SKU: M7.DUX-3516
ISBN 9783868493955.
Eine hochklassige Auswahl attraktiver Lieblingsstücke, die als Zugabe jedes Konzert bereichern. Der Schwierigkeitsgrad ist leicht bis fortgeschritten, didaktisch gereiht. Diese Album enthält neben beliebten Standards des Gitarrenrepertoires aus 6 Jahrhunderten auch zahlreiche Neuentdeckungen und Erstveröffentlichungen, darunter auch Arrangements aus dem Zugaben-Repertoire berühmter Gitarristen: - The Girl From Ipanema (Antônio Carlos Jobim, Arrangement: Sérgio Assad) - Jesu, Joy Of Man's Desiring (Johann Sebastian Bach, Arrangement: David Qualey) - Les barricades mystérieuses (François Couperin, Arrangement: David Russell) - Bookends (Paul Simon, gehört bei Manuel Barrueco) - Pretty World (Earl Klugh).
SKU: M7.GHE-703-96
ISBN 9783890447063. English.
New performance edition by Stefano Grondona based on the manuscripts. A recording of the printed pieces by Stefano Grondona can be downloaded as an MP3 file using a download code printed in the booklet. DeepL Kontingent-Verbrauch: 10.577 / 500.000 Zeichen pro Monat (0,02%).
SKU: M7.GHE-702-96
ISBN 9783890447056. English.
HIS IS THE FIRST CRITICAL EDITION OF THESE WORKS AND IT OFFERS WE HOPE A STANDARD READING WHICH EXAMINES, WITH SOLUTIONS, MANY UNEXPLAINED DIFFERENCES BETWEEN THE COMPOSER'S MANUSCRIPTS, OUR EDITED MUSIC TEXT, AND PREVIOUS EDITIONS. 70 years after Ponce's death in 1948, we celebrate his life with a new critical-performing edition of his 24 Preludios newly prepared from the original manuscripts by Stefano Grondona. We proudly present a totally new edition with audio files of the 24 Preludios para guitarra. This is the first critical edition of the 24 Preludios para guitarra. The audio files of all 24 Preludios are played by Stefano Grondona and for download with a code printed in the book. This edition is really two editions in one. Not only is it a performing edition meticulously fingered by Stefano Grondona, but as well it is also an Urtext edition of the original manuscripts. Our pragmatic critical apparatus permits the player simply and clearly to see also what was in the original manuscripts, and what was not. With this publication it is now possible to clarify some long-standing issues relevant to our aim of presenting an accurate final music text; it is now possible to see where previous publications of this repertoire have varied with the manuscripts and how we have treated these situations in our edition, and how these were treated differently in previous editions. A comprehensive critical commentary is included together with copious historical and informative notes about the selection of the works and how and why our edition took its present form and content. At last we believe to have an edition which takes the form which the composer intended and new source material is also included, such as the Ramaugé ms for Prelude no. 6.
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