SKU: HL.14031646
Fest Marsch Op.452 was composed by Johann Strauss II, for full Orchestra.
Johann Strauss II also known as the 'Waltz King', was an Austrian composer of light music, particularly dance music and operettas. Johann Strauss II composed over 400 waltzes, polkas, quadrilles, and other types of dance music, as well as several operettas and a ballet, with in his relatively long career.
SKU: HL.14008632
This piece by Johann Strauss II has been arranged for solo Piano by Oluf Ring.
SKU: HL.14008617
This piece by Johann Strauss II has been arranged for solo Piano by H. Egediusen.
SKU: HL.14021895
ISBN 9788759879580.
Johann Strauss II's Morgenblaetter Op.270, arranged here for solo Piano.
SKU: HL.14009329
ISBN 9788759879658.
From Die Fledermaus, the Du Und Du, or You and You Waltz Op.367 remains one of Johan Strauss II's popular works. This piece has been arranged here for solo Piano.
SKU: HL.14036012
ISBN 9788759866511. 8.25x11.75x0.058 inches. Danish.
Johann Strauss II's Wiener Blut, or Viennese Blood, Waltz Op.354 has been arranged here for solo Piano.
SKU: HL.14018237
ISBN 9788759862643.
Kunstlerleben Op.316 , or Artist's Life, by Johann Strauss II, is often regarded as the 'twin' of the Blue Danube Waltz. Arranged here for solo Piano.
SKU: HL.49033618
ISBN 9790001127011. 9.0x12.0x0.012 inches.
These two juvenile compositions by R. Strauss, published here for the first time, are eminently suitable for teaching purposes.
SKU: BT.WH21564
SKU: HL.49009618
ISBN 9790200211283. UPC: 073999354379. 5.25x7.5x0.213 inches.
With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
SKU: CA.5281000
ISBN 9790007297220.
The third volume in the Songs and Choral Works Series of the Reger Complete Works (RWA) contains the songs Max Reger composed (almost entirely in Munich) between 1901 and February 1903. With these compositions, Reger not only entered into direct competition with the so-called “Munich School†around Ludwig Thuille, Max von Schillings, and Richard Strauss, but also attempted to establish himself more widely as an uncompromising renewer of the genre. The songs contrast with the Romantic song aesthetic through their forward-looking declamatory style and they display a treatment of the piano which goes far beyond conventional song accompaniment.In January 2008 the Max-Reger-Institut (MRI) in Karlsruhe began publishing a scholarly-critical edition of the works of Reger (RWA). This is supported by the Mainz Academy of Sciences and Literature, and as a Hybrid Edition is exploring new approaches in editorial techniques.
The digital offer belonging to the volume is published in an online portal.ContentKompositionen. Acht Lieder op. 79cLieder WoO VII/31und VII/32 Sechzehn Gesänge op. 62 Schlummerlied WoO VII/33 Zwölf Lieder op. 66 Sechs Gesänge op. 68 Siebzehn Gesänge op. 70 Wiegenlied WoO VII/35.
SKU: CA.5280900
ISBN 9790007246525.
With the songs Reger wrote between summer 1889 and spring 1901, he made his mark in the music world. His style displayed a harmonic and melodic intransigence which challenged, fascinated, and irritated performers and audiences in equal measure. The song collections which Reger compiled became ever more extensive: opp. 35 and 37 contained six and five songs, opp. 43 and 48 eight and seven, and opp. 51 and 55 twelve and fifteen songs. As well as this, he wrote some individual pieces for inclusion in the Neue Musik-Zeitung (WoO VII/23-29).In his assiduous search for texts, Reger turned to contemporary lyric poetry with its plurality of styles. The poems which he set were by representatives of the literary Jugendstil (art nouveau) and impressionist movements, including Otto Julius Bierbaum, Detlev von Liliencron, and Richard Dehmel. Here, Reger's musical hallmarks were intensity and subtlety of feeling, a desire for intimacy, and a modern emotional language. This corresponded with the concentration on the modern declamatory song following on from Hugo Wolf, to whom op. 51 is dedicated. In addition, Reger ventured to set texts which Richard Strauss had also set previously, in the process finding different solutions in mood and tonal language.
In January 2008 the Max-Reger-Institut (MRI) in Karlsruhe began publishing a scholarly-critical edition of the works of Reger (RWA). This is supported by the Mainz Academy of Sciences and Literature, and as a Hybrid Edition is exploring new approaches in editorial techniques.
For the first time, in this edition the digital component for this volume will no longer be supplied on a data storage device, but published in an online portal.
SKU: DB.DM-01513
ISBN 9790012206613.
Die vorliegenden Sonaten sind ernsthafte Werke und keinesfalls blosse Unterrichts-Sonatinen. Vanhal stellt wie Mozart und Haydn seine tiefsten Gedanken in den ersten Satzen seiner Sonaten vor, die zweiten Satze sind auf wienerische Weise lieblich und wehmutig. Die Finalsatze sind leicht, schnell, kurz und schlicht wie die fruhen Haydn-Sonaten. (nach d. Vorw. d Hg.).
SKU: PE.EP73225
ISBN 9790577015675. 232 x 303mm inches. English.
Violinist Simon Fischer, renowned throughout the world for his highly praised string methods, now presents brilliant and idiomatic transcriptions for violin and piano of famous works from the classical repertoire. Perfect as encores or as part of a mixed recital, these arrangements of pieces by Dowland, Purcell, Rossini, Felix and Fanny Mendelssohn, Tchaikovsky, Chopin and Johann Strauss II will delight audiences and provide satisfying playing material for violinists.
SKU: HL.400061
ISBN 9781596153585. UPC: 077712334112. 9x12 inches.
Performed by Elaine Douvas, oboe Accompaniment: Erik Nielsen, piano This wonderful album for the beginning to early intermediate oboe player includes thirteen pieces ranging from Boccherini to Grieg to Richard Strauss to William Walton. Says James Roe of The Double Reed: “With the poise of a great virtuoso, [Ms. Douvas] approaches these 'easy' pieces as she would a solo line in a great symphony...the richness of her tone, the variety in her articulation, and the beauty and clarity of her line all represent the very best example for students as they develop their concept of playing. And it's all pretty inspiring for us professional oboists as well.†Ms. Douvas's extensive performance notes “are a delight, and will be inspiring to students and an important aid to teachers.†Includes a complete printed solo part annotated with performance suggestions and access to online recordings with complete versions (with soloist) followed by piano accompaniments to each piece, minus the soloist.
SKU: HL.49019599
ISBN 9790001191043. UPC: 841886019546. 9.0x12.0x0.187 inches. Eds. Wolfgang Birtel and Ida Bieler.
Karol Szymanowski (1882-1932) is regarded as one of the most important Polish composers since Chopin. He received his formative musical training in Warsaw where he lived for many years and was also director of the Conservatoire and Music Academy. His compositional oeuvre comprises a large variety of styles: Szymanowski first leaned towards Chopin and Scriabin, then studied Richard Strauss and Igor Stravinsky, finally finding a style in which he combined impressionism and expressionism. His 'Mythes' for violin and piano from 1915 fell in a transitional period, turning away from late German Romanticism. They are expressive miniatures full of tonal refinement and impressionist charm and, thanks to their accessible virtuosity, perfect performance pieces. Contents: I. La Fontaine d'Arethuse • II. Narcisse • III. Dryades et Pan.
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