SKU: GI.G-008749

UPC: 641151087498. Text by Thomas Patrick Kavanaugh.

This choral setting is adapted from the musical The Clown of God. Peter‚ skill at creating pleasing melodic lines and expertly crafted choral and keyboard parts meshes beautifully with the compassionate lyrics of collaborator Tim Kavanaugh, emphasizing that every person and thing has a place in God‚ creation.

SKU: LO.30-2422L

UPC: 000308121483.

How great is the Father’s love for us! Full of awe and wonder, this song of reverent faith opens quietly, with unison voices. The vocals thicken gradually as the verses rise in successive keys, warmly supported by the artful accompaniment. Lyrical and reflective, it’s a gift of love for our gracious, compassionate God. (From the cantata The Living Last Supper. SATB – 55/1110L; SAB – 55/1116L.) Instrumentation: Flute, Oboe, 2 Clarinets, Percussion, Violin 1 & 2, Viola, Cello, and Bass.

SKU: GI.G-547

When tragic or troubling events change our lives forever, we are left wounded and weeping. We look for solace in any place we can find it. Marty Haugen has created a compilation of his music that can help guide us through those difficult times of grief. The result is an incredibly compassionate recording. During times of tragedy Turn My Heart seeks to fill the need for consolation through music and does so with tender care.

SKU: BR.EB-6734

ISBN 9790004169360. 9 x 12 inches.

This series of easy piano pieces for teaching purposes presents pupils in the early and early-middle stages with a careful selection from well-known and less-known compositions by important masters. The individual volumes are deliberately kept small in compass, since it is more stimulating for children if the literature used for instruction is changed frequently. Between 1795 and 1802, Beethoven composed a large number of German dances, contredances and minuets. He made simple piano reductions of a considerable proportion of these occasional compositions. The selection of the present pieces was made on the basis of the compositions that seemed most suitable for the piano. The piano arrangements are based on the scores and the original piano reductions, and the marks of interpretation have been retained. The working-out of more finely-differentiated interpretations is left to the performer studying the pieces. These grateful little pieces are equally suitable as studies and as recital pieces. Heinz Walter, Salzburg, Fall 1974.