SKU: HL.49001986
ISBN 9790001021562. UPC: 073999490541. 9.0x12.0x0.094 inches.
3 melodic instruments (violins, flutes, oboes) or string orchestra and basso continuo (harpsichord, piano); cello (viola da gamba, bassoon) ad lib.
SKU: HL.49001673
ISBN 9790001023023. 8.25x11.75x0.425 inches.
Mozart wrote this symphony in 1768 at the age of 12 dedicating it to the Benedictine monastery of Lambach. The structure of this score follows the rediscovered parts * the autograph has disappeared.
SKU: HL.49027096
ISBN 9790001023061.
This valuable though seldom played early work from his Salzburg period contains the entire youthful charm of Mozart. It can be played without wind instruments whose parts are included in the strings. In this case, even the piano or harpsichord can be added as sound filler as was often done by Mozart himself when he conducted a work sitting at the respective instrument.
SKU: KN.9876
UPC: 822795098761.
This powerful example of Russian national influences on 19th-century string writing opens with a short, quiet Andante before the brisk Allegro (quarter note = 138) takes over, where a light feeling of momentum should prevail. An intensely exciting, fast-paced conclusion is guaranteed to bring audiences to their feet. Duration 3:30.
SKU: SU.91580100
A Grateful Tail - Movement by Movement Siriusly, Dog Star Sirius, the brightest star in the night sky, has been used by travelers and navigators for thousands of years as a guiding star and so it is here as the opening movement for the symphony. Sirius, the cornerstone to the constellation Canis Maggiore or Big Dog sits at the foot of Orion, the hunter, leading the way. Highly cinematic, the movement evokes both a musical and visual sense of the mythological and mysterious elements of Sirius and its Dog Godstar secrets. From the clarion call of the opening, Sirius theme, the sound is buoyant and frisky emulating the nature of doggy playtime. Puppy pleasures abound as a doggy four-step, my turn on the traditional American two-step dance, is introduced. The movement transforms into an actual orchestrated frolic of small, large and medium dog barks beginning with the winds (smaller dogs) and ultimately, the big dog, brass. The movement climaxes with the coda or, Dog Park, where the winds and the brass bark and play together over the, doggy ostinato four-step rhythm, culminating with the final call of the Sirius theme. Let Sleeping Dogs Lie, Peacefully It's all in a dog's day and life. Tranquility presides over this supremely gentle, intermezzo-like movement. After a day of play, every dog needs rest. Let Sleeping Dogs Lie, is a lyrical andante inspired by the profound serenity and beauty of a dog at rest. The Last Will and Testament of Silverdene Emblem O'Neill Based on a powerful piece of prose written by the American playwright, Eugene O'Neill this text was intended as a consolation piece for Carlotta, his wife, who had become grief-stricken over the loss of their beloved dog, the Dalmatian known as Blemie.Written for a singing actor who personifies the role of Blemie, a dog at the end of his life, the movement plays like a one act, musical drama as we follow Blemie through a wonderfully three-dimensional, emotional and psychological journey writing his Last Will and Testament, for those who have loved him. Wagging the Tail: Ossia Fido's Lament A life-affirming rumba/samba using Blemie's final words from O'Neill's text, this final movement employs the most unique American musical invention, the gospel choir. In order to make the dances come alive, this movement also calls upon the colors of a rhythm section. Creating the spirit of an Irish Funeral, the movement is a joyful and revival-like celebration of a dog's life as its spirit lives on forever in the hearts and minds of dog lovers everywhere. Remember Me, remember me! My spirit is wagging a grateful tail. Published by: Subito Music Publishing Release Date: July 9, 2013.
SKU: KJ.SO377C
UPC: 8402704698.
This is all about Good King Wenceslas meets Haydn's Surprise Symphony! It has the innocent and familiar holiday theme, then the music lets loose with an array of festive and showstopping variations. Fun all the way! Duration: 3:09.
SKU: HL.48180596
1. Andante; 2. Presto.
SKU: TM.01051SET
Ed. by Wojciechowski. Solo/pf. Transposed: hnI&II. Allegro, Aria (Andante moderato), Rondo alla Scherzo (Allegro moderato). See #13302 for the Darmstadter Konzert.
SKU: HL.49015875
ISBN 9790200209624. UPC: 073999361131. 5.25x7.5x0.078 inches.
With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
SKU: TM.05392SC
Andante con Variationi, Scherzo, Romance, Rondo.
SKU: TM.01051SC
SKU: HL.49001715
ISBN 9790001021159. 8.25x11.75x0.225 inches.
SKU: PR.11641989L
UPC: 680160687664.
SKU: HL.49001674
ISBN 9790001023030. 9.0x12.0x0.128 inches.
SKU: HL.49001676
ISBN 9790001023054. 0.271 inches.
SKU: VD.ED27427
ISBN 9790202014271. 12 x 9 inches.
SKU: TM.04958SET
Starts 1 measure before Andante. Score pages 735-772, reh. 40-44. Extracted from complete. See #02805 for version without chorus.
SKU: HL.48187760
UPC: 888680867980. 5.5x7.5x0.5 inches.
Allegro vivo; Prestissimo; Andante; Moderato sempre stringendo.
SKU: BT.ALHE31333
French.
for string orchestra
SKU: FG.042-07944-7
ISBN 979-0-042-07944-7.
Written in 1948, the Blackbird Symphony was one of the weightiest contributions to Finnish symphonic literature by the country's foremost neo-classicist. It is a three-part work with a sonata-form first movement, a lyrical andante and a finale in which themes are drawn in from earlier movements. The subtitle Blackbird can be construed as a reference to the woodwind accompaniments in the first movement.
SKU: PR.11641989S
UPC: 680160687657.
SKU: TM.05392SET
SKU: HL.49001714
ISBN 9790001021142. UPC: 884088109776. 9.0x12.0x0.106 inches.
SKU: HL.278261
ISBN 9781540029614. UPC: 888680752972. 9x12 inches.
Program notes: “None But the Lonely Heart” is a song from Tchaikovsky's Six Romances, Op. 6 for voice and piano. The song is a setting in Russian translation of Goethe's poem “Nur wer die Sehnsucht kennt,” which has attracted many composers, most famously Franz Schubert. This is my second orchestration of music by Tchaikovsky, the first being Andante Cantabile from his String Quartet No. 1. I tried to make these transcriptions sound as if they had been orchestrated by the composer himself – as is also the case with my transcriptions of music by Rachmaninoff, Janácek, Bizet, and Revueltas. This is my natural tendency, following the spirit of the music. –José Serebrier.
SKU: M7.DOHR-27427
ISBN 9790202014271.
SKU: HL.49001767
ISBN 9790001023832. UPC: 073999213935. 9.0x12.0x0.099 inches.
A brilliant, early classical work that can also be performed by a string quartet. Carl Stamitz indicated exactly in his Quartetto Concertante which sections of the individual parts have to be scored for solos and tutti. With the work's being scored for chorus, there is the possibility of an extremely charming interplay.
SKU: BR.PB-5566-07
3 Work Stages, 2 Versions, 1 Edition
,,… the musical text is fine. This is a valuable improvement. (Clifford Bartlett, Early Music Review)
ISBN 9790004213766. 6.5 x 9 inches.
With the new edition of the G-minor Symphony, a vital work group in Mozart's oeuvre is now complete: the three late symphonies K. 543, 550 and 551, now available in Urtext editions. As in his new edition of the Hafner Symphony, Henrik Wiese uncovers in the present Breitkopf Urtext score three different stages in the genesis of the G-minor Symphony. Mozart initially wrote the work without clarinets (1st stage), and then he added the clarinets (2nd stage). Not until a final stage did he change the wind instrumentation in the Andante (3rd stage). Mozart thus returned to the 1st version again after completing the 2nd version (with clarinets). This advances the importance of the 1st version without clarinets as Fassung letzter Hand. A compelling insight which sheds new light on the famous G-minor Symphony. Both versions are of equal value and can now be compared with one another, studied and, above all, performed for the first time ever thanks to the new score and parts.Another extremly practical aspect that should be noted: the orchestral parts offer solutions for all the problematic page turns for the first time ever (please see the sample pages of OB 5542 - Violin II.),,... the musical text is fine. This is a valuable improvement. (Clifford Bartlett, Early Music Review)3 Work Stages, 2 Versions, 1 Edition.
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