SKU: SU.12800044
BachScholar Edition Vol. 44: SIGHT-READING & HARMONY: GRADES 7-8 (Advanced) (12 pages) is a short and practical book that presents forty-eight selected sight-reading excerpts and two sample exams taken from Sight-Reading & Harmony (Complete Edition). It is the fourth volume of five in Sight-Reading & Harmony’s Sight-Reading Only Edition series, created specifically for piano and organ teachers and students who wish to concentrate on sight-reading only without being burdened by the technical exercises and musical theory covered in the extensive, 220-page Sight-Reading & Harmony (Complete Edition). Ideal for students of all ages of the advanced level, college and university classes, keyboard & theory group classes, piano and organ teachers and students, and self-learners. Keyboard Published by: BachScholar.
SKU: SU.12800038
BachScholar Edition Vol. 38: SIGHT-READING & HARMONY: GRADES 1-2 (Beginning) (12 pages) is a short and practical book that presents forty-eight selected sight-reading excerpts and two sample exams taken from Sight-Reading & Harmony (Complete Edition). It is the first volume of five in Sight-Reading & Harmony’s Sight-Reading Only Edition series, created specifically for piano and organ teachers and students who wish to concentrate on sight-reading only without being burdened by the technical exercises and musical theory covered in the extensive, 220-page Sight-Reading & Harmony (Complete Edition). Ideal for students of all ages of beginning to early intermediate levels, college and university classes, keyboard & theory group classes, piano and organ teachers and students, and self-learners. Keyboard Published by: BachScholar.
SKU: SU.12800046
BachScholar Edition Vol. 46: SIGHT-READING & HARMONY: GRADES 9-10 (Concert Level) (12 pages) is a short and practical book that presents forty-eight selected sight-reading excerpts and two sample exams taken from Sight-Reading & Harmony (Complete Edition). It is the fifth volume of five in Sight-Reading & Harmony’s Sight-Reading Only Edition series, created specifically for piano and organ teachers and students who wish to concentrate on sight-reading only without being burdened by the technical exercises and musical theory covered in the extensive, 220-page Sight-Reading & Harmony (Complete Edition). Ideal for students of all ages of the advanced to concert levels, college and university classes, keyboard & theory group classes, piano and organ teachers and students, and self-learners. Keyboard Published by: BachScholar.
SKU: SU.12800042
BachScholar Edition Vol. 42: SIGHT-READING & HARMONY: GRADES 5-6 (Intermediate to Early Advanced) (12 pages) is a short and practical book that presents forty-eight selected sight-reading excerpts and two sample exams taken from Sight-Reading & Harmony (Complete Edition). It is the third volume of five in Sight-Reading & Harmony’s Sight-Reading Only Edition series, created specifically for piano and organ teachers and students who wish to concentrate on sight-reading only without being burdened by the technical exercises and musical theory covered in the extensive, 220-page Sight-Reading & Harmony (Complete Edition). Ideal for students of all ages of intermediate to early advanced levels, college and university classes, keyboard & theory group classes, piano and organ teachers and students, and self-learners. Keyboard Published by: BachScholar.
SKU: SU.12800040
BachScholar Edition Vol. 40: SIGHT-READING & HARMONY: GRADES 3-4 (Early Intermediate) (12 pages) is a short and practical book that presents forty-eight selected sight-reading excerpts and two sample exams taken from Sight-Reading & Harmony (Complete Edition). It is the second volume of five in Sight-Reading & Harmony’s Sight-Reading Only Edition series, created specifically for piano and organ teachers and students who wish to concentrate on sight-reading only without being burdened by the technical exercises and musical theory covered in the extensive, 220-page Sight-Reading & Harmony (Complete Edition). Ideal for students of all ages of early intermediate to intermediate levels, college and university classes, keyboard & theory group classes, piano and organ teachers and students, and self-learners. Keyboard Published by: BachScholar.
SKU: SU.12800078
BachScholar Editions Vol. 78: J.S. BACH: Sinfonia from Cantata 29 (trans. Saint-Saëns) (9 pages) presents arguably the finest romantic-era piano transcription of Bach’s exciting Sinfonia from Cantata 29, which Bach reworked from his previously composed PreludioV from Partita No. 3 for Solo Violin. The once child prodigy and musical genius, Camille Saint-Saëns (1835-1921), pulled out all the stops on this electrifying virtuoso piano transcription of Bach’s famous work, which was first published in 1862. The present performance edition improves upon the currently existing edition by supplying ample fingerings, pedaling and expression indications, as well as a suggested metronome speed. Advanced pianists, concert artists, and audiences will absolutely love this first-rate virtuoso transcription in the romantic tradition. Published by: BachScholar.
SKU: ST.K48
ISBN 9790220224454.
Complementary to K49, this collection is a unique offering of music by John Amner, Nicholas Carleton and John Tomkins that is the only surviving keyboard music by the respective composers. In addition to a pair of duets, in themselves an unusual feature from the period, there are two lengthy sets of variations, Amner's being a rare example of those on a metrical psalm or hymn-tune (possibly by Tallis in this case), John Tomkins's being more conventionally modelled on the variation sets of William Byrd. Nicholas Carleton's 'A verse of 4 parts' and 'Upon the sharp' include several examples of unusual chromatic notation and wide-ranging tonal schemes. CONTENTS Prelude (for two to play): Nicholas Carleton? A verse (In nomine) for two to play: Nicholas Carleton A verse of 4 parts: Nicholas Carleton Upon the sharp: Nicholas Carleton O Lord, in thee is all my trust: John Amner John come kiss me now: John Tomkins.
SKU: ST.K49
ISBN 9790220224461.
All eighteen pieces in this collection are reliably dated to the reign of James I, and whether by named composers or anonymous ones, appear in sources other than the notable virginal books preserved in the Fitzwilliam Museum, Cambridge. The contents demonstrate the variety of forms in the keyboard repertoire of this period, from plainsong-based compositions to dances by Orlando Gibbons. The 'Pretty ways for young beginners to look on', possibly by Thomas Tomkins, are a fascinating example of music contemporary to the time, written with the didactic purpose of instructing musicians in the techniques of counterpoint. CONTENTS Prelude in d: Edward Gibbons Gaudent in caelis: Anon. Miserere: Anon. Upon a plainsong: Attrib. Orlando Gibbons Verse in G: Anon. Fantasia in a: John (or Thomas) Holmes Fantasia in G: Attrib. Orlando Gibbons Fantasia in G: Anon. Pavan in e: Anon. Galliard in C: Anon. Galliard in F: Anon. Fortune my foe: Anon. Alman in F: Thomas Tomkins Ballet in G: James Harding, arr. Anon. Coranto in C: Anon. Jig in G: Anon. Tomboy: Anon. Pretty ways for young beginners to look on: Anon. (Thomas Tomkins?).
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