SKU: PR.816600040
UPC: 680160600045. 5.5x5 inches.
This disk contains study scores of all 41 of Mozart's Symphonies, as well as Concertos for Winds and Strings (Piano Concertos are on a companion CD-ROM), Serenades, Opera Overtures, Divertimentos, and other works.
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SKU: FG.55011-315-2
ISBN 9790550113152.
The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone.Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell. The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone. Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell. The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone. Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell. The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone. Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell.
SKU: FG.55011-235-3
ISBN 9790550112353.
First publication! This is the first version of Cassazione op. 6 (1904) for large orchestra with double woodwinds, four French horns, two trumpets and three trombones - a chamber orchestra version was made by the composer later during 1904. Sibelius made his first sketches for material that would later find its way into Cassazione at the end of the 1890s. There are already hints of it among the sketches of his first symphony.
SKU: HL.48187533
UPC: 888680843779. 6x8.25 inches.
“This edition of Les Biches by Francis Poulenc features the score for the whole Orchestra. Initially written as Ballet, it was revised as a suite for Orchestra in the 1940s. This piece has a light style, considered 'beautiful and melancholic' by Jean Cocteau. Lasting 15 minutes 30 seconds, it is divided into five parts: 1. Rondeau 2. Adagietto 3. Rag-Mazurka 4. Andantino 5. Finale Francis Poulenc is French composer and pianist. He also produced Piano and Chamber pieces, Operas, ballets as well as some Orchestral works.&rdquo.
SKU: BT.MUSM570208777
English.
For orchestra (triple winds). Published in 2005. 3.3.3.3 / 2sax: SA / 4.3.3.1 / hp.cel.2perc / strings. First performance: University of Sheffield Symphony Orchestra, George Nicholson (cond), City Hall, Sheffield, 11th December 2005. Score.
SKU: HL.14036351
ISBN 9780711986121.
This work for orchestra was commissioned by the BBC and premiered by the BBC Orchestra under the direction of Andrew Davis in Tokyo, May 1997.
SKU: BT.MUSM570360239
A Dance-Concerto for Orchestra. Published in 2006. Commissioned with funds generously provided by the Ida Carroll Trust. Study Score.
SKU: HL.50499306
SKU: FG.55011-516-3
ISBN 9790550115163.
The pictorial title of DIA (1979) with its wedge form refers to the idea of an arrow pointing through the multidimensional musical space of the piece -- the beginning of a trajectory crossing through all of it, visiting every point, but a trajectory free of any preordained form or curvature. The grand old man of Finnish Modernism Paavo Heininen (b. 1938) sees form as an idea of time and reflects it in one continuous movement with five distinct sections. DIA was commissioned NOMUS (National Federation of Swedish Orchestral Associations) and premiered by the Finnish Radio Symphony Orchestra conducted by Leif Segerstam in September 1979. The edition of the score at hand is published to celebrate Paavo Heininen's 80th birthday. The edition includes the composer's forward from the year 1979 as well as aspects and memories about DIA written in August 2018.
SKU: BT.MUSM570204823
Orchestra (single winds) Published 1981 First performance: City of London Sinfonia, conducted by Richard Hickox, BBC Memorial Concert 'Music in our Time', 15th December 1983.
SKU: HL.50513700
