| Mary the Dawn (Choral Score) Choral SATB SATB divisi MorningStar Music Publishers
Composed by Charles S. Thatcher. Advent, Easter, Triduum/Three Days. Octavo. ...(+)
Composed by Charles S.
Thatcher. Advent, Easter,
Triduum/Three Days. Octavo.
MorningStar Music Publishers
#50-0074. Published by
MorningStar Music Publishers
$2.85 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Marian Songs For Female Choir - Intermediate EMB (Editio Musica Budapest)
Upper Voices (EQUAL VOICES) - Grade 3 SKU: HL.50511768 For female choi...(+)
Upper Voices (EQUAL VOICES) - Grade 3 SKU: HL.50511768 For female choir. Composed by Miklos Kocsar. EMB. Choral Works (Contemporary Hungarian). Vocal/choral score. Editio Musica Budapest #Z14461. Published by Editio Musica Budapest (HL.50511768). ISBN 9790080144619. A/4 inches. Latin. Miklos Kocsar. Hungary has a thousand-year-old tradition of reverence for the Virgin Mary. In the course of the centuries the Church has found more and more occasions for the celebration of Mary. The greatest is the celebration of Mary?s assumption into heaven, which coincides with the anniversary of the death of Saint Stephen, on August 15. The texts of these choral works originate from various supplicatory prayers from the office, vocal texts and hymns. The six choral works don?t form a cycle, since the texts are associated with different liturgies. The choruses: Regina caeli ? antiphon for Easter, Sub tuum praesidium ? antiphon, Maria Mater gratiae ? short hymn, Ave Regina caelorum ? antiphon for Lent, Ave maris stella ? Hymn to Mary, Virgo parens Christi benedicta ? responsorium, can be sung singly or in any combination. $11.95 - See more - Buy online | | |
| Gaudete! Choral 3-part SAB - Beginner GIA Publications
SAB choir, assembly, piano reduction, flute 1, flute 2, trumpet 1 in B-flat, tru...(+)
SAB choir, assembly, piano reduction, flute 1, flute 2, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, percussion - Beginning SKU: GI.G-9499 Arranged by Chris De Silva. Christmastide, Christmas Vigil, Christmas Night, Christmas Dawn, Christmas Day, Epiphany. Christmas. Sacred. Octavo. 8 pages. GIA Publications #9499. Published by GIA Publications (GI.G-9499). UPC: 785147949909. English, Latin. Text Source: Ref. Piae Cantiones, 1582, vv. Joseph S. Cook, 1859-1933. Text by Joseph S. Cook. The traditional 16th-century Christmas hymn “Gaudete†has been arranged by Chris de Silva for SAB voices, winds and percussion. At the center of this piece is the hymn itself surrounded by choral fanfares inviting listeners to rejoice at the birth of Christ, the Son of Mary. Percussion part is for snare drum. $2.20 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| When The Saints Visit Havana with a Touch of Wolfgang Trombone and Piano - Intermediate Cherry Classics
Trombone & piano - Intermediate SKU: CY.CC2242 Composed by Traditional. A...(+)
Trombone & piano - Intermediate SKU: CY.CC2242 Composed by Traditional. Arranged by Keith Terrett. Latin swing style. Solo and piano accompaniment. Published by Cherry Classics (CY.CC2242). A cute tongue in cheek poke at Mozart using the famous Hymn, When The Saints Go Marching In. In a Latin Swing style. About 3 minutes in length for intermediate performers. $13.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Memorare Choral SATB Carus Verlag
SATB choir (div) SKU: CA.965900 Composed by Giacomo Mezzalira. Edited by ...(+)
SATB choir (div) SKU: CA.965900 Composed by Giacomo Mezzalira. Edited by Stefan Schuck. Contemporary Choir Music. Sacred vocal music, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Full score. 8 pages. Duration 8 minutes. Carus Verlag #CV 09.659/00. Published by Carus Verlag (CA.965900). ISBN 9790007165901. Text language: Latin. Mezzalira places his worked entirely in the tradition of Catholic church music: Gregorian elements are associated likewise with Palestrina's counterpoint and Bruckner's sonorous expansin. Thoroughly in the tradition of the motet, the Memorare is structured in four sections, each in accordance with their respective texts. This large structured composition begins in C minor from the depths of the men's voices, building to a song of lamentation which increases to an harmonically enriched E flat major passage on the words virgo maria. In the second section, harmonically in A flat major, Mezzalira places the upper and lower voices in a double choir opposed to each other in block-like manner in order to develop resonating cantilenas in the third part, which is in F major. After a very simple, tender four-part setting of a hymn the composition ends with an Amen with large modally enriched chords in D major. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Stabat Mater Op. 53 PWM (Polskie Wydawnictwo Muzyczne)
Vocal, Mixed Choir and Orchestra SKU: BT.PWM5447 For Soprano, Alto, Ba...(+)
Vocal, Mixed Choir and Orchestra SKU: BT.PWM5447 For Soprano, Alto, Baritone, Mixed Choir and Orchestra. Composed by Karol Szymanowski. Classical. Book Only. Composed 2000. 68 pages. Polskie Wydawnictwo Muzyczne #PWM5447. Published by Polskie Wydawnictwo Muzyczne (BT.PWM5447). ''Stabat Mater'' by Karol Szymanowski for solo voices, chorus and orchestra, Op. 53, is one of the most famous and, at the same time, most personal works of the composer, making its appeal to the audience through the depth of its expression and sheer artistry. The first sketches of the work were made in the spring of 1925, while work on the full score occupied the composer from 20 January to 2 March 1926. Józef Jankowskis Polish translation of the medieval sequence formed the basis of the composition. This text, which was simple in a folk-like way, devoid of pathos but full of religious zeal, harmonized perfectly from the poetic point of view with the composers creative design. In an interview for the monthly Muzyka Szymanowski stated: ''in its Polish vestments that eternal, naive hymn was filled for me with its own immediate expressive content; it became something painted in colours which were recognisable and comprehensible as distinct from the black and white of the archaic original'' (''A Footnote to Stabat Mater'', Muzyka 1926, Nos. 11/12). In the score, the Latin text is given beside the Polish text, making it possible for the work to be performed more easily by foreign performers. In this work, the universal tradition of the Christian church was fused with the Polish religious tradition. The composer creates the religious folk-like climate primarily through the character of the melodies which are akin to to the plainchant melodies to the text of Stabat Mater (the sequence, and especially the hymn) and their paraphrases in Polish religious songs (e.g. Sta a Matka Bole ciwa [The Dolorous Mother was standing]) as well as motifs from Polish Lenten songs and Gorzkie ale (Bitter Laments). Szymanowski did not introduce them as quotations, but intersperses the melodic lines, which are more fully developed and frequently highly chromatic, with diatonic phrases, based on modal scales. They appear in all the movements of the work determining its cohesion. In dividing the twenty-stanza text into separate segments, Szymanowski created a six- movement cantata. He took care to distinguish between the emotional shades of the various movements, varying his selection of solo voices (soprano, contralto, baritone), the voices of the chorus (female or mixed) and the orchestral forces. In the first and third movements the lyrical idiom prevails; the first movement, portraying the Mother of God at the foot of the cross, has a narrative character, whereas the third is a kind of prayer from a man who sympathizes with, and who wishes to be associated with Mater Dolorosas pain. In these movements only the female voices are used (soprano, contralto and female chorus), while the orchestra is employed in a chamber style, sometimes drawing on solo accompanying parts (e.g. the beginning of the third movement). The fourth movement, which continues the mood of prayerful contemplation, is designed for soprano and contralto solo as well as unaccompanied chorus. On the other hand, the second and fifth movements, involving the participation of solo baritone and the full chorus and orchestra, are similar with regard to forces and their dramatic character, which is austere in expression, harsh in tone, and markedly dissonant. Here grand climaxes appear with powerful orchestral tutti. The sixth movement crowns the whole. The lyrical, soft melody of the solo soprano at the beginning is gradually strengthened by the addition of the female chorus and the solo contralto, and in the final section, the solo baritone as well as the tutti of chorus and orchestra. The conclusion, subdued and full of concentration, suggests the introvert character of the experience as opposed to its dramatic pathos. Stabat Mater by Szymanowski is part of a long tradition of compositions based on the text of the medieval sequence - ranging from polyphonic works by Josquin des Prés and Palestrina to the romantic Stabat by Giuseppe Verdi and Anton n Dvo ák. And it was perhaps because of his consciousness of this tradition that Szymanowski used stylizing devices in the spirit of early music. The archaization manifests itself not only in the character of the melodies and their modal framework, but also in the harmonies (with their predominance of triads, open fourths and fifths chords and doubled thirds), the simple rhythms as well as the texture of the choruses (esp. the fourth movement). The composer does not, however, imitate the style of any specific historical epoch, but combines resources taken from early music with modern tonal and harmonic techniques. Archaization in Stabat Mater serves, moreover, a symbolic function; in evoking the many-centuries old tradition of church music, it emphasizes the universal nature of the idea contained in the text of the sequence, while the re-reading of the text by the composer gives the work its individual features. [Zofia Helman, translated by Ewa Cholewka]. $28.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Sunscapes Concert band - Intermediate C.L. Barnhouse
Concert band - Grade 3 SKU: CL.012-4571-75 Composed by Wilson. Concert Ba...(+)
Concert band - Grade 3 SKU: CL.012-4571-75 Composed by Wilson. Concert Band. Concert Band Series. Audio recording available separately (item CL.WFR391). Oversized, spiral-bound score. Composed 2017. Duration 4 minutes, 49 seconds. Opus III Wind Orchestra Publications #012-4571-75. Published by Opus III Wind Orchestra Publications (CL.012-4571-75). This exciting work depicts the lively and sunny nature of the state of Florida. Opening with a brilliant and majestic section highlighting the state's bright and vibrant culture, a flowing melody follows, representing the calming winds and consistent breeze of the state. Dance is a large part of Florida's culture, especially in its southern region, and the 7/8 rhythm captures an Afro-Latin style dance movement. The chorale/hymn section is based on the Florida Song, which is a traditional school song of many schools, including Florida A&M in Tallahassee. The work then recapitulates and moves toward a driving and joyful conclusion. An excellent contest/festival work! $30.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Kyrie and Gloria Choral SATB SATB, Piano - Beginner GIA Publications
SATB choir, piano reduction - Beginning SKU: GI.G-7463 Composed by Michie...(+)
SATB choir, piano reduction - Beginning SKU: GI.G-7463 Composed by Michiel Karatem. Edited by Pearl Shangkuan. Arranged by Joel Navarro. Calvin Institute. Sacred. Octavo. 4 pages. GIA Publications #7463. Published by GIA Publications (GI.G-7463). UPC: 785147746300. Greek, Latin. Text source: Traditional. Michiel Karatem, a school teacher and hymn writer, was born in 1934 in the Aru Islands, an archipelago in the Indonesian province of Maluku. These brief pieces can be used in a variety of ways during liturgy. For the “Kyrie†the basses could hum their initial pitch during spoken prayers before everyone joins to sing the piece as written. The “Gloria†could be sung as a refrain between sections of the spoken “Glory to God.â€. $2.20 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Invictus: A Passion (Vocal/Choral Score) Soli, Mixted choir and accompaniment MorningStar Music Publishers
Composed by Howard Goodall (1958-). Multi-Movement/Large Choral Work. Holy Wee...(+)
Composed by Howard Goodall
(1958-). Multi-Movement/Large
Choral Work. Holy Week, Lent,
Triduum/Three Days, Tenebrae,
21st Century. Vocal/choral
score. Published by
MorningStar Music Publishers
$13.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Veni, Creator Spiritus Op. 103g Medium Voice And Organ Organ Schott
Medium voice and organ - difficult SKU: HL.49044612 For medium voice a...(+)
Medium voice and organ - difficult SKU: HL.49044612 For medium voice and organ. Composed by Bertold Hummel. This edition: Saddle stitching. Sheet music. Vocal. Softcover. Composed 2000. Op. 103g. 22 pages. Duration 9'. Schott Music #ED21338. Published by Schott Music (HL.49044612). ISBN 9790001187282. 9.0x12.0x0.099 inches. Latin. The rushing of the Holy Spirit to which the hymn 'Veni creator' refers is symbolized by fast semiquaver runs of the organ which return again and again during the whole piece. Alternately, the text is interpreted musically in seven verses according to the respective content. Traditional melodies appear in a contemporary harmonic makeup. From this context emerges a field of tension between old and new which eventually dissolves in the 'Amen' of the vocal soloist. The work on the rather demanding piece is rewarding for every performer and the performance at the church is very impressive. $15.99 - See more - Buy online | | |
| Adeste fideles Choral SATB - Easy Oxford University Press
Solo, duet, trio & SATB choir with organ/orchestra (2 flutes, 2 oboes, 2 clarine...(+)
Solo, duet, trio & SATB choir with organ/orchestra (2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 trumpets, timpani, strings, organ) - easy SKU: OU.9780193954113 Composed by Vincent Novello. Christmas Songs & Carols - Mixed Voices. Church Music Society Publications. Vocal score. 12 pages. Duration 5'. Oxford University Press #9780193954113. Published by Oxford University Press (OU.9780193954113). ISBN 9780193954113. 10 x 7 inches. for solo, duet, trio, and SATB with organ Vincent Novello's arrangement of four verses of the well-known 'Hymn for Christmas' builds from soprano solo, through duet for tenor and bass and trio for alto, tenor and bass (with melody in the middle part), to a full SATB final verse. The traditional English text is given together with the original Latin. Colin Mawby has supplied a fascinating preface tracing the history of the piece. $3.65 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Sunscapes Concert band [Score and Parts] - Intermediate C.L. Barnhouse
Composed by Chandler Wilson. Concert Festival. Concert Band Series. Score and pa...(+)
Composed by Chandler Wilson. Concert Festival. Concert Band Series. Score and parts. Duration 0:04:49. Published by C.L. Barnhouse (CL.012-4571-00).
$84.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Choralsuite I: Wir glauben all an einen Gott Choral SATB Schott
Choral (SATB) - difficult SKU: HL.49000999 Wir glauben all an einen Go...(+)
Choral (SATB) - difficult SKU: HL.49000999 Wir glauben all an einen Gott. Composed by Ernst Pepping. This edition: C32473. Sheet music. Schott Chorverlag (Choral Music). Classical. Choral Score. Composed 1928. 39 pages. Duration 12'. Schott Music #C 32473. Published by Schott Music (HL.49000999). ISBN 9790001005555. UPC: 073999932478. 7.5x10.75x0.089 inches. German. The first part of Ernst Pepping's Choralsuite is a setting of Martin Luther's three-verse hymn, written to replace the Latin Credo in the Reformation German mass. Luther also adapted Catholic statements ('unam sanctam catholicam ecclesiam' was changed to 'die ganz Christenheit auf Erden' [the whole Christian church on earth]) as well as incorporating a number of his own theological convictions. Pepping orientates his highly contrapuntal choral texture to the vocal style of the 16th and 17th centuries and uses traditional church modes. $11.99 - See more - Buy online | | |
| Sunscapes Concert band - Intermediate C.L. Barnhouse
Concert band - Grade 3 SKU: CL.012-4571-01 Composed by Wilson. Concert Ba...(+)
Concert band - Grade 3 SKU: CL.012-4571-01 Composed by Wilson. Concert Band. Concert Band Series. Audio recording available separately (item CL.WFR391). Extra full score. Composed 2017. Duration 4 minutes, 49 seconds. Opus III Wind Orchestra Publications #012-4571-01. Published by Opus III Wind Orchestra Publications (CL.012-4571-01). This exciting work depicts the lively and sunny nature of the state of Florida. Opening with a brilliant and majestic section highlighting the state’s bright and vibrant culture, a flowing melody follows, representing the calming winds and consistent breeze of the state. Dance is a large part of Florida’s culture, especially in its southern region, and the 7/8 rhythm captures an Afro-Latin style dance movement. The chorale/hymn section is based on the Florida Song, which is a traditional school song of many schools, including Florida A&M in Tallahassee. The work then recapitulates and moves toward a driving and joyful conclusion. An excellent contest/festival work! $12.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| By Faith and Not by Sight - Part-dominant rehearsal CD (reproducible) Lorenz Publishing Company
SKU: LO.99-2489L Composed by Lloyd Larson. Choral. Sacred Anthem, General...(+)
SKU: LO.99-2489L Composed by Lloyd Larson. Choral. Sacred Anthem, General, Lent. Part-dominant rehearsal CD (reproducible). Lorenz Publishing Company #99/2489L. Published by Lorenz Publishing Company (LO.99-2489L). UPC: 000308121667. This majestic affirmation of faith is inspired by 2 Corinthians 5:7: We walk by faith and not by sight. Opening quietly and resolutely, it gradually builds through escalating dynamics and key changes to a glorious proclamation of empowerment through our risen Lord. Next, the traditional hymn My Faith Looks Up to Thee enters as a choral prayer that rises to a succession of triumphant amens. (From the cantata Touched by the Christ: SATB – 55/1120L; SAB – 55/1121L.) This CD includes both the SATB and SAB versions. $29.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Hinni, Salve Regina, Motetti Carus Verlag
SKU: CA.2780400 Composed by Claudio Monteverdi. Edited by Uwe Wolf. This ...(+)
SKU: CA.2780400 Composed by Claudio Monteverdi. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Hinni, Salve Regina, Motetti. Sacred vocal music, Hymns, Motets, Psalms, Latin. Full score. 92 pages. Carus Verlag #CV 27.804/00. Published by Carus Verlag (CA.2780400). ISBN 9790007167790. Today Monteverdi's Selva morale et spirituale (1641) stands entirely in the shadow of his famous Vespers 1610. The editions from 1610 and 1641 both include music for the Mass and Vespers, but each of these collections was composed under much different circumstances during Monteverdi's lifetime. If the works of 1610 are a bold combination of traditional compositional techniques and avant garde music, which were intended by this weary Court Composer at Mantua as an application portfolio for a new job, the 1641 collection is the only church music by the mature Monteverdi which was published after almost thirty years in his position as Music Director of St. Mark's Cathedral: the latter, a kind of best of collection from his many years of experience as a church musician. In Venice the composer had not only a fabulous, but a large ensemble at his disposal (finally, about 35 singers, alone)! The combination of soloistic and weighty tutti sections makes a big effect in this music, it makes the music, with its clearly defined sections and, for the most part homophonic choral passages more easily performable than the Vespers for today's choirs. The new edition, comprised initially of three volumes, also includes those works from the Selva Morale (a Mass and two Magnificats) which have already been published by Carus, as well as all further liturgical compositions for use in the church. Volume III, Motetti, Salve Regina, Himini, contains compositions for 1 to 3 voices and basso continuo, some with two violins (the psalms are included in both the Salmi I and Salmi II volumes). The edition is based on the methods employed in the much acclaimed Carus edition of the Vespers: * It contains a detailed foreword with suggestions for notation, scoring and for the liturgical use of individual compositions. * For the present edition four of the five surviving printed copies, as well as contemporary manuscript were consulted. Facsimiles illustrate special characteristics of the edtion of 1641. A Critical Report makes clear all of the editorial decisions made in the edition. * All of the pieces are printed untransposed and using the original note values. * All of the pieces are available in single editions with complete performance material. * Vocal scores of all works with obbligato instruments facilitate rehearsal. * Instrumental parts for collaparte accompaniment of tutti-sections (including text underlay). $91.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Kleine geistliche Konzerte I (1636) Barenreiter
Vocal, Basso continuo (Ges,Bc) SKU: BA.BA05965-01 Composed by Heinrich Sc...(+)
Vocal, Basso continuo (Ges,Bc) SKU: BA.BA05965-01 Composed by Heinrich Schutz. Edited by Beate Agnes Schmidt. This edition: complete edition, urtext edition. Linen. Heinrich Schutz. Neue Ausgabe samtlicher Werke 10/11. Complete edition, Score, anthology. Composed 1636. Baerenreiter Verlag #BA05965_01. Published by Baerenreiter Verlag (BA.BA05965-01). ISBN 9790006497683. 27.5 x 20 cm inches. Preface: Schmidt, Beate Agnes. TheKleine geistliche Konzerte(Small Sacred Concertos), published in two parts in 1636 and1639, are among the best-known and well-loved compositions of Heinrich Schutz. Both parts constitute a collection of vocal pieces in a broad range of styles written for only a few voices with basso continuo. Most of the texts are in German, but some are also in Latin. The first volume presents a broad spectrum of vocal scoring, musical forms and texts: there are solo concertos in the Italian style, traditional four-part motets, well-known Psalm texts set to music, hymns as well as mystically contemplative meditative literature. The concertos' monodic qualities and high level of virtuosity - especially in the compositions with German text - made Schutz a household name shortly after theKleine geistliche Konzertewere published in print. As the works required no large ensembles, they could be performed for different occasions and in various locations; particularly during the Thirty Years' War they could be heard at court, in cities or in villages but also in schools or at home.
Unlike the 1963 edition of theKleine geistliche Konzerte(BA 3664, BA 3665, BA 3666) as part of the New Schutz Edition, this new volume presents the works for the first time in their original form and order. A historic-critical evaluation of all relevant sources yields new information regarding the composer's intentions, the printing process and the works' reception. Furthermore, the edition includes a reconstruction of an earlier version that has not been published until now. This edition is geared towards musicologists, as well as professional musicians and amateurs with a keen interest in early music.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$359.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Pater noster Choral TTBB Carus Verlag
SSAATTBB Choir SKU: CA.967400 Composed by Jacek Sykulski. Edited by Stefa...(+)
SSAATTBB Choir SKU: CA.967400 Composed by Jacek Sykulski. Edited by Stefan Schuck. CARUS CONTEMPORARY. Sacred vocal music. Full score. 16 pages. Duration 8 minutes. Carus Verlag #CV 09.674/00. Published by Carus Verlag (CA.967400). ISBN 9790007187484. Language: Latin. With the publication of his hypnotic Pater noster, Carus proudly presents Jacek Sykulski as a new composer in the Carus Contemporary series. Whilst Sykulski has achieved worldwide success as Director of the Academic Choir at the University of Poznan and the Poznan Boys' Choir, as a composer he has remained a well-guarded secret until now. In his sacred compositions he combines in music the deeply Catholic-imbued tradition of his country with his own compositional technique, characterized by a tremendous vocal sensuousness of sound and a conscious use of tonality enriched by dissonance. His Pater noster was composed in 2009 and revised in 2015 for a performance by the RIAS Kammerchor in Berlin. The first section of this three-part work for eight-part choir (tenors and sopranos also split into three) begins with the invocation Pater noster homophonically in A minor. This then introduces the Gregorian liturgical melody of the Our Father canonically and aleatorically, like a contemplative congregational hymn. The middle section calls out Dein Reich komme in increasingly insistent rhythmic declamation, more demanding, with hypnotic repetitions and intensifications. In the last section, Sykulski returns to the opening harmonies, but now a semitone lower on A flat, followed by an intensification at the words sed libera nos a malo - and delivery us from evil once more; this ends unresolved in a diatonic cluster on A flat as the paradigm of our imperfect earthly existence. The eight-minute unaccompanied composition is extremely singable, impressive, and not difficult to master. The piece is suitable for use in the liturgy, as well as in concerts and competitions. $12.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Missa Beatissimae Virginis Mariae Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 trumpets, 2 trombones, timpani, 2 violin, basso c...(+)
SATB vocal soli, SATB choir, 2 trumpets, 2 trombones, timpani, 2 violin, basso continuo SKU: CA.5030519 Composed by Michael Haydn. Edited by Charles H. Sherman. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa Beatiss.Virginis Mariae Mh 15. Sacred vocal music, Masses, Latin, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Set of Orchestra Parts. Composed circa 1758-1760. MH 15. Duration 30 minutes. Carus Verlag #CV 50.305/19. Published by Carus Verlag (CA.5030519). ISBN 9790007145477. Key: C major. Language: Latin. The Missa Beatissimae Virginis Maria was composed ca. 1758-1760, between the end of his tenure as a singer in the choir of St. Stephen's in Vienna and the beginning of his first position as violinist and music director for the Bishop of Grosswardein. The scoring of SATB (for soli as well as choir) and church trio was augmented by two trumpets (clarini) and timpani, as well as two trombones. The latter instruments double the alto and tenor voices in tutti passages but in the Et incarnatus est they are also employed in an obbligato role. On the one hand, as an early work this Mass is in the style of the festive baroque tradition, as practiced in south-German regions until the middle of the eighteenth century; on the other hand it already shows the subjective inspiration which distinguished it from many of the mass settings by Haydn's contemporaries. Score and parts available separately - see item CA.5030500. $226.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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