SKU: BT.EMBZ14691SET

9x12 inches.

The world-famous Hungarian composer Kamilló Lendvay (b. 1928) has written not only operas, oratorios, cantatas, symphonies, concertos, chamber music and solo instrumental works but also a considerable number of pieces for wind ensembles. His Wind Symphony, composed in 2007-2008, consists of four movements: I. Invocation of the Muse - II. Sunrise in Copacabana - III. The Iguazu Falls - IV. Rio Carnival. The work was written for professional ensembles and will have its premiere in Szeged on April 16, 2010, performed by the Concert Wind Ensemble of the Faculty of Music of Szeged University, conducted by József Csikota.

Der weltweit bekannte ungarische Komponist, Kamilló Lendvay (*1928), komponierte neben Opern, Oratorien, Kantaten, Symphonien und Konzerten, Kammermusik und seinen Werken für Soloinstrumente, eine große Anzahl an Stücken für Bläserensembles. Die 2007-2008 entstandene Bläser-Symphonie ist vier-sätzig: I. Invokation zu den Musen - II. Sonnenaufgang an der Copacabana - III. Die Iguazu-Wasserfälle - IV. Karneval in Rio. Das Werk wurde für professionelle Ensembles komponiert, seine Uraufführung findet am 16. April 2010 in Szeged statt. Mitwirkende: Bläserorchester der Musikalischen Fakultät der Universität der Wissenschaften Szeged, unter der Leitung von József Csikota.

Le célèbre compositeur hongrois, Kamilló Lendvay (Budapest, 1928), est l’auteur d’une impressionnante série d’opéras, d’oratorios, de cantates, de symphonies, concerti, oeuvres de musique de chambre, oeuvres solos et créations pour Orchestres Vent. En 2007-2008, il compose sa Symphonie n° 6 pour Orchestre Vent en quatre tableaux aux couleurs du Brésil : I. Invocation aux Muses - II. Lever de soleil sur Copacabana - III. Les chutes d’Iguazú - IV. Carnaval de Rio.

Conosciuto in tutto il mondo, il compositore ungherese Kamillo Lendvay (1928), ha composto, accanto ad opere, oratori, sonate, sinfonie, concerti, musica da camera e pezzi per strumenti solistici, un importante numero di brani per ensemble di fi ati. La sua sinfonia per sei fiati composta tra il 2007 e il 2008, è costituita da quattro movimenti.

SKU: SU.92090242

The Eastman Wind Ensemble is America's leading wind ensemble. Frederick Fennell first formulated the general concept of the wind ensemble at Eastman nearly 65 years ago. Under his leadership the group became known as the pioneering force in the wind ensemble movement in the United States and abroad. A. Clyde Roller served as conductor between 1962 and 1964, continuing the tradition established by Fennell. Donald Hunsberger became conductor in 1965 and led the ensemble for 37 years to international prominence. The ensemble's current director, Mark Davis Scatterday, was introduced as the fourth conductor of this prestigious group during the EWE's 50th anniversary celebration on February 8, 2002. Since its founding, the EWE has been the leader in elevating the wind repertory through recordings. Fennell's Mercury Recordings albums of the 1950s and early '60s are notable for their pioneering use of binaural, stereo, and 35mm recording techniques. These Living Presence recordings focused on standard band literature by the most respected classical composers -- heard for the first time in the newly balanced one-per-part instrumentation. They also centered on major repertory not found on traditional band programs, such as Mozart's Serenade in B-flat (the Gran Partita), Messiaen's Et exspecto resurrectionem mortuorum, and Stravinsky's Symphonies of Wind Instruments. Under Hunsberger, the EWE continued its progressive stance in recording techniques with participation in quadraphonic and digital recording. Since its founding, the ensemble has premiered more than 200 new works. The EWE and Mark Scatterday have continued this rich recording tradition with several CDs starting in 2005 with Danzante (featuring trumpet virtuosi James Thompson) on Summit Records. Track Listing Fandangos Sinfonia No 3 La Salsa: 1. Tumbao Sinfonia No 3 La Salsa: 2. Habanera Sinfonia No 3 La Salsa: 3. Danzas Sinfonia No 3 La Salsa: 4. Jolgorio Fanfarria Diferencias: 1. Fanfarria Diferencias: 2. Sonoro Diferencias: 3. Ritmico Diferencias: 4. Sonoro Diferencias: 5. Vigoroso The Phoenix from Carnaval.

SKU: GI.G-10580

ISBN 9781622776375.

Contributors: Travis J. Cross (University of California–Los Angeles) • David J. Elliott (New York University) • Marissa Silverman (Montclair State University) • Jacob Wallace (South Dakota State University) • Randall Everett Allsup (Teachers College, Columbia University) • Cynthia Johnston Turner (Wilfrid Laurier University) • Carolyn Barber (University of Nebraska-Lincoln) • John Kratus (Independent Scholar) • Vincent C. Bates (Weber State University) • Thomas G. Warner, Jr. (North Carolina Agricultural and Technical State University) • Ben Hawkins (Transylvania University) • Thomas A. Regelski (SUNY Fredonia School of Music, Helsinki University of Finland) • Paul Woodford (Western University) • Charles Peltz (New England Conservatory of Music) In the wind band profession—as in every great discipline—it is critical to take stock in the big questions about where we are heading, and why, as we move through the twenty-first century. This thought-provoking book contains seven high-level exchanges between a leading wind band practitioner and a music education philosopher. Each section of The Future of the Wind Band grapples with the most profound issues facing the music education profession and the path of instrumental music education in our schools: Relevance: What relevance, if any, does the wind band have both to today’s students and to culture more broadly in the twenty-first century? What relevance does the band experience hold for students’ everyday life? Repertoire: What is the relationship between the repertoire performed by wind ensembles and the larger musical world? Pedagogy: What constitutes best practice in terms of musical pedagogy and rehearsal technique within the large-ensemble experience? Creativity: Can the wind band function as a vehicle for enhancing the individual creativity of its members? Economic Justice: How do issues of social class and the distribution of wealth relate to broader questions of social justice within the context of instrumental music education? Professional Ethics: What are the primary ethical responsibilities of the wind band conductor? Democratic Citizenship: What relationship, if any, can be drawn between membership in the wind band and citizen participation in democracy? Such exchanges can only strengthen our profession and pay rich dividends in our musical and educational work with the students we serve. Editor of this book, William (Bill) M. Perrine is Associate Professor of Music and Director of Instrumental Activities at Concordia University in Ann Arbor, Michigan, where he directs the wind ensemble, marching band, and community orchestra.

SKU: CL.012-3431-75

Composed in the last year of Bach's life, Contrapunctus IX is an exciting double fugue that has been adapted to provide an exciting and challenging work for the modern concert band-wind ensemble. Full of independence throughout, every part is important and all sections get plenty of chances to shine in this powerful arrangement which will be a true showcase for better bands. An impressive choice for any concert or contest performance!

About C.L. Barnhouse Spotlight Series

The Barnhouse Spotlight series includes publications for solo instruments with concert band accompaniment. These publications are designed to feature outstanding members of your band as soloist, and to provide unique and entertaining programming options. Solo parts are graded more difficult than the band accompaniments

SKU: SU.80600381

First publicationConcert Band Composed: 2015 Published by: E.B. Marks.