SKU: MN.10-335
UPC: 688670103353.
A collection of introductions and reharmonizations based on more contemporary hymns being used in many different denominations.
SKU: HL.14042624
12.0x8.5x0.439 inches.
Chaconne For Jonathan Harvey by Ed Hughes, in memory of Jonathan Harvey. For solo Organ. Commissioned by Christopher Batchelor as part of the 2013 London Festival of Contemporary Church Music, with funds from the PRS for Music Foundation. First performed by Michael Waldron on 15 April 2013, St Pancras Church, London, as part of choral evensong, and broadcast live on BBC Radio 3. Chaconne For Jonathan Harvey by Ed Hughes, in memory of Jonathan Harvey. For solo Organ.Commissioned by Christopher Batchelor as part of the 2013 London Festival of Contemporary Church Music, with funds from the PRS for Music Foundation.First performed by Michael Waldron on 15 April 2013, St Pancras Church, London, as part of choral evensong, and broadcast live on BBC Radio 3.
SKU: AD.ADG203
ISBN 9781934163986. UPC: 663389120327. 9 x 12 inches.
Gospel Riffs God Would Love To Hear for Organ by Andrew Gordon is a compendium of 33 Contemporary Gospel riffs for organists to learn the art of Gospel stylings. There are also arrangements of some traditional Gospel songs including Amazing Grace and When The Saints Go Marching In showing how to incorporate the riffs in the book into these well known Gospel songs. Play in the styles of Ray Charles, Dr. John, Billy Preston, Leon Russell, and Andre Crouch and see how Blues, Jazz and other contemporary styles are associated with the Gospel sound.Customer Comment About This Book:Gospel Riffs God Would Love To Hear I love Gospel music, and so far with Andrew Gordon's books I haven't been disappointed. This book was no exception. And even though I thought.
SKU: CA.2731549
ISBN 9790007201746. Key: C major. Language: Latin.
Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and part available separately - see item CA.2731500.
SKU: HL.49045845
UPC: 841886033801.
New music on old instruments and new organ literature in dialogue with historical Iberian works. The present edition contains a collection of works, composed for an authentically rebuilt historical Spanish organ and covering a wide range of styles, which adds new sounds to the purely Baroque repertoire. With works by Jose Blasco de Nebra, Francisco Correa de Arauxo, Antonio de Cabezon, Pedro de Araujo, Antonio de Cabezon and new compositions by Guy Bovet, Michael Kapsner, Pavel Klimashevsky, Zsigmond Szathmary and Alfred Muller-Kranich. The new Spanish organ of the Hochschule fur Musik Mainz as an authentically rebuilt historical instrument from the workshop of the organ builder Joaquin Lois from Tordesillas in Castile shall both adequately reproduce early music and be a source of inspiration for contemporary music. For this reason, the Hochschule fur Musik Mainz commissioned five composers to write modern compositions according to the motto 'Early music in dialogue with New Music' which are a valuable addition to the repertoire of historical instruments of the 'Siglo de Oro'. Certain specifications had to be taken into account: e. g. a limited pitch range, half stops for treble and bass registers, the short octave as well as a mean-tone temperament. In addition, each composition is based on a work of the Iberian organ literature; sometimes, the work found its way into the new composition, sometimes, it only served as an inspiration. The pieces can also be played on a modern organ, although there is a special charm in playing and hearing them played on an appropriate historical instrument. Encompassing a broad range of styles, the resulting collection adds new sounds to the purely Baroque repertoire.
SKU: BR.EB-8293
ISBN 9790004176092. 9 x 12 inches. German.
The third Little Organ Book establishes thematic accents (Praise and Thanks - Trust and Prayer). We called upon the leading names of contemporary organ music such as Jurg Baur, Karl Holler, Jean Langlais, Hermann Schroeder and Wolfgang Stockmeier to arrange a selection of well-known hymns from the Catholic and Evangelical hymn books. As in the two volumes (Passion - Easter - Pentecost and Advent - Christmas) the Little Marienstatt Organ Book offers a Chorale prelude as well as a polyphonic organ setting of the respective church hymn, which are almost all firnt publications.Choral preludes and organ settings by various authors.
SKU: HL.50605486
ISBN 9781705190500. UPC: 196288126539.
Bela Bartok composed Dance Suite in 1923 for the 50th anniversary of the foundation of Hungary's capital through the unification of Buda, Obuda, and Pest. It soon became one of his most popular orchestral works, and in 1925 he arranged it for piano solo. Adam Tabajdi completed the organ version of Dance Suite in 2019/20, and recorded it on the Kern organ of Sapporo's Kitara Concert Hall later that year. His transcription was inspired by the composer's own version for piano, exploiting the alternative solutions offered by the ''orchestral'' timbres of the organ, with its manuals and pedals. The ideal instrument for the present version is an expansive, eclectic style organ with at least three manuals. This flamboyant arrangement requires great virtuosity, stamina, and creativity from the performer. Adam Tabajdi (b. 1993) is an outstanding young Hungarian organist. Alongside the music of J. S. Bach, his repertoire includes Liszt,and Franck, as well as twentieth-century works, with a special focus on Messiaen, Ligeti, and Florentz. He is a committed performer of contemporary music, but he also feels a close connection with the works of old masters such as Sweelinck, Weckmann, and Couperin. In 2021 he won first prize in the Toulouse International Organ Competition, and in 2022 he was awarded the Junior Prima Award.
SKU: JK.01979
UPC: 093285019799.
An Invitation to Worship by Tabernacle Organist Clay Christiansen is a book of organ preludes intended to help prepare the hearts of listeners to receive the peace of the gospel. These renditions are a refreshing new take on familiar hymn favorites. The majority of arrangements in this book are intermediate in difficulty, leaving just a couple of pieces at a more advanced level. Use these beautiful renditions for prelude, postlude, and solo performance. Click here to view all Jackman Music titles including the great work of Clay Christiansen.Pieces included in this volume:Come, Listen to a Prophet's VoiceHigh on the Mountain TopI Feel My Savior's LoveI Know That My Redeemer LivesJesus, Once of Humble BirthOn This Day of Joy and GladnessSweet Is the WorkWe Thank Thee, O God, for a ProphetWe'll Sing All Hail to Jesus' NameComposers: VariousArranger: Clay ChristiansenDifficulty: Intermediate to Advanced.
SKU: SU.80101448
This is a collection of 17 short organ pieces of varied characters that were composed over a period of years. Some works are contemporary views of early music styles and forms, and a number can be played on a positive organ or with manuals only. All are useful as service voluntaries or as recital selections. Contains: Bryn Mawr Voluntary, Cornet Voluntary, Partita semplice, Pastorella acustica, Canto e Fugato, Canto quieto, Deux petits preludes, Lighthouse Song, Passacaglia semplice, Kleine Spielmusik, Diapason Voluntary, Preludio, Rondelet, Roundelay, Paulus-Praeludium, Tambourin, and Three Enigmas. Instrumentation: Organ Duration: 2012-19 Composed: 75' Published by: Zimbel Press.
SKU: FZ.50529
12.5 x 14 cm inches.
Anne Fuzeau Classique propose to discover our facsimiles' music in CD. Regis Allard, historical organ of Saint Michel de Bolbec (Calvados). Mass in the 8th tone for organ - Gaspard Corrette. Processional of the Royal Abbey of Chelles - Guillaume Gabriel Nivers. Romano-Monasticum Gradual - Guillaume Gabriel Nivers. Divine Office for use by the Ursuline Ladies of Dijon - Charles Derey. Improvised verses on the organ, Regis Alard. Alternating with Nivers's 'musical plainchant', Corrette's Mass sounds like a homage of the organ to itself, as it gracefully takes on the role of preacher of the Divine Cult. Regis Allard was trained by Andre Isoir and Michel Chapuis (for several years he had private lessons with the latter) as well as at the Schola Cantorum in Paris, where he graduated. He devotes himself exclusively to the interpretation of early music and participates in numerous events centred on historic instruments in France, Spain, Holland and northern Germany. He was a prize winner in the International Competition of French Music in Toulouse. His first disk, with pieces by Heinrich Scheidemann on the Arp Schnitger organ in the Stade church in northern Germany, received a Choc from Le Monde de la Musique. His latest recording, J. S. Bach's Art of the Fugue under the Hortus label performed on the new instrument of the church Saint Louis en l'isle in Paris, received critical praise. Ad Limina This group of women cantors, all trained in the Conservatory, themselves music teachers, choir directors, soloists, come from either side of the French-Swiss border, whence the name Ad Limina, which means 'at the border'. This ensemble pursues a novel exploration of the paths of religious music, from the baroque period to our day, with emphasis on Gregorian plainchant and European music from the 19th century to contemporary creation.
SKU: SU.80101422
Suite circulaire (2018) for organ is dedicated to Elisa Williams Bickers. The music takes a free, contemporary approach to the historical genre of circulating (or modulating) compositions, where the basic material moves through a variety of keys before returning home again. The goal is not simply to play a modulation game, but rather to construct a true musical discourse where the varied keys are an essential part of the concept. The first movement, Praeludium, is bright in character. Besides moving through varied keys, the movement is also animated with various looping patterns that provide another link to the circulating concept. The second movement, Ricercare, takes its content very literally from the title, which means to search out. Instead of being a proto-fugue, like many ricercares from the late Renaissance or early Baroque, the music searches through the keys by means of a wandering melody and a modulating accompaniment. The third movement, Toccata, is slightly manic in character. The syncopated theme heard at the start animates the movement as it moves through both tonal, modal, and bitonal/modal harmonies before reaching an excited conclusion. (When the suite is performed on an organ tuned in an unequal, circulating temperament, there is an additional circular effect provided by the quite varied key colors that are heard as the material moves through them.)Organ Duration: 14’ Composed: 2018 Published by: Zimbel Press.
SKU: JK.01980
UPC: 093285019805.
From the highly-acclaimed Postludes collection, we bring you Christmas Postludes Volume Two. This book brings with it the familiar beauty and playability of the other Postludes volumes and adds more favorite Christmas songs with some wonderful surprises. Use these intermediate arrangements in church for prelude, postlude, or special musical numbers. Click here to view the entire Postludes collection. Pieces included in this volume: Away in a Manger Far, Far Away on Judea's Plains O Little Town of Bethlehem Of the Father's Love Begotten Oh, Come, All Ye Faithful Once in Royal David's City The First Noel Composers: Various Arranger: James C. Kasen Difficulty: Intermediate - Late Intermediate.
SKU: ST.H449
ISBN 9790220221286.
A well-known teacher and compiler of Stainer & Bell's Opera Gala series, John Norris has created Wedding Gala with an ear to giving church organists a mix of favourites and exciting discoveries to brighten the routine of music for the service of holy matrimony. No album would be complete without the traditional wedding music of Mendelssohn and Wagner, and it can be found here in this collection alongside other classics of the wedding repertoire by Jeremiah Clarke, Bach and Handel. But there's also a thoroughly contemporary leavening, with arrangements of Sydney Carter's One More Step and Lord of the Dance, both firm favourites, plus Musorgsky's Pictures at an Exhibition and Charpentier's Prelude, adding a note of splendour. But the real bonus is for lovers of English music, with Elgar's Chanson de Matin and 'The Call' from the Five Mystical Songs by Ralph Vaughan Williams, seldom found in comparable collections. And there's also a rare new discovery: the ravishing Chosen Tune by Herbert Howells, transcribed from his Three Pieces for violin and piano, Op. 28, and available as an organ piece for the first time. Each piece is comprehensively registered by the arranger, and the collection as a whole will be welcomed by all organists of intermediate standard as a source of new material not only for liturgical use but also for recitals.
SKU: JK.02024
UPC: 093285020245.
From the renowned tabernacle organist, Clay Christiansen, we give you 9 Sacred Hymn Settings for Organ. You will love playing these glorious renditions of familiar hymns, including A Poor Wayfaring Man of Grief, Count Your Blessings, and Praise to the Man. They are intermediate to advanced in difficulty and are appropriate for prelude, postlude, and sacred organ performances of any kind. Contents:A Poor Wayfaring Man of GriefCount Your BlessingsGod, Our Father, Hear Us PrayIn Fasting We Approach TheeO God, the Eternal FatherO Thou Kind and Gracious FatherPraise to the ManThe Spirit of GodThough Deepening TrialsComposer: VariousArranger: Clay ChristiansenDifficulty: Intermediate to AdvancedNine Sacred Hymn Settings for Organ.
SKU: BR.EB-8292
ISBN 9790004176085. 9 x 12 inches. German.
The three volumes of the Little Marienstatt Organ Book contain chorale preludes and their respective chorales by contemporary composers. All the works are intended for practical liturgical use and were based on the most commonly performed chorales of the Catholic and Protestant hymnals.Choral preludes and organ settings by various authors.
SKU: BR.EB-8729
ISBN 9790004169490. 12 x 9 inches.
This anthology is an engrossing introduction to the organ composer Theophil Forchhammer and, with its 35 works, provides an ideal cross-section of his oeuvre. There are 18 free pieces in which Forchhammer, a contemporary of Reger, manifests his Romantic spirit; and 17 chorale settings which this new edition presents in commonly encountered keys and which do not coincide with Forchhammer's 11 chorale settings contained in hier preisen auf der Erd (EB 8628/29). A rarity - and first edition! - is the Orgelweihe (Organ Consecration) in which Forchhammer incorporates no fewer than 13 melodies from Advent to Pentecost.
SKU: HL.48013924
UPC: 073999139242. 9.0x12.25x0.106 inches.
Contents: Toccata * Fuge * Kanon * Melodia * Capriccio * Basso Ostinato * Intermezzo * Praludium * Fuge.
SKU: HL.48184877
Born in 1965, Thierry Escaich studied in Paris where he obtained eight first prizes for Organ and Composition. His performances and works during his professional career have also received various distinctions, Three Sketches for Organ being no exception. Composed in 1991, Three Sketches is very modern, exploiting tonality, rhythm, harmony, and many other elements to a virtuosic level. Esciach's is a great improvisation expert and Three Sketches reflects aspects of this through use of complex rhythms and developed melodies. With a typical performance lasting around 11 minutes, the Three Sketches are called, 1) Tournament, 2) Ritual, and 3) Variations on a Memory. For all advanced organists seeking to vary and expand their contemporary repertoire, Esciach's Three Sketches is an exciting addition to the repertoire..
SKU: CA.2731515
ISBN 9790007201739. Key: C major. Language: Latin.
SKU: CA.2731509
ISBN 9790007201685. Key: C major. Language: Latin.
Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and parts available separately - see item CA.2731500.
SKU: CA.2731513
ISBN 9790007201715. Key: C major. Language: Latin.
SKU: CA.2731519
ISBN 9790007137366. Key: C major. Language: Latin.
SKU: CA.2731512
ISBN 9790007201708. Key: C major. Language: Latin.
SKU: CA.2731511
ISBN 9790007201692. Key: C major. Language: Latin.
SKU: CA.2731500
ISBN 9790007095604. Key: C major. Language: Latin.
Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press.
SKU: CA.2731514
ISBN 9790007201722. Key: C major. Language: Latin.
SKU: HL.14043703
UPC: 840126953312. 12.0x9.0x0.043 inches.
Prelude On Lasst Uns Erfreuen is a work by renowned contemporary composer Nico Muhly , for Organ. Lasting around 6 minutes, it was composed in 2007. The composition was dedicated to Alison Shafer, commemorating 25 years of service for Christian Lane and the Evangelical Reformed United Church of Christ, Frederick, Maryland. In the September/October 2015 issue of Choir & Organ, Stephen Farr writes that this work applies a variety of motivic treatments, and a corresponding variety of rhythmic twists, to the well-known melody...would be effective in either concert or liturgical contexts.
SKU: SU.80101409
Radegund Variations (2017) was written for and is dedicated to Hartmut Siebmanns, cantor and organist in Possneck, in the Thuringia region of Germany. This work was inspired by the life of Radegund (ca. 520-587), who was a Thuringian princess (and later Frankish queen) most famous for founding the Abbey of the Holy Cross in Poitiers, France. The piece begins with an original theme: its contemporary view of ancient modality represents looking back from the present time into Radegund's era. The theme is followed by six contrasting variations, inspiration for which are drawn from events in Radegund's life: her marriage and joining the Frankish court (1st variation); her flight from the court (after the murder of her brother) to seek protection from the church (2nd variation); her devotion to the needy (3rd variation); her friendship with the poet Venantius Fortunatus and her commissioning of his sacred poem Vexilla Regis (4th variation); her gifts of healing (5th variation); and the building of the abbey (6th variation). Instrumentation: Organ Duration: 11' Composed: 2017 Published by: Zimbel Press.
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