SKU: HL.49004338
ISBN 9790001045087. 12.0x8.75x0.106 inches.
SKU: BR.EB-9300
ISBN 9790004187647. 9 x 12 inches.
World premieres:I version for flute: Wiesbaden, 1972II version for piano: Nyon, 1972III version for var. insts.: Cologne, May 29, 1976VI version for accordeon: Fribourg, June 25, 1987VIII version for violoncello Tokyo: October 14, 1989X version for organ: Stuttgart, March 28, 2018This work (A Breath of the Untimely) was first written for solo Flute and dedicated to Aurele Nicolet. Its bears the subtitle Lament on the Loss of Musical Thought - some Madrigals for Solo Flute or Flute with any other Instruments. This serves as a playing instruction but doubles at the same time as an outmoded programme: it refers back to the musical origin of the opening lamenting motif, a tradition which was once of its time but is not of our time - namely the Lamento genre which gave the title to the Chaconne in Purcell's opera Dido and Aeneas. Almost simultaneously I wrote a second version for Piano (for Piano one-and-a-half hands), which already formulates possible approaches for the performer, in some detail, to the indicated, quasi-canonic version of the piece in the programme. The multiple version Ein Hauch von Unzeit III realizes a concrete version of a formal state which floats between strict canon and aleatoric principles: each of the musicians who are spread throughout the hall introduces their own idiomatic translation of the flute part. And so the music exists, omnipresent, not only spatially throughout the hall, but also formally in a sort of fluctuating simultaneity. For that reason, it was my express wish to any potential interpreter that they should construct entirely their own version of the piece. A healthy number of musicians have responded to my suggestion - versions of the piece have now been made for guitar (Cornelius Schwehr, Gunther Schneider), accordion (Hugo Noth), double bass (Fernando Grillo), violin (Hansheinz Schneeberger), viola, violoncello, and double bass (trio basso, Koln), violoncello (Michael Bach), trombone (Andrew Digby) and, created by myself, a sung version for voice (to words by Georg Wilhelm Friedrich Hegel und Max Bense), and for viola.The most important requirement for the whole piece is absolute stillness, which should as far as possible emanate from the performer. The pauses are occasionally in this respect the most important element. These may, if one can find the necessary stillness, become very long.Ein Hauch von Unzeit (A Breath of the Untimely) - time almost dissolves!(Klaus Huber, 1989/2014 - translation: David Alberman)CD:Jean-Luc Menet (Bass flute)CD Traversieres 120.270Jean-Luc Menet (fl)CD STR 37039Bibliography:Zimmermann, Heidy: Zeitgestaltung im Kompositionsprozess bei Klaus Huber - dargestellt anhand von Skizzen, in: Mnemosyne. Zeit und Gedachtnis in der europaischen Musik des ausgehenden 20. Jahrhunderts, hrsg. von Dorothea Redepenning und Joachim Steinheuer, Saarbrucken: Pfau 2006, S. 90-109World premiere: Stuttgart, Hospitalkirche, March 28, 2018.
SKU: BA.BA05897-67
ISBN 9790006563104. 32.5 x 25.5 cm inches.
Chorale settings form a central part of Telemann's oeuvre. His 1754 setting of the church hymn Christus, der ist mein Leben, based on Melchoir Vulpius' melody from the Hamburg Hymnal, is especially well-suited to display his mastery in depicting the words of the chorale. The so-called Ausfullungsbass (a vocal bass added to the principal bass in tutti passages) was probably necessitated by the acoustical properties of Hamburg's churches.This is the first Urtext edition of this highly successful chorale setting which is based on Georg Philipp Telemann Musical Works. The score contains a realisation of the continuo part.* First Urtext edition based on Georg Philipp Telemann Musical Works* An attractive addition to the repertoire with a view to the Telemann Year 2017* Bilingual Foreword (Ger/Eng)* Uncluttered idiomatic piano reduction.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: BA.BA01220
ISBN 9790006409204. 14.5 x 21 cm inches.
72 nicht ausgesetzte Kirchenlieder des 17. Jh. (Melodie und Bass) fur Klavier (Orgel) als Ubungsstucke zum Basso-continuo-Spiel.
SKU: CA.4065664
ISBN 9790007219789. Key: F major. Language: Latin.
Piano/Vocal score available separately - see item CA.4065653.
SKU: AP.1-ADV7064
UPC: 805095070644. English. Traditional.
This collection of pieces for saxophone and organ or piano, Spirituals for Saxophone arranged by Friedemann Graef, is designed for use in concert performances as well as for church services and other ceremonies. This traditional American spiritual, Swing Low, Sweet Chariot, has been extended by composed introductions and endings, or interludes and written solos. The notated solos here are the results of more than ten years of the arranger's personal experience with these tunes and chord changes. The organ part may also be played on acoustic piano if the bass voice is played one octave lower in respective passages---these passages are marked. There is a transposed part for B-flat and E-flat saxophones. Due to the different register of the tenor and alto saxophone, a few notes of the alto saxophone parts have been changed for a more effective sound.
SKU: AP.1-ADV7061
UPC: 805095070613. English. Traditional.
This collection of pieces for saxophone and organ or piano, Spirituals for Saxophone arranged by Friedemann Graef, is designed for use in concert performances as well as for church services and other ceremonies. This traditional American spiritual, Lord I Want to Be a Christian, has been extended by composed introductions and endings, or interludes and written solos. The notated solos here are the results of more than ten years of the arranger's personal experience with these tunes and chord changes. The organ part may also be played on acoustic piano if the bass voice is played one octave lower in respective passages---these passages are marked. There is a transposed part for B-flat and E-flat saxophones. Due to the different register of the tenor and alto saxophone, a few notes of the alto saxophone parts have been changed for a more effective sound.
SKU: AP.1-ADV7069
UPC: 805095070699. English. Traditional.
SKU: AP.1-ADV7062
UPC: 805095070620. English. Traditional.
This collection of pieces for saxophone and organ or piano, Spirituals for Saxophone arranged by Friedemann Graef, is designed for use in concert performances as well as for church services and other ceremonies. This traditional American spiritual, Sometimes I Feel Like a Motherless Child, has been extended by composed introductions and endings, or interludes and written solos. The notated solos here are the results of more than ten years of the arranger's personal experience with these tunes and chord changes. The organ part may also be played on acoustic piano if the bass voice is played one octave lower in respective passages---these passages are marked. There is a transposed part for B-flat and E-flat saxophones. Due to the different register of the tenor and alto saxophone, a few notes of the alto saxophone parts have been changed for a more effective sound.
SKU: AP.1-ADV7068
UPC: 805095070682. English. Traditional.
This collection of pieces for saxophone and organ or piano, Spirituals for Saxophone arranged by Friedemann Graef, is designed for use in concert performances as well as for church services and other ceremonies. This traditional American spiritual, Oh Freedom, has been extended by composed introductions and endings, or interludes and written solos. The notated solos here are the results of more than ten years of the arranger's personal experience with these tunes and chord changes. The organ part may also be played on acoustic piano if the bass voice is played one octave lower in respective passages---these passages are marked. There is a transposed part for B-flat and E-flat saxophones. Due to the different register of the tenor and alto saxophone, a few notes of the alto saxophone parts have been changed for a more effective sound.
SKU: AP.1-ADV7063
UPC: 805095070637. English. Traditional.
SKU: AP.1-ADV7066
UPC: 805095070668. English. Traditional.
SKU: CA.5014917
ISBN 9790007080112. Key: C minor. Language: all languages.
The field of sacred chamber music, apart from vocal music and the solo-organ repertoire, often lives in the shadows. Thus the reprint of this valuable trio is all the more welcome. The organ has the same role here as the piano in a piano trio! (Wurttembergische Blatter fur Kirchenmusik May 1993, p. 192). Score and part available separately - see item CA.5014900.
SKU: AP.1-ADV7060
UPC: 805095070606. English. Traditional.
This collection of pieces for saxophone and organ or piano, Spirituals for Saxophone arranged by Friedemann Graef, is designed for use in concert performances as well as for church services and other ceremonies. This traditional American spiritual, O Happy Day, has been extended by composed introductions and endings, or interludes and written solos. The notated solos here are the results of more than ten years of the arranger's personal experience with these tunes and chord changes. The organ part may also be played on acoustic piano if the bass voice is played one octave lower in respective passages---these passages are marked. There is a transposed part for B-flat and E-flat saxophones. Due to the different register of the tenor and alto saxophone, a few notes of the alto saxophone parts have been changed for a more effective sound.
SKU: AP.1-ADV7067
UPC: 805095070675. English. Traditional.
SKU: AP.1-ADV7065
UPC: 805095070651. English. Traditional.
SKU: CA.1808700
ISBN 9790007171360. Language: all languages.
Song of Hope, composed by Kay Johannsen the Kantor of the Stiftskirche in Stuttgart in 2016, is a Fantasia in G minor based on a six-measure melody. It is improvisatory in style and has a melancholy basic character. Over the course of the work, the melodic idea is varied rhythmically several times, and is heard in the treble, tenor and bass registers. Against a quiet basic pulse, the accompanying harmonies appear in the manuals and pedals mostly in subtly matching rhythms, reminiscent of a saxophone soloist with a discreet supporting jazz band. The dynamic of the piece grows from piano to a fundamental forte, and for the conclusion a fine pianissimo is required. Song of Hope is composed for two-manual organ, with a duration of four-and-a-half minutes. The expressive harmonies and the hidden swing of the music communicate directly with audiences, including those with less musical experience.
SKU: HL.14028647
8.75x11.75x0.68 inches.
Aulis Sallinen's Barabbas Dialogues was commissioned by Naantali Music Festival.It received its first performance on 11 June 2004 at Naantali Church(part of the Naantali Music Festival) with Mari Palo (soprano), Riikka Rantanen, (mezzo), Topi Lehtipuu (tenor), Petteri Salomaa (baritone), Juha Kotilainen (bass),Kalle Holmberg (narrator), Ralf Gothoni (conductor and piano), Mika Vayrynen(accordion), Elina Vahala (violin) Arto Noras (cello), Petri Alanko (flute), Michel Lethiec(clarinet) and Ari-Pekka Maenpaa (percussion).
SKU: CA.4065659
ISBN 9790007219741. Key: F major. Language: Latin.
SKU: CA.2911600
ISBN 9790007203429. Language: all languages.
Movements: I. Proomium, II. Movimento, III. Notturno, IV. Mobile, V. Elegie.
SKU: CA.4065662
ISBN 9790007219765. Key: F major. Language: Latin.
SKU: CA.4065663
ISBN 9790007219772. Key: F major. Language: Latin.
SKU: CA.4065661
ISBN 9790007219758. Key: F major. Language: Latin.
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