(Christmas Carols For Mixed Voices) Edited by Graham Buckland. For SATB choir (unaccompanied). Format: a capella songbook. With choral notation, lyrics, performance notes, introductory text and index of first lines. Christmas and holiday. 224 pages. 9x12 inches. Published by Baerenreiter-Ausgaben.

SATB choir with organ accompaniement

SKU: MN.CH-1373

Composed by Dale Jergenson. 21st Century. Laurendale Associates #CH-1373. Published by Laurendale Associates (MN.CH-1373).

UPC: 765844006228. Latin.

This Mass of Acceptance is dedicated to Bill Beck and the choir at St. Cyril's because of their unflagging support for me during my time of grief and sorrow after Phyllis, my wife of nearly 54 years passed away in March of 2011. In spite of continuing heartache that is abating over time, I have come to understand that my life must go on if for no other reason than to respect her commitment to love and affection for the many people she touched throughout her long and productive life. By continuing to write music I feel I am respecting her support for me whatever my artistic aspirations. I will continue for so long as I shall live to express my deepest sense of veneration and homage for her through music, poetry, art and wherever else this muse may lead me. -Dale Jergenson.

(Quaker Song). Arranged by Jay Althouse. Choir Sacred. SATB choir. Choral Octavo. Choral Designs. Folk; Sacred. 8 pages. Published by Alfred Music

Composed by David Schwoebel. Octavo. Beckenhorst Press #BP2129. Published by Beckenhorst Press (BP.BP2129).

Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc

SKU: CA.3118800

Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Pieter Dirksen. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, End of the church year, Trinity. Full score. Composed 1728. BWV 188. 64 pages. Duration 25 minutes. Carus Verlag #CV 31.188/00. Published by Carus Verlag (CA.3118800).

ISBN 9790007181567. Language: German/English.

The cantata Ich habe meine Zuversicht BWV 188 comes from the so-called Picander cycle and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associated with its transmission. The original set of parts was lost, and the manuscript score only survives in fragmentary form. Probably as early as the 18th century the score was divided up into numerous separate parts in order to make more money, or to be able to provide as many Bach relics as possible for posterity. The first movement, an instrumental sinfonia, is missing apart from the final bars. We simply know that this sinfonia is based on the 3rd movement of the Harpsichord Concerto BWV 1052 in D minor and that instead of the harpsichord, an obbligato organ was envisaged. Its successful reconstruction by the baroque specialist and organist Pieter Dirksen now makes it possible to perform the cantata again complete with the introductory sinfonia.

Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc

SKU: CA.3118813

Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Pieter Dirksen. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, End of the church year, Trinity. Single Part, Viola. Composed 1728. BWV 188. 8 pages. Duration 25 minutes. Carus Verlag #CV 31.188/13. Published by Carus Verlag (CA.3118813).

ISBN 9790007210052. Language: German/English.

The cantata Ich habe meine Zuversicht BWV 188 comes from the so-called Picander cycle and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associated with its transmission. The original set of parts was lost, and the manuscript score only survives in fragmentary form. Probably as early as the 18th century the score was divided up into numerous separate parts in order to make more money, or to be able to provide as many Bach relics as possible for posterity. The first movement, an instrumental sinfonia, is missing apart from the final bars. We simply know that this sinfonia is based on the 3rd movement of the Harpsichord Concerto BWV 1052 in D minor and that instead of the harpsichord, an obbligato organ was envisaged. Its successful reconstruction by the baroque specialist and organist Pieter Dirksen now makes it possible to perform the cantata again complete with the introductory sinfonia. Score and part available separately - see item CA.3118800.

Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc

SKU: CA.3118811

Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Pieter Dirksen. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, End of the church year, Trinity. Single Part, Violin 1. Composed 1728. BWV 188. 8 pages. Duration 25 minutes. Carus Verlag #CV 31.188/11. Published by Carus Verlag (CA.3118811).

ISBN 9790007210038. Language: German/English.

The cantata Ich habe meine Zuversicht BWV 188 comes from the so-called Picander cycle and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associated with its transmission. The original set of parts was lost, and the manuscript score only survives in fragmentary form. Probably as early as the 18th century the score was divided up into numerous separate parts in order to make more money, or to be able to provide as many Bach relics as possible for posterity. The first movement, an instrumental sinfonia, is missing apart from the final bars. We simply know that this sinfonia is based on the 3rd movement of the Harpsichord Concerto BWV 1052 in D minor and that instead of the harpsichord, an obbligato organ was envisaged. Its successful reconstruction by the baroque specialist and organist Pieter Dirksen now makes it possible to perform the cantata again complete with the introductory sinfonia. Score and part available separately - see item CA.3118800.

Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc

SKU: CA.3118809

Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Pieter Dirksen. 1x 31.188/21 oboe 1, 1x 31.188/22 oboe 2, 1x 31.188/23 taille. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, End of the church year, Trinity. Set of Orchestra Parts. Composed 1728. BWV 188. Duration 25 minutes. Carus Verlag #CV 31.188/09. Published by Carus Verlag (CA.3118809).

ISBN 9790007210021. Language: German/English.

The cantata Ich habe meine Zuversicht BWV 188 comes from the so-called Picander cycle and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associated with its transmission. The original set of parts was lost, and the manuscript score only survives in fragmentary form. Probably as early as the 18th century the score was divided up into numerous separate parts in order to make more money, or to be able to provide as many Bach relics as possible for posterity. The first movement, an instrumental sinfonia, is missing apart from the final bars. We simply know that this sinfonia is based on the 3rd movement of the Harpsichord Concerto BWV 1052 in D minor and that instead of the harpsichord, an obbligato organ was envisaged. Its successful reconstruction by the baroque specialist and organist Pieter Dirksen now makes it possible to perform the cantata again complete with the introductory sinfonia. Score and parts available separately - see item CA.3118800.

Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc

SKU: CA.3118819

Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Pieter Dirksen. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, End of the church year, Trinity. Set of Orchestra Parts. Composed 1728. BWV 188. Duration 25 minutes. Carus Verlag #CV 31.188/19. Published by Carus Verlag (CA.3118819).

ISBN 9790007210076. Language: German/English.

The cantata Ich habe meine Zuversicht BWV 188 comes from the so-called Picander cycle and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associated with its transmission. The original set of parts was lost, and the manuscript score only survives in fragmentary form. Probably as early as the 18th century the score was divided up into numerous separate parts in order to make more money, or to be able to provide as many Bach relics as possible for posterity. The first movement, an instrumental sinfonia, is missing apart from the final bars. We simply know that this sinfonia is based on the 3rd movement of the Harpsichord Concerto BWV 1052 in D minor and that instead of the harpsichord, an obbligato organ was envisaged. Its successful reconstruction by the baroque specialist and organist Pieter Dirksen now makes it possible to perform the cantata again complete with the introductory sinfonia. Score and parts available separately - see item CA.3118800.

Choral SATB Choir and Piano

SKU: CF.CM9765

Composed by Richard Waters. Duration 1:45. Carl Fischer Music #CM9765. Published by Carl Fischer Music (CF.CM9765).

ISBN 9781491162538. UPC: 680160921287. Key: A major. Original.

I composed Sing with Me during the summer of 2020 as my own personal response to the relentless series of heartaches that we faced: the uncertainty of the COVID-19 pandemic, the anguish of not being able to sing together and the rise of social justice crises across the country. It is the first piece for which I have also written the text. At the time, I was unsure of what the fall semester would look like for my own choir. Would we be in person? If so, for how long?  Therefore, I designed the piece to be accessible and adaptable to whatever situation we faced. It is my wish that the message of hope and unity will resonate with all who sing or hear it.Sing with me, as I sing with you,Let the music revive us anew;Yearning for beautiful harmony,Come and sing with me. All the world is longing for peace,For all meaningless hatred to cease;Joining together, your hand in mine,Let our voices shine! Dream with us, together as one,For the day when the battle is done;Fervently striving for unity,Come and dream with me.Come and sing with me. .

Composed by Joel Raney. Choral, cantatas. Advent, Christmas, Sacred. Choral score. Lorenz Publishing Company #65/2106L. Published by Lorenz Publishing Company

Choral (SATB)

SKU: HL.35032412

Composed by Joseph M. Martin. Shawnee Sacred. Cantata, General Worship, Sacred, Eastertide. Softcover. Duration 2820 seconds. Published by Shawnee Press (HL.35032412).

ISBN 9781540036537. UPC: 888680826604. 6.75x10.5x0.306 inches.

Festival of Faith is a celebration of the life and ministry of Christ. Through hymns, original anthems and scripture readings, we travel with Him down the dusty roads of Galilee and the ancient stone streets of Jerusalem. We climb the windswept hill of Calvary and enter the garden of resurrection. The orchestration creates a soundscape for this dramatic retelling and a full line of companion products are available to support your rehearsals and performance. This significant work is ideal for performances during Eastertide and will have a lasting impact on your community as they remember the life of the Savior. Songs include: Procession of Faith; And Can It Be That I Should Gain; A Call to Faith; Come to the Mountain; Prayer of Restoration; Festival of Palms; In the Breaking of the Bread; Shadow Garden; I Saw the Cross of Jesus; Easter People, Rise; A Call to Alleluia. Score and Parts for Full Orchestra (fl 1-2, ob/enghn, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-2, tba, timp, perc 1-2, hp, pno, vn 1-2, va, vc, db) and Consort (fl, cl, tpt 1-2, tbn, perc, kybd) available as a Printed Edition and as a digital download.

SATB Choir a Cappella

SKU: HL.14023340

Composed by Per Norgard. Music Sales America. Classical. Vocal Score. 26 pages. Music Sales #KP01444. Published by Music Sales (HL.14023340).

ISBN 9788759871911. 8.25x11.75x0.115 inches. English.

To Nocturner (2001) - for Chamber Choir (12 or 24 Voices). Texts by Ole Sarvig and Ib Michael. English version available: KP01444E Programme note: These two choral pieces for 12 voices consists of radical recompositions on of earlier themes: in Summer's Sleep we hear new combinations of two 'Sarvig melodies' from the 1970s (one of which is now in the Danish Hymnbook under the title aret, The Year): Michael's Night is based on an earlier, simple choral song (Star Mirror,1987), now for 12 voices and composed such that an original idea of simultaneously displaced, opposite motions cf. the poem) comes out as desired. Of the Nocturnes Norgard writes: Summer's Sleep wascomposed to stanzas of Ole Sarvig's poem The Year (from the collection Forstadsdigte ('Suburban Poems')) and forms the picture of the summer of life, which is asleep - while the heaven seed waits for the summer wind (invisible to every mind). The many layers of text are expressed musically in a multilayered choral texture with 'looks' up and down through the various tempo and time-worlds: summer sleep, summer dream. The second nocturne, Michael's Night, takes its name from the author Ib Michael, whose poem Star Mirror (from the collection Himmelbegravelse ('Sky Funeral') (1986) I pushed/coaxed him to expand from one to nine stanzas. The four selected stanzas set in the nocturne focus on the pan-erotic elements of the moonlit, starlit night. With the titles I have chosen I have stressed the mythic layer of the text, the summer night not as a dream but as sensual reality. The two nocturnes are dedicated to Ivan Hansen on the occasion of his fiftieth birthday on 25th February 2003, out of gratitude for over a quarter of a century of inspiring collaboration.

For SATB choir and piano - Easy-Medium

SKU: AU.9781506456935

Composed by Stanley G. Beard. ACL. All Saints Day ABC, Funeral, Wedding. Octavo. Augsburg Fortress #9781506456935. Published by Augsburg Fortress (AU.9781506456935).

ISBN 9781506456935. 7x10.25 inches.

A poignent and profound text with a beautiful melody, perfect for All Saints, funerals, or any time of remembering. [The following story comes from the Brokering family, and might be great to include in the long description. I have a whole email from his daughter about it--DCS] Herb Brokering wrote this text to honor his wife Lois and the legacy of their faithful love. On the day she died in a car accident, he happened to be reciting this poem to a group of ministers and thereafter kept it in his shirt pocket for weeks to come as a tribute to Lois and a comfort to his family.