(Woodwind Solos & Ensemble/Bassoon And Piano). By Marcello, Benedetto. Arranged by Merriman, Lyle. For Bassoon (Bassoon). Woodwind Solos & Ensembles - Bassoon And Piano. Southern Music. Grade 3. 6 pages. Southern Music Company #SS807. Published by Southern Music Company

By Louise Farrenc. Edited by Willi Rechsteiner. For flute, oboe, clarinet in Bb, horn in Eb, bassoon and piano. First Publication. Level: intermediate. Score and parts. Composed 1851-52. Duration 26,30'. Published by Furore-Verlag (German import). (fue 1980)

By Jean Baptiste Senaille. Arranged by Pezzi/ Albert Andraud. For Bassoon. Approved contest/festival piece for the University Interscholastic League. Level: Grade 4. Published by Southern Music Company.

(Woodwind Solos and Ensemble/Bassoon And Piano). By Cioffari, Richard J.. For Bassoon (Bassoon). Woodwind Solos and Ensembles - Bassoon And Piano. Southern Music. Grade 4. 24 pages. Southern Music Company #SU211. Published by Southern Music Company

By William Waterhouse (Editor). For Bassoon, Piano Accompaniment. Classical. Sheet Music. 50 pages. Published by Chester Music.

By Various. Arranged by M. Vallon. For bassoon and piano. La Doulciane Jean-Claude Montac Collection. Grade 3-5. Published by International Music Diffusion .

(Woodwind Solos & Ensemble/Bassoon And Piano). By Marcello, Benedetto. Arranged by Merriman, Lyle. For Bassoon (Bassoon). Woodwind Solos & Ensembles - Bassoon And Piano. Southern Music. Grade 3. 8 pages. Southern Music Company #SS806. Published by Southern Music Company

By Ante Grgin. For Bassoon and Piano. Swiss import. Level: Grade 4+. Published by Editions Marc Reift. (EMR 13066)

Bassoon and Piano

SKU: ST.C184

Composed by Graham Sheen. Wind & brass music. Clifton Edition #C184. Published by Clifton Edition (ST.C184).

ISBN 9790570811847.

March of the Day
The subtitle says it all, I think. The piece has three main ideas each in the contrasting keys of Bb, Eb and F majors. Can you find a different character for each one? The danger for bassoonists in this sort of piece is that everything can sound accented, so be careful to follow the articulation marks as closely as you can.

Rondolettinetto
This is all about building phrases through repetition. It relies largely, therefore, on control of the sound. Try to achieve a really obvious contrast of character between the opening phrases and the less refined con spirito episode. This might be played just a touch faster than the opening and closing sections, if you wish. There is a hint of gentle parody in this piece if you can find a way of expressing that too.

Sand-dance Kid
This piece stretches the compass and range of expression even further. There are very obvious contrasts of staccato and legato and the phrase lengths of the middle section are far from regular. Try to scale down the dynamics at the end so that you end as softly as you can play.
Three Pieces for Bassoon and Piano

Grade 4
Former Spartan Press Cat. No.: SP1164.

Bassoon and piano - Grade 5

SKU: ND.BSSN3

Composed by R. Coryn. Bassoon. Published by Edition Andel (ND.BSSN3).

Bassoon and piano - Grade 4

SKU: ND.BSSN10

Composed by J. B. Gyselinck. Bassoon. Published by Edition Andel (ND.BSSN10).

Bassoon and piano - Grade 4

SKU: ND.BSSN18

Composed by A. Verbesselt. Bassoon. Published by Edition Andel (ND.BSSN18).

Bassoon and piano - Grade 5

SKU: ND.BSSN16

Composed by L. Stekke. Bassoon. Published by Edition Andel (ND.BSSN16).