SKU: BR.PB-5552-07
ISBN 9790004213629. 6.5 x 9 inches.
Wolfgang Amadeus Mozart wrote his Hafner Symphony K. 385 in the summer of 1782 on the occasion of the elevation into the nobility of his friend and patron Sigmund Hafner. Next to the well-known movements, this version (A) also contained the March K. 408/2 (385a) and possibly a second, no longer extant minuet. Called Hafner=Musique by Mozart, the work was unquestionably a serenade at first. In early 1783 Mozart then reduced the Hafner Music for his subscription concert at the Vienna Burgtheater on 23 March 1783 to a four-movement symphony. This is the form in which the work was first printed in 1785 (Version B). For a further performance, Mozart added flute and clarinet parts to the symphony. In 1805, this version (C) was published by Andre in Offenbach, who thus began making it known.The primary sources of the present Breitkopf Urtext edition are the autographs to K. 385 and K. 408/2 (385a). It thus becomes possible for the first time to play all three versions of the Hafner Music, since the variants of Versions A and B can be easily discerned through indications in footnotes and notes in small print.
SKU: TM.07234SET
Solo in set.
SKU: BR.PB-5373
ISBN 9790004212417. 10 x 12.5 inches.
SKU: TM.01566SET
Solo.
SKU: BT.ALHE31618
French.
Milhaud Darius Concertino D'ete Alto 9 Ph199 Orchestra Score.
SKU: TM.11212SET
Transposed: cl 1+2, tpt 1-3. Optional: tpt III,some percussion (can be performed with 2 players), 1 harp, piano. Solos in related parts.
SKU: BA.BA05355
ISBN 9790006468935. 31 x 24.3 cm inches. Key: D major.
Urtext der Neuen Mozart-Ausgabe.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: TM.00084SET
Key of d. solo/pf; Transposed: hn 3+4, Tpt 1+2. Original keys: Hn 1+2 orig. in F, Cl orig in Bb.
SKU: TM.00764SET
Transposed: horns. Solo/pf. This is the famous Concerto in D.
SKU: TM.09095SET
P/C in set.
SKU: TM.00007SET
Identical to Two Violin Concerto in d; solo.
SKU: TM.01293SET
Music has Op. 1 No. 3 on parts and sc. Ed. by Bonelli.
SKU: TM.06066SET
Transposed: cl 1&2, hn 1&2, tpt 1&2.
SKU: TM.10946SET
Ed. by Landon.
SKU: TM.07502SET
Transposed: Hn 1-2, Tpt 1-2.
SKU: TM.04921SET
SKU: TM.00779SET
Solo/pf.
SKU: TM.07624SET
SKU: BA.BA04205
ISBN 9790006445127. 31 x 24.3 cm inches. Key: D minor.
Urtext der Hallischen Handel-Ausgabe.
SKU: BA.BA05540
ISBN 9790006497126. 33 x 26 cm inches. Text: Franz von Schober.
In late September or early October 1821 Schubert and his close friend, Franz von Schober, vacationed in the countryside of Lower Austria. Their first stopover was at Ochsenburg Castle, which belonged to the Bishop of St. Pölten (a close relative of Schober’s), after which they moved on to St. Pölten itself. Roughly a year earlier, two stage works by Schubert had been performed in Vienna: the one-act singspiel Die Zwillingsbrüder and the melodrama Die Zauberharfe. The librettos were both written by the seasoned Viennese playwright Georg von Hofmann, who blamed the press for the indifferent reception the two works were given by the audience. Schubert and Schober now decided, it would seem, to write a grand romantic opera uninfluenced by the workaday world of the theatre and beholden solely to their own ideas of what an opera should be.Not until 24 June 1854 was the opera finally performed in Weimar, under the baton of Franz Liszt. It only achieved success, however, in an arrangement by Johann Nepomuk Fuchs that was staged on many German and Austrian stages in 1881–2, allegedly with brilliant acclaim.
SKU: TM.01704SET
Two Groups of 2 oboes, 2 bassoon, 2 horns. 5 movement version ed. by Kogel (does not match the original 6 movement). Pomposo, Allegro, A tempo ordinario, Largo, Allegro.
SKU: HL.51489064
UPC: 840126937640. 6.75x9.5x0.214 inches.
The twelve “London Symphonies†comprise the sublime final statement of Haydn's symphonic oeuvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. Hailing from 1791, the Symphony in D major no. 96 numbers among the first symphonies written in and for London. The epithet given to it by posterity, “The Miracleâ€, was bestowed erroneously, for the miracle - that no one was injured when a chandelier fell during a concert - took place during a performance of a different Haydn symphony. And yet it is a miracle of musical esprit nonetheless; from the subtle relations between the motives consisting of broken triads that open all four movements, to the virtuosic shifts in mood owing to surprising harmonies, Haydn here submits a prime example of how he develops musical ideas. This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.
About Henle Urtext
What I can expect from Henle Urtext editions:
SKU: TM.05967SET
This is not the standard performance edition. Not compatible with parts/transposed parts from #06615 (1851 version).
SKU: TM.00597SET
Solo/pf. Trans: Tpt 1-2, Tbn 1-2. Clarinets and Horns already in modern keys. Solo edited by Francescatti.
SKU: TM.09082SET
SKU: TM.01178SET
Cem in set. Ed. by Bonelli.
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