SKU: CA.4066314
ISBN 9790007076399. Key: D minor. Language: Latin.
The festive work with their, for Hasse's time, relativly large orchestra ensemble, was first performed on 29 June 1751 on the occasion of the dedication of the new Catholic Court Church in Dresden. They are appropriate for performance together in either worship services or in a concert setting. Score and part available separately - see item CA.4066300.
SKU: CA.7004014
ISBN 9790007227586. Key: D minor. Language: Latin.
In 1812 Schubert probably composed one of his earliest settings of the Mass, although only this Kyrie for a Mass in D minor was written down. A fragment of a Credo from 1811 has also survived. Score and part available separately - see item CA.7004000.
SKU: CA.3111714
ISBN 9790007048709. Key: G major. Language: German/English. Text: Schutz, Johann Jakob. Text: Johann Jakob Schutz.
The cantata Sei Lob und Ehr dem hochsten Gut (All glory to the Lord of Lords) BWV 117 is one of a small group of Bach's chorale cantatas which use exclusively the text of the chorale, including in the three recitatives and three arias. Only the autograph score of the cantata survives; although this enables an approximate dating to be made (c. 1730), it does not give the occasion for which the cantata was written. The choice of chorale may indicate it was composed for a wedding. Recently it has been suggested that the occasion for its composition was the birthday of the Duke of Weissenfels in 1731; but there is no firm evidence to support either theory. The cantata opens with an extended movement for chorus in which Bach contrasts the concertante orchestra with festive, almost homophonic choral writing. This chorus movement is repeated at the end. A simple chorale movement which comes fourth indicates that the nine-movement cantata was performed in two sections. Score and part available separately - see item CA.3111700.
SKU: CA.2706913
ISBN 9790007199920. Key: C major. Language: Latin.
In the south German-Austrian region the Pastoral Mass of Johann Baptist Schiedermayr was regarded as one of the most well-known and beloved works in this genre. Engaging melodies, passages in thirds and sixths, and typical pastoral motives, such as horn calls and open fifths, the latter a reminder of the bourdon of bagpipes or a hurdy-gurdy, characterize the movements of the Mass. Lyrical sections, such as the Et incarnatus est, which is the center of Shiedermayr's setting of the Ordinary, alternate with festive passages in which trumpets and timpani brilliantly express the festive joy of Christmas. Score and part available separately - see item CA.2706900.
SKU: CA.3350214
ISBN 9790007212414. Key: E flat major. Language: Latin.
Carl Philipp Emanuel Bach composed his (Latin) Sanctus in E flat from 1768-1778, when he was the director of music for the churches of Hamburg. This short and solemn work for choir and orchestra was intended for the liturgy of Communion at Christmas, Easter and Pentecost. The present edition is based on a copy of the manuscript which is preserved in the music archives of the Sing-Akademie zu Berlin. It was believed to have been lost following the second world war, but was recently discovered by Professor Christoph Wolff in Kiev. Score and part available separately - see item CA.3350200.
SKU: CA.5066614
ISBN 9790007224349. Key: C major. Language: Latin.
Its contrasts between cantabile melodiousness and powerfully dramatic passages inspired by the storm and stress movement, combined with highly artistic contrapuntal writing and a brilliant organ solo, make this work a jewel in a wider context than Kraus's church music. It is here published for the first time in a scholarly edition. Score and part available separately - see item CA.5066600.
SKU: CA.9125914
ISBN 9790007234836. Language: Latin.
The works of Pater AEmilian Rosengart point beyond their original setting, Ochsenhausen Abbey. The highly diverse music of this Te Deum - like some of his other sacred works - originated in lost operas and oratorios by this composer, and was adapted to different texts for liturgical use by Rosengart himself. Score and part available separately - see item CA.9125900.
SKU: CA.3103414
ISBN 9790007042639. Key: D major. Language: German/English.
The marriage cantata (BWV 34a) on which this work is based was composed in 1726. This parody was composed in the first half of the 1740's. Score and part available separately - see item CA.3103400.
SKU: CA.4096214
ISBN 9790007078843. Key: D major. Language: Latin.
This is a very effective setting of the Marian antiphon for Easter was probably composed in Dresden. The piece consists of two practically identically outer movements which frame an expressive, but restrained alto aria. Score and part available separately - see item CA.4096200.
SKU: CA.3117415
ISBN 9790007209681. Text language: German/English. Text: Henrici (Picander), Christian Friedrich.
The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and part available separately - see item CA.3117400.
SKU: CA.1000714
ISBN 9790007015855. Language: Latin/German.
With his Latin St. John Passion, written around 1770, Scarlatti strictly follows the contemporary conventions advanced for the Catholic liturgy: the continuo-supported evangelist's report is presented throughout as a monolodic recitation that is reminiscent of Carissimi and Monteverdi. Only for the words of Christ and the few four-voice choruses, as well as for some significant moments like the Judas scene or the death of Jesus, is a subtle string accompaniment added. An alternate German text is printed below the original Latin. Score and part available separately - see item CA.1000700.
SKU: CA.3117405
ISBN 9790007186111. Language: German/English. Text: Henrici (Picander), Christian Friedrich.
The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score available separately - see item CA.3117400.
SKU: CA.3117417
ISBN 9790007209704. Text language: German/English. Text: Henrici (Picander), Christian Friedrich.
SKU: CA.3117409
ISBN 9790007209636. Language: German/English. Text: Henrici (Picander), Christian Friedrich.
The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and parts available separately - see item CA.3117400.
SKU: CA.3117412
ISBN 9790007209650. Text language: German/English. Text: Henrici (Picander), Christian Friedrich.
SKU: CA.3117413
ISBN 9790007209667. Text language: German/English. Text: Henrici (Picander), Christian Friedrich.
SKU: CA.3117419
ISBN 9790007187248. Language: German/English. Text: Henrici (Picander), Christian Friedrich.
SKU: CA.3117449
ISBN 9790007209711. Language: German/English. Text: Henrici (Picander), Christian Friedrich.
SKU: CA.3117400
ISBN 9790007171643. Language: German/English. Text: Henrici (Picander), Christian Friedrich.
The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata.
SKU: CA.3117414
ISBN 9790007209674. Text language: German/English. Text: Henrici (Picander), Christian Friedrich.
SKU: CA.3117403
ISBN 9790007183554. Language: German/English. Text: Henrici (Picander), Christian Friedrich.
SKU: CA.3117411
ISBN 9790007209643. Text language: German/English. Text: Henrici (Picander), Christian Friedrich.
SKU: CA.3117416
ISBN 9790007209698. Text language: German/English. Text: Henrici (Picander), Christian Friedrich.
SKU: CA.3116315
ISBN 9790007208998. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score and part available separately - see item CA.3116300.
SKU: CA.3116314
ISBN 9790007208981. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
SKU: CA.3116312
ISBN 9790007208967. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
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