Score Only Concert Band (Score) - Grade 3

SKU: HL.4002986

Composed by Richard L. Saucedo. MusicWorks Grade 3. Concert. 24 pages. Published by Hal Leonard (HL.4002986).

UPC: 884088502294. 9.0x12.0x0.072 inches.

Using a recurring four-note motif and a variety of textural punctuations, here is a stunning and fresh-sounding overture from Richard Saucedo. A slow and lyric middle section featuring woodwind colors and rich emotional contours provides a stark contrast to the rhythmic intensity of the opening and closing sections. Dramatic and powerful! Dur: 4:15.

(Rimsky-Korsakov/arr. James Curnow). By Nikolay Andreyevich Rimsky-Korsakov (1844-1908). Arranged by James Curnow. For Concert Band (Score and Parts). MusicWorks Grade 1. Grade 1.5. Published by Hal Leonard

Concert Band - Grade 5

SKU: HL.44003517

Grade 5 - Score Only. Composed by James Curnow. Curnow Music Concert Band. Curnow Music #45800140. Published by Curnow Music (HL.44003517).

UPC: 073999173727. 9x12 inches.

A concert centerpiece, this major work from James Curnow explores the spiritual perspectives of the First Nations of the Pacific Northwest in North America. The five movements investigate the cosmos and its four worlds; with such complete contrasts as “The Undersea World” and the ceremonial dance in “The Mortal World,” an authentic First Nations melody in “The Spirit World” and the ethos of “The Sky World,” the wonders are many.

(score). Curnow Concert Band Full Set. Size 9x12 inches. 52 pages. Published by Hal Leonard.

Concert band Bandola

SKU: CF.CFD8

Composed by Andrew Balent, Camille Saint-Saens, Frederick Farrar, Georges Bizet, Gustav Holst, Johannes Brahms, John N. Klohr, John Philip Sousa, and Nikolay Andreyevich Rimsky-Korsakov. Arranged by Andrew Balent. Jewel Case. Carl Fischer Concert Band Recordings. Classical. Audio CD. With Standard notation. Carl Fischer Music #CFD8. Published by Carl Fischer Music (CF.CFD8).

ISBN 9780825853531. UPC: 798408053536.

Andrew Balent has delighted listeners for decades with superb arrangements for concert band. Enjoy this wonderful collection of his works. Includes: Mars, Themes from Jupiter, Carmen Suite, Dance of the Tumblers, Washington Post, American Patrol, Bacchanale, El Capitan, Bombasto, Hungaria Dance No. 5, Billboard March and Silver Eagle March.

Composed by Hankus Netsky. For Concert Band (Score and Parts). BandQuest. Grade 3. Published by BandQuest

Concert Band - Grade 4

SKU: AP.46668S

Composed by Robert Sheldon. Concert Band; Performance Music Ensemble; Single Titles. Alfred Concert Band. Score. 40 pages. Duration 5:05. Alfred Music #00-46668S. Published by Alfred Music (AP.46668S).

ISBN 9781470655433. UPC: 038081532677. English.

From its opening fanfare embodying moments of heroism and pride to its joyous journey of playfulness that expresses freedom and a passion for life, Skydance is a musical celebration of the human spirit.

By Robert W. Smith. By Robert W. Smith. For Concert Band. Concert Band. Belwin Symphonic Band. Multicultural. Level: 5 (Medium Advanced) (grade 5). Conductor Score and Parts. 394 pages. Duration 8:19. Published by Alfred Publishing.

By Nikolai Rimsky Korsakov. Arranged by Andrew Balent. Concert Band. For concert band. Carl Fischer Concert Performance Series. Grade 3-3.5. Full Score. Standard notation

By Gerald Sebesky. Beginning Band. FJH Beginning Band. Full set (score and parts). Score only also available: B1196S. Concert Band. Grade 1. Score and Set of Parts. Composed 2003

Score and Parts. By Dmitri Shostakovich. Arranged by Johan De Meij. Amstel Concert Bands. Size 9x12 inches. Published by Amstel Music.

Grade 1

SKU: CL.029-1450-00

Composed by G. Sebesky. Young Concert Band. Score and set of parts. Composed 1976. C.L. Barnhouse #029-1450-00. Published by C.L. Barnhouse (CL.029-1450-00).

Unique and extremely cool piece for the youngest of bands. Your audience will love this one!

Orchestra Concert Band

SKU: PR.16600035A

For Orchestra. Composed by Jaroslav Holesovsky. Contemporary. Set of parts. With Standard notation. Duration 5 minutes. Theodore Presser Company #166-00035A. Published by Theodore Presser Company (PR.16600035A).

UPC: 680160040100.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1012918-010

Composed by Peter Ilyich Tchaikovsky. Arranged by Wil van der Beek. The Great Classics. Set (Score & Parts). Composed 2001. De Haske Publications #DHP 1012918-010. Published by De Haske Publications (BT.DHP-1012918-010).

Tchaikovsky is best known for his purely instrumental compositions. However, we must not underestimate him as a composer of operas. Many of his operas such as ¬Pique Dame and Eugene Onegin are still performed regularly throughout the world. Eugene Onegin (also called Jevgeny Onegin), composed in 1877-1878, was not called an opera by Tchaikovsky himself, but “lyric scenes”. The work is entirely dominated by lyricism. However, there are two moments that contrast sharply with this lyricism: two ball scenes, for which Tchaikovsky wrote a waltz and a polonaise.After opening with a less well-known allegro dansant, this arrangement features the aforementioned waltz, which can beconsidered a beautiful Russian equivalent of the Faust Waltz by Charles Gounod. In the opera, this waltz is actually played by a military band. The arrangement concludes with the pompous polonaise (also mentioned above) which opens the last act: the ideal music to characterize high aristocracy in the salon of a palace in St. Petersburg.

Tchaikowsky ist berühmt für seine rein instrumentalen Kompositionen. Er ist jedoch auch als Opernkomponist nicht zu unterschätzen.Viele seiner OPern werden immoernoch regelmäßig auf der ganzen Welt aufgeführt, wie zum Beispiel Pique Dame und Eugen OneginEugen Onegin wurde in den Jahren 1877 bis 1878 komponiert und von Tschaikowsky selbst zunächst nicht als Oper, sondern als lyrische Szenen betitelt. Der lyrische Charakter ist im ganzen Werk vorherrschend. Zwei Stellen kontrastieren jedoch deutlich mit dieser Lyrik: zwei Ballszenen ,für die Tschaikowsky einen Walzer uns eine Polonaise schrieb.Nach einem weniger bekannten Allegro Dansant als Eröffung,stellt dieses Arrangement vor allem den oben genannten Walzer in den Vordergrund, welcher guten Herzens als ein schönes russisches Gegenstück zu Charles Gounods Faustwalzer bezeichnet werden kann. In der Oper wird dieser Walzer von einer Militärkapelle gespielt. Das Arrangement schließt mit der erwähnten pompösen Polonaise, die den letztzen Akt eröffnet: die ideale Musik, um ein Bild des Hochadels im Salon eines Petersburger Palastes zu zeichnen.