SKU: HL.121831

UPC: 884088943578. 5x5 inches.

Celebrate the season with this buoyant song that will warm your heart and lift your spirit. Bells ringing, carolers singing, your younger choirs will shine as they perform this delightful selection! Available separately: 3-Part Mixed, 2-Part, VoiceTrax CD. Duration: ca. 1:50.

SKU: LO.S436

UPC: 000308021066.

The opening segment of the composer's cantata, The King Shall Come(65/1887S), is this spirited setting of the early American hymn tune, MORNING SONG. The substantial organ accompaniment powers the choral forces on to their blazing come quickly, come quickly, King Of Kings!.

SKU: HL.1248098

UPC: 196288153252. 6.75x10.5 inches. Psalm 98.

This fresh arrangement of a holiday classic leaps from the page with engaging textures and spirited vocal effects. Suitable for concerts halls and sanctuaries, this modern take on a time-honored carol will leave your listeners asking for more. Well considered choral part writing makes the anthem sound harder than it actually is!

SKU: HL.1331597

UPC: 196288185659. 6.75x10.5 inches.

Here's a delightful opener or closer for your holiday program, written in a spirited 6/8 style. Performance options include the lively piano accompaniment or the sparkling chamber orchestration. Whichever you choose, your ensembles are sure to set the perfect mood for the season!

SKU: PR.114418900

ISBN 9781491129517. UPC: 680160668632.

A welcome addition to the bass flute repertoire, Dorff’s 14-minute sonata is designed as two pairs of slow-fast movements. While composed as a complete 4-movement sonata, either half may be performed alone as a 7-minute recital work. The movement titles are: I. Sprawling, burbling; II. Sparkling, glistening; III. Under Winter; and IV. Spring Spirits.
When Peter Sheridan commissioned me to write a piece for bass flute and piano, his only requests were a sonata-like multi-movement work, and some kind of reference to New York, where we both grew up. Just the thought of a bass flute, with its broad and mighty airstream, already reminded me of the mighty Hudson River: from the dense woods of upstate New York, through the beautiful landscapes of New Paltz and Poughkeepsie, down through the celebrated Manhattan waterway.As I daydreamed how to build a sonata inspired by the Hudson, I thought of its deep primal nature carved by the Ice Age, and the life within the river and on its shores long before humans arrived. I thought of how the river’s magnetism drew Native Americans who honored and built their lives around it. I thought of beautiful trees and wildlife, the annual cycles of ecosystems, and the natural symbiosis between the river itself, the life within, and the life on land spawned by the river’s resources.I wondered what if Thoreau had sat by the Hudson rather than by Walden Pond; I wondered what if Hesse had set Siddhartha in the Hudson Valley with this river as his metaphor for the flow of life and time.I wondered whether the sonata should flow from north to south, or have chronological references. I wondered if I should allude to the many poets and painters who have drawn inspiration from the mighty Hudson. Every thought led to the river’s essence, its own spirit and life — flowing through raw nature, from skinny trickles to mightiness spawning cities; supporting subtle life, and becoming a central commons for human societies.The subtitle Spirit of the Hudson brings it all together.* * *The sonata is built in 4 movements, with formal inspiration from the Baroque: A slow Mvt. 1 “Sprawling, burbling” leads directly to the rapid Mvt. 2 “Sparkling, glistening,” followed by another slow-fast pair: Mvt. 3 “Under Winter” which leads directly into Mvt. 4 “Spring Spirits.” In addition to performances of the complete sonata, either pair of movements may be performed on its own for a shorter concert segment.SONATA (SPIRIT OF THE HUDSON) was premiered at the International Low Flutes Festival in April 2018 by its commissioner, bass flutist Peter Sheridan, with Hyeeun Hahm as pianist.