Oboe and piano

SKU: ST.C461

Composed by Various. Wind & brass music. Clifton Edition #C461. Published by Clifton Edition (ST.C461).

ISBN 9790570814619.

This edition replaces the old Nova Edition NM394 and the subsequent but also now defunct EMA142. Both previous editions are now out of print. This is a freshly edited, updated and greatly improved edition.

[bg_collapse view=link color=#4a4949 icon=arrow expand_text=Show More collapse_text=Show Less ]

Gioacchino Rossini: Variations for Oboe and Piano
Rossini was still a student at the Liceo Filarmonico in Bologna when he wrote these Variations at the age of 18. Originally thought to have been written for Clarinet in C and Orchestra, recent scholarship, culminating in Heinz Holliger’s brilliant recording (Philips 9500 564), has provided many good reasons why the oboe is clearly the solo instrument. Not only does it ‘look like’ oboe music but the writing (within the oboe’s exact range at that time) ignores more than an octave of the clarinet’s potential range. Also, it is most unusual to find the solo wind instrument duplicated in the accompanying orchestral parts, thus providing unnecessary competition in timbre.

Frédéric Chopin: Variations on a Theme by Rossini
No such ambiguity surrounds the origin of Chopin’s Variations on a Theme from Rossini’s opera La Cenerentola — orginally for flute. It is not definitely known for whom they were written, but they may have been either for his father (who played the flute), or for his close friend Matuszynski. They date from 1826-30 and here transposed from the original E major into D major for the oboe, provide a valuable addition to the oboist’s nineteenth century repertoire.

[/bg_collapse]

Arranged by Mark Goddard
Grades 7–8
Former Spartan Press Cat. No.: EMA142.

Oboe and piano

SKU: ST.C513

Composed by Mary Chandler. Wind & brass music. Clifton Edition #C513. Published by Clifton Edition (ST.C513).

ISBN 9790570815135.

Sonatina for Oboe and Piano was composed in 1967 and given its first performance by Dinah Demuth, to whom it is dedicated. The Sonatina for Cor Anglais and Piano of 1968 was also written for Dinah Demuth, then a member of the Midland Light Orchestra, whose broadcasts included solo works such as these two Sonatinas. This Sonatina was originally published by Phylloscopus Publications in 1995.

Dr. Kristin Leitterman is currently the Assistant Professor of Oboe at Arkansas State University in Jonesboro, Arkansas, USA, where she teaches oboe and bassoon, Double Reed Techniques, and coaches small chamber ensembles. She is also the Director of the Lucarelli Oboe Master Class, a week-long immersive oboe master class founded by Bert Lucarelli in 1996. As a guest artist she has presented master classes at many institutions, including the Manhattan School of Music, New York University, and the Hartt School.

As a researcher, Kirstin has interests in the life and works of Mary Chandler. She has presented her research at The Juilliard School, Music by Women Festival, the International Double Reed Society conferences, and the Brazilian Double Reed Society’s conference in João Pessoa, Paraíba, Brazil.

Former Spartan Press Cat. No.: PP160.

Oboe and Piano. By Carol Barratt. (Oboe). Boosey and Hawkes Chamber Music. Published by Boosey & Hawkes.

Oboe and piano

SKU: BO.B.3647

Composed by Jordi Cervello. Published by Editorial de Musica Boileau (BO.B.3647).

Al Valles, for oboe and piano, is a work that has two distinct characteristics-it is a concert work but was composed as a work for a final examination piece. The work is dedicated to Vicent Montalt, who performed it for his final examination at the Mozarteum in Saltzburg, 2012.

Al Valles begins with a Paganini-like cadenza for the oboe which introduces the main feature of the work- the alternation of legato with spiccato which is at times rapid and at other times lento. The cadenza is followed by an Allegro which begins with decisiveness by the piano. The two instruments establish a game of brief and very specific rhythmic figures with rapid chromatic descents, which in the piano are in octaves. A tranquil and mysterious passage ends with a sudden fortissimo. The oboe plays another cadenza, reminiscent of the first one, which is followed by a return of the Allegro. However, this time the music stops on a trill on F # in the high register of the oboe. The work concludes with a rapid coda which begins brilliantly in the piano with chromatic descending octaves.

Oboe; Piano Accompaniment (Oboe)

SKU: HL.35005920

Oboe, Piano. Composed by C. Steven White. Oboe and piano. Shawnee Press. Print on demand - publisher prints this title after order is received. Concert, Contest, Solos. Shawnee Press #LA0135. Published by Shawnee Press (HL.35005920).

UPC: 888680089689. 8.5x11.0x0.014 inches.

Oboe and Piano

SKU: BT.STACLI537

Composed by Joan Swift. Book Only. Clifton Edition #STACLI537. Published by Clifton Edition (BT.STACLI537).

Oboe, Piano - Grade 2

SKU: FL.FX071923

Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions #FX071923. Published by FLEX Editions (FL.FX071923).

The wind carries away the yellow leaves fallen on the pavement, the cafes put tables and chairs in... I evoke here a fall tour that is difficult to do quietly in Paris. How to take your time in this city with so many streets to cross (musical phrases of 3 measures), cars or buses to avoid (musical phrases starts on the second time). While the chestnut vendors are on subway entrances, how not to hurry like others (theme B) to 'catch' the subway...

Chamber Music & Piano Accompaniment 1 Oboe 1 Piano - Grade 3

SKU: FL.FX073950

Composed by Jerome Naulais. Original Composition. Classical, Educational. Score and Set of Parts. FLEX Editions #FX073950. Published by FLEX Editions (FL.FX073950).

As its title indicates, this piece, built on a martial style from A to Z, is based on a succession of notes with quarter intervals. - Jerome NAULAIS ;

A piece to be played from 4 years of practice. ; Instruments: 1 Oboe 1 Piano; Difficuly Level: Grade 3.

By ABRSM. For oboe, piano. Published by ABRSM (Associated Board of the Royal Schools of Music).