SKU: HL.132244
UPC: 884088970789.
This volume of the National Edition is published in the Series B which contains works published posthumously. The basis for this edition is taken from the original sources, i.e. autographs, copies and prints corrected by the composer or, if possible, other reliable sources. All the changes and supplementations - if they are necessary - are graphically distinguished from the text. In the Source Commentaries musicologists will find fundamental information about the sources together with an evaluation of the degree of their authenticity, a description of mutual connections (called filiation) and a discussion of the more important divergences as well as the principles of editing the music text of particular works. In the music text, beside Chopin's fingering, we give, in different type, the fingering used in contemporary concert practice and the Performance Commentaries explain all these elements of music notation which may raise doubts today. They include: writing out the ornaments in full, pedalling indications, suggestions as to the realisation of harmonic legato and alternate fingering.
SKU: HL.51481307
ISBN 9790201813073. UPC: 888680662950. 9.25x12.0x0.054 inches.
At first glance, this spirited work does not seem to fit the picture that Beethoven's contemporaries have passed down to us, this is why the work was long looked upon deprecatingly as a “salon pieceâ€. In fact, it is an “occasional†piece in the best sense of the word, having been written in winter 1814/15 for the Russian Czar Alexander I's wife, a great admirer of Beethoven's music. The Czarina was sojourning in the Austrian capital at the time of the Congress of Vienna. The superficial impression of simple, stylized dance music disguises Beethoven at his most “genuineâ€, waiting to reveal some subtle motivic and thematic material.
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