart quotes have been worked in, the most significant being a reference to The Magic Flute 'fire and water' flute theme in the middle of the second movement. Long before I finished the piece, I was disenchanted with the work of Hesse. Much of Steppenwolf I now find rather embarrassing and the claims currently made for Hesse's greatness seem to me exaggerated. Since my piece is in no important sense programmatically specific, this change of heart doesn't really matter. ~ David Blake.