SKU: GI.G-9429

UPC: 785147942900. Latin. Text Source: Luke 1:29, Latin, 13th c., alt. Scripture: Luke 1:29.

SKU: GI.G-10154

Latin. Text Source: Hymn at Lauds for the Feast of the Transfiguration. Text by David Scheidler.

SKU: GI.G-8955

UPC: 785147895503. Latin. Text Source: From the Liturgy of the Hours for Exaltation of the Holy Cross.

My setting of this well-known prayer is largely based on a piece of 16th-century visual art of the same name,Salvator mundi, attributed to Leonardo da Vinci. Though many artists have created similar paintings depicting Christ in this fashion, Leonardo’s is of the small minority in which the orb that Christ holds in his left hand lacks any sort of ornamentation or indeed any kind of religious symbol at all. The orb, as it appears in other depictions, is referred to as a globus cruciger (cross-bearing orb). This term does not apply in this instance, as the orb lacks a cross, existing purely as an unblemished globe, calm and serene, mirroring the expression that is present on Christ’s face. This piece should be sung in largely the same way that the painting appears on the canvas: subdued and reverent. The dynamic contrasts in measures 22–28 represent a very human supplication to Christ, but they should not be overstated or dramatic in any way. Such is the case with the entire work, it is a very introspective take on the prayer’s text, and as such it should feel quietly restrained and reflective throughout. The piece ends with four double-barred repetitions of the word “Deus,” representing the four points of the cross. Listen to The Same Stream perform Salvator Mundi from Songs of the Questioner.

SKU: GI.G-7344

UPC: 785147734406. English, Latin. Text Source: Latin, 9th c., tr. John Mason Neale, 1818–1866, adapt.; Translation: John Mason Neale. Text by John Mason Neale.

An a cappella setting of this famous text and tune that incorporates choral improvisation—well, at least the simultaneous random singing of a given part by each singer of the choir—Latin and English texts, with the former sung to an original melody, and the latter set to a 2-voice 4/4 scoring of the chant tune. There's a lot here, and we hope, if this commentary arouses some interest, you'll give it a look.

SKU: GI.G-10314

ISBN 7851471031413. English, Latin. Text Source: Antiphons tr. Charles Thatcher, verses, The Grail, 1963.

Entrance Antiphons for the Church Year contains thirty antiphon texts from the Graduale Simplex, translated from Latin and set to newly composed music. The psalm verses appointed for these antiphons are taken from the Grail translation (1963). As with the Responsorial Psalm of the Mass, the assembly sings the antiphon after its intonation by the cantor/choir, repeating it after each verse of the psalm. The number of psalm verses which are sung may vary according to need. The singing of the doxology, Glory to the Father, while recommended, is optional. In several cases (e.g., Christmas and Easter), the assembly sings a refrain—a simple acclamation in Latin—and the actual antiphon text is sung by the cantor/choir. The antiphon functions as a first and final verse. It is thought that liturgical singing in the early Church consisted in part of such short acclamatory phrases. Many of the antiphons in this collection are proper to a specific Sunday, solemnity, or feast. The rest are seasonal in nature and, like the common Responsorial Psalms of the Lectionary, may be chosen according to what seems best for the occasion. The antiphons of Christmas Day and Easter Sunday could be used at daily Masses during their octaves. Notations in the scores of some antiphons suggest alternate occasions when they are appropriate. Regarding performance, these compositions were conceived with flexibility in mind. Assembly participation and instrumental accompaniment are assumed. SATB choral singing is effective, but not necessary. Discrete use of descants where provided can lend an air of festivity. Psalm verses might be sung by an entire choir, by a small group or cantor, or a combination of both.

SKU: GI.G-7482

UPC: 785147748205. Latin. Text Source: From the Latin Mass.

This fairly simple setting of the Lamb of God text (in Latin) is from Lotti’s Missa Brevis. The edition also includes a chant setting of the text, which allows the performance to be tailored with several options, in whatever way works best for you.

SKU: MN.56-0052

UPC: 688670220555. English, Latin.

Arranged for SATB choir, two keyboards, strings, and optional harp, with soprano, tenor (optional) and baritone soloists, this fresh and unorthodox interpretation reflects on the words of the Latin Mass by juxtaposing them with poems in English. This movement is a nicely accompanied, homophonic choral setting of the English text by John Henry Newman (1833). Anthem-like and entirely self-sufficient, it is ideal to perform separately apart from the entire work. Duration 2:14.

SKU: GI.G-10952

Latin. Text Source: Marian hymn, Latin, ca. 1080.

SKU: GI.WW1863

UPC: 785147034063. Latin. Text Source: Traditional Latin.

Composed as a prayer for those in the world who need charity and love the most. May this music amplify the message that there is great power in acts of charity and love.

SKU: MN.56-0039

UPC: 688670220449. Latin.

St. Ignatius of Loyola’s powerful prayer of surrender, set here in Latin, begins, “Receive, O Lord, all my liberty. Take my memory, understanding, and entire will.” Set for SATB and piano, the music is powerful and assured. The piano punctuates with chords, now calm, now dramatic, and is occasionally silent altogether. First performed in the Royal Concert Hall, Glasgow, in November of 2009 by the musicians of St. Aloysius’ College, Glasgow.

SKU: MN.56-0050

UPC: 688670220531. English.

Arranged for SATB choir, two keyboards, strings, and optional harp, with soprano, tenor (optional) and baritone soloists, this fresh and unorthodox interpretation reflects on the words of the Latin Mass by juxtaposing them with poems in English. This movement does not use an English text, however. The Latin text is from a motet for the feast of Michael the Archangel and describes his victory over a dragon. Despite its chant-like setting, there is great energy and urgency, with the organ punctuating and adding to the rhythmic drive in many spots. Duration 2:30.

SKU: GI.G-8033

UPC: 785147803300. English, Latin. Text Source: Magnificat antiphon for second vespers of Ascension.

The text is from the evening antiphon for Vespers on Ascension Day and makes this piece a most worthy offering for any service on the Solemnity of the Ascension. Both the Latin and the (very singable) English translation provide fine options for any choir.

SKU: GI.G-10798

English, Latin. Text Source: Vss & Ref. III: Kate Bluett, ref. I: trad. Latin, ref. II: Kevin Keil. Text by Kate Bluett.

SKU: MN.56-0015

UPC: 688670220166. English, Latin.

This vibrant carol may be accompanied either by organ or piano and optional double bass. Goodall sets joyful Spanish words by Jose de Valdivielso to a wonderfully uplifting melody, and has also provided an English singing translation. Ideal for services and concerts celebrating the Epiphany.

Double Bass plays from the choral score.