SKU: LM.27809

ISBN 9790230978095.

Petite improvisation imaginaire - Le Repos du dragon - Ephemere - En Camargue - Bagatelle - Le Vieux Paris - Vague a l'ame - Reverie.

SKU: BT.EMBZ12697-REV

English-Hungarian.

SKU: PR.510076960

1. Choral: An improbably superimposing of Beethoven and Brahms. At the end of the first performance of the latter's 1st Symphony, someone asked the composer: Don't you find that your main theme remin ds one of the Ode to Joy? To which he retorted: Even an idiot would have noticed it! 2. Fugue: in the last exposition, the subject of Fugue I from volume 1 of Bach's Well-Tempered Keyboard is super imposed on the theme from Mozart's so-called easy sonata. 3. Passion: In his Violin Concerto, Mendelssohn, to whom we owe the rediscovery of Bach's Passions, seems to have borrowed a theme from a lost Passion. 4. Recitativo: Tribute to Franck's tribute to Bach in his Sonata for violin and piano. 5. Invention: A private revenge, after a bitter failure. Debussy's Toccata was on the compulsory list for the Conservatory piano class entrance exam. 6. Arpeggione: In which the listener realizes the similarity in the introduction to Schubert's Unfinished Symphony and Arpeggione Sonata. 7. Sarabande: The most iconoclastic, for Bach's 5th Cello Suite is already suffused with harmony. There might be an evocatioin of a Brahms-like overarching structure, though... 8. Variation: The slowest variation ever written on Paganini's 24th Caprice. 9. Scene: Schumann's Reverie as a Prelude. 10. Finale: In order to capture the elusive harmony of the Finale of Chopin's Sonate Funebre. 11. Fugue on Au clair de la lune: Our greatest nursery rhymes, fugue fitted and choralized. 12. Fugue de Noel (Christmas fugue): Quite appropriate. 13. Fugue on J'ai du bon tabac: Prohibited counterpoint. 14. Fugue on La Marseillaise: Franco-German reconciliation. 15. Pedal - Exercitium: Realization and conclusion of Bach's organ pedal exercies.

SKU: HL.49018139

ISBN 9790001171786.

The richly varied concert piece shows how well the composer, himself a brilliant piano player, knows how to use the instrument. His polyphonic, complex compositional style gives way to various possibile interpretations. Despite high technical demands, the entire work is comfortable to play.A beginning appearing from nowhere which, with its consistent basic rhythm, reveals Jost's passion for jazz music, gradually becomes more intense. Eventually, the music changes into a softer, lyrical passage, allowing time to breathe. At the end, motifs from the beginning are taken up again. And after a phase of great intensity, the work fades into nothing.

SKU: HL.14046102

ISBN 9788438712580. 7.0x9.0x0.516 inches.

La Teoria Completa De La Musica en esta nueva edicion revisada, ha mantenido intactas todas aquellas cuestiones teorico-practicas que son inamovibles, al tiempo que conserva por su probada eficacia, su estructura tematica, lo que la convierte tantoen una obra de consulta como en una obra capaz de ser estructurada y adaptada tanto al curriculo de Conservatorios como al de las Escuelas de musica, sean estas regladas o no. Tampoco se ha olvidado al aficionado autodidacta, por lo que el lenguajeempleado procura ser directo, sin ambiguedades ni retoricas que dificulten su entendimiento. Como toda obra viva y en constante evolucion tambien se ha procurado revisar aquellosconceptos, definiciones, ejemplos, etc., susceptibles de modificacion,al tiempo que se han ampliado, incorporado y en algun caso modificado materias y apartados que asi lo requerian. Este libro aspira a cumplir el proposito que lo inspiro, es decir, facilitar los medios teoricos suficientes (dentro del limitado espaciode una obra de estas caracteristicas), que justifican y corroboran el fenomeno musical.