| Ariodante, HWV 33 Choral SATB SATB [Vocal Score] Barenreiter
Opera in tre atti. By George Frideric Handel. Edited by Burrows, Donald. For 2 S...(+)
Opera in tre atti. By George Frideric Handel. Edited by Burrows, Donald. For 2 Soprano solo, 1 Mezzo-Soprano solo, 1 Alto solo, 2 Tenor solo, 1 Bass solo, SATB Chorus, Flute I, II, Recorder I, II, Oboe I, II, Bassoon I, II, Horn I, II, Trumpet I, II, Violin I-III, Viola, Bassi (Cello, Contrabass, Lute, Harpsichord). (SATB). This edition: Complete Edition; Urtext Edition. Hallische Handel-Ausgabe, Serie II Band 32. Piano Reduction/Vocal Score. 235 pages. Published by Baerenreiter Verlag (German import).
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| Les Fêtes de l'Hymen et de l'Amour RCT 38 Choral SATB Barenreiter
Solo voices, choir, orchestra (6Soprano Voice Solo, 2 Mezzo Voice Solo, 5Alto Vo...(+)
Solo voices, choir, orchestra (6Soprano Voice Solo, 2 Mezzo Voice Solo, 5Alto Voice Solo, 4Bass Voice Solo, SATB Choir, ballet, Fl-picc, Fl, Musette, Trp, V, Fid, Va, timpani, bassoon, Vc, double bass, Continuo) SKU: BA.BA08858 Ballet héroïque in a prologue and 3 acts. Composed by Jean-Philippe Rameau. Edited by Thomas Soury. This edition: complete edition, urtext edition. Linen. Jean-Philippe Rameau. Opera Omnia (OOR) IV/14. Complete edition, Score. Duration 2 hours. Baerenreiter Verlag #BA08858_00. Published by Baerenreiter Verlag (BA.BA08858). ISBN 9790006523368. 33.5 x 25.5 cm inches. Text Language: French. Preface: Sylvie Bouissou. Louis de Cahusac. Rameau's “Les Fêtes de l'Hymen et de l'Amour†was long considered second-rate because its première was associated with a political event. Yet this ballet abounds in novel dramaturgical effects that foreshadow his later operas, such as “Zaïsâ€, “Zoroastre†and “Les Boradesâ€. Working together with his librettist Cahusac, Rameau sought to weave the dance numbers, choruses and stage machinery more tightly into the main plot. He also experimented with stylistic devices unique to this work, the most famous being unquestionably the scene in which the Nile overflows its banks (an impressive ten-voice double chorus with solo voices and orchestra) and the sextet from “Arurisâ€, a scoring found nowhere else in his uvre.
For the first time, this scholarly-critical edition of “Les Fêtes de l'Hymen et de l'Amour†presents a reference version of the work that is based on all the major sources for both the libretto and the music, including two recent musical discoveries. As most of the performance material for the première has vanished, our edition is based on the version prepared for the Acadmie Royale de Musique in 1748.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
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| Les Indes galantes, RCT 44 Choral SATB Barenreiter
Soloists, Choir, Orchestra (7 Soprano Voice Solo, 5 Tenor Voice Solo, 4 Bass Voi...(+)
Soloists, Choir, Orchestra (7 Soprano Voice Solo, 5 Tenor Voice Solo, 4 Bass Voice Solo, SATB choir, 2 Picc, 2 Fl, 2 Ob, Musette, 2 bassoon, 2 Trp, timpani, 2 Violin, Viola, Cello,Continuo) SKU: BA.BA08860-90 Ballet héroïque with a prologue and four acts. Composed by Jean-Philippe Rameau. Edited by Sylvie Bouissou. Arranged by François Saint-Yves. This edition: urtext edition. Paperback. Vocal Score. RCT 44. Duration 12 hours. Baerenreiter Verlag #BA08860_90. Published by Baerenreiter Verlag (BA.BA08860-90). ISBN 9790006558148. 27 x 19 cm inches. Text Language: French. Preface: Sylvie Bouissou. Text: Louis Fuzelier. A unique edition - all readings at a glance
This new edition, in contrast to the array of Bach Cello Suite publications available today, has made use of all the five sources which have come down to us. The basis for this edition is the most reliable of the sources, the manuscript copy in the hand of Anna Magdalena Bach. All variant readings from the four other sources are clearly laid out for performance. Cellists now have the possibility of rendering performances based on just one of the five sources as well as the option of combining the sources in a mixed version.
This flyer takes you through our various editions of Bach's Cello Suites.
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