SKU: BT.AMP-343-401
ISBN 9789043138628. 9x12 inches. English-German-French-Dutch.
White Light was commissioned by Fumiko Teramoto, oboist with the Musashino Grand Concert Band from Tokyo, Japan. The request was for a moderately slow piece, of intermediate difficulty, which included White in the title, as this is her lucky colour. Composer Philip Sparke decided to use this suggestion to write a piece that was bright and light in terms of harmony and colour, with much use of simple major and minor chords and an emphasis on pure and transparent timbres. He was also keen to capture the essence and history of the oboe as a solo instrument - the piece is pastoral in character and often almost baroque in style. Also available for oboe and concert band (AMP317-010/140). Wit is de gelukskleur van het opdrachtgevende orkest van dit uitdagende solowerk voor hobo en piano. Philip Sparke schreef daarom een opgewekte compositie. Het zwaartepunt ligt op de heldere klanken van het hoge hout en de harmonie,klankkleur en instrumentatie is helder en doorzichtig.Ook verkrijgbaar voor hobo en harmonieorkest (AMP 317-010/140).Weiß ist die Glücksfarbe des auftraggebenden Blasorchesters und daher im Titel dieses Solowerks für Oboe und Klavier. Passend dazu schuf Philip Sparke ein Stück, das sowohl heiter als auch hell in seiner Harmonik, seinen Farben und seiner Orchestrierung ist, viele einfache Dur- und Mollakkorde enthält und den Schwerpunkt auf die klaren Klänge der hohen Holzbläser im Orchester legt. Ebenfalls erhältlich für Oboe und Blasorchester (AMP 317-010/140).Les indications données étaient les suivantes : une pièce modérément lente et de difficulté moyenne ; enfin, le mot ‘blanc ‘ devait figurer dans le titre, faisant ainsi allusion la couleur fétiche de l'orchestre dédicataire. C'est en s'inspirant de ces quelques éléments que Philip Sparke composa White Light, une pièce lumineuse et harmonieusement légère. De caractère pastoral et de style plutôt baroque, White Light expose avec passion la quintessence du hautbois. Disponible en version Hautbois et piano, elle existe également pour Hautbois solo et orchestre d'harmonie.In questo lavoro per oboe solista e pianoforte, Philip Sparke crea un pezzo che è allo stesso tempo allegro e luminoso nella sua armonia e nei colori, e che nell'orchestrazione contiene molti semplici accordi maggiori e minori. Disponibile anche per oboe e banda (AMP 317-010/140).
SKU: HL.48182707
French composer, Pierre Max Dubois (1930-1995) significantly contributed to the woodwind repertoire. Let's Delve into the Oboe for Oboe and Piano was published in 1970 and remains popular for beginner oboists. Dubois' music is characteristically light-hearted with unusual harmonic and melodic textures. Let's Delve into the Oboe is made up of ten movements composed in various dance styles, such as Petit Ballet (Little Ballet) and Petite Valse (Little Waltz). Essential to beginner oboist's repertoire, Dubois' Let's Delve into the Oboe is a delightful, delicate addition to the Oboe's repertoire and provides beginners and intermediate players with suitable performance pieces..
SKU: ST.C513
ISBN 9790570815135.
Sonatina for Oboe and Piano was composed in 1967 and given its first performance by Dinah Demuth, to whom it is dedicated. The Sonatina for Cor Anglais and Piano of 1968 was also written for Dinah Demuth, then a member of the Midland Light Orchestra, whose broadcasts included solo works such as these two Sonatinas. This Sonatina was originally published by Phylloscopus Publications in 1995.Dr. Kristin Leitterman is currently the Assistant Professor of Oboe at Arkansas State University in Jonesboro, Arkansas, USA, where she teaches oboe and bassoon, Double Reed Techniques, and coaches small chamber ensembles. She is also the Director of the Lucarelli Oboe Master Class, a week-long immersive oboe master class founded by Bert Lucarelli in 1996. As a guest artist she has presented master classes at many institutions, including the Manhattan School of Music, New York University, and the Hartt School.As a researcher, Kirstin has interests in the life and works of Mary Chandler. She has presented her research at The Juilliard School, Music by Women Festival, the International Double Reed Society conferences, and the Brazilian Double Reed Society’s conference in João Pessoa, Paraíba, Brazil.Former Spartan Press Cat. No.: PP160.
SKU: HL.48180454
UPC: 888680907853. 9.0x12.0x0.051 inches.
Jacques Ibert (1890-1962) studied at the Paris Conservatoire before embarking upon a successful composing career. The composer wrote for a variety of instrumentations and his works remain popular to this day, Stops for Oboe and Piano being no exception. Composed in 1922, Stops is suitable for advanced level oboists. Ibert was a unique composer who did not associate himself with any particular style. His music is generally lighthearted, often reflecting the composer's wit and humour. Containing a variety of musical aspects and techniques, and being significantly very rhythmic, Ibert's Stops is an exciting addition to the advanced oboe repertoire.
SKU: BT.ALHE32654
French.
French composer, Pierre Ancelin (1934-2001) studied at the conservatories of Aix-en-Provence, Marseille, and later, under Olivier Messiaen at the Paris Conservatoire. His Scrubland is an exciting collection of five pieces for Oboeand Piano. Ancelin is particularly remembered for founding the National Union of Composers of Music, along with Jolivet, Lesuer and Sauguet. The five pieces in Scrubland are suitable for beginner to intermediate level oboists.Each of the five pieces contain a variety of musical features. For all aspiring oboists, Ancelin's Scrubland is a delightful compilation.
SKU: M7.SAE-18-10
ISBN 9790707651391.
This is a unique arrangement for Oboe and Piano based on a theme by Erik Satie and to which other original themes have been added. The work will certainly be a delight for the public because the sound material is treated in both classical and jazzy style. Certainly this is a piece to be enjoyed by the players, but audiences have shown that they too share the same pleasure, for sure it is a smart choice for the players that want to achieve the acclaim from the audience. This piece of music is suitable both for concerts given by professionals and for auditions in schools, colleges, conservatories or can be used in various other private events.
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