SKU: HL.49047334
UPC: 196288201854.
Violin Junior is a fun and creative violin method for children from the age of 5 years upwards. The repertoire covers a wide rangeof styles from classical music to folk, world and popular music. Join Fiocco the Frog in this new approach and find out just how much fun playing the violin can be! Lesson Books include many duets for two students to play together as well as imaginative technical, aural, rhythm and improvisation exercises. Piano and Violin Accompaniments are available for the Lesson Books. Theory Books cover fun games and creative exercises on music reading, music writing, aural training, composition and music theory. Concert Books provide additional repertoire and enjoyable concert pieces. Audio tracks (full version and play-along mp3s) are available for the Lesson Books, Theory Books and Concert Books. Tutorial videos are also available with technical and musical advice on many of the pieces and exercises in the Lesson Books. Additional online materials round off the method. The series will be continued (5 levels). Please visit www.violin-junior.com.
SKU: HL.49047296
ISBN 9783795715243. UPC: 196288194477. 9.0x12.0x0.277 inches.
Violin Junior is a fun and creative violin method for children from the age of 5 years upwards. The repertoire covers a wide range of styles from classical music to folk, world and popular music. Join Fiocco the Frog in this new approach and find out just how much fun playing the violin can be! Lesson Books include many duets for two students to play together as well as imaginative technical, aural, rhythm, and improvisation exercises. Piano and violin accompaniments are available for the Lesson Books. Theory Books cover fun games and creative exercises on music reading, music writing, aural training, composition, and music theory. Concert Books provide additional repertoire and enjoyable concert pieces. Audio tracks (full version and play-along mp3s) are available for the Lesson Books, Theory Books and Concert Books. Tutorial videos are also available with technical and musical advice on many of the pieces and exercises in the Lesson Books. Additional online materials round off the method. The series will be continued (5 levels). Please visit www.violin-junior.com.
SKU: HL.49047256
ISBN 9783795714925. UPC: 196288175834. 9.0x12.0x0.223 inches.
Violin Junior...is a fun and creative violin method for children from the age of 5 years upwards. The repertoire covers a wide rangeof styles from classical music to folk, world and popular music. Join Fiocco the Frog in this new approach and find out just how much fun playing the violin can be! Lesson Books include many duets for two students to play together as well as imaginative technical, aural, rhythm and improvisation exercises. Piano and Violin Accompaniments are available for the Lesson Books. Theory Books cover fun games and creative exercises on music reading, music writing, aural training, composition and music theory. Concert Books provide additional repertoire and enjoyable concert pieces. Audio tracks (full version and play-along mp3s) are available for the Lesson Books, Theory Books and Concert Books. Tutorial videos are also available with technical and musical advice on many of the pieces and exercises in the Lesson Books. Additional online materials round off the method. The series will be continued (5 levels). Please visit www.violin-junior.com.
SKU: BT.DHP-1033470-404
ISBN 9789043161756. 9x12 inches. International.
Colours of the World is a varied, swinging collection of pieces each of which has its own colour. They include not only tango, blues, tex mex and Cuban but also house, Balkan and folk. To be able to play the pieces well youwill need to have some playing experience: sometimes the third position is used and vibrato is also desirable. However, these fourteen pieces are relatively easy to play and you will gain much pleasure from them. Great attentionhas been paid to the accompaniment recordings which are available online in MP3 format - the musicians are specialists in their field, so each piece has its own original atmosphere.Veertien speelstukken vormen in Colours of the World een prettig en afwisselend geheel. De enigszins handige violist met kennis van drie posities zal zich deze cocktail van stijlen zeker laten smaken. Diverseinspiratiebronnen van over de hele wereld zijn gebruikt, waaronder Hongarije, Cuba, Argentinië, Amerika, Ierland en Marokko, maar ook uit verschillende periodes, bijvoorbeeld de riddertijd. De begeleidingsopnames (online inmp3-formaat beschikbaar) zijn ingespeeld door muzikanten die zijn gespecialiseerd in hun eigen stijl: van stevige rock en tex-mex tot Balkanklanken en housemuziek.Colours of the World ist eine bunte Mischung von Stücken in Stilen aus aller Welt. Dazu gehören z. B. Tango, Blues, Tex-Mex, kubanische Musik, House u. v. m. Die Stücke erfordern ein gutes Rhythmusgefühl undeinen ausreichenden Tonumfang. Die online im MP3-Format verfügbaren Begleitaufnahmen wurden von professionellen Musikern eingespielt. Dabei wurden für die Stilarten typische Instrumente wie z. B. Becken oder Akkordeonverwendet, sodass die Stücke alle eine eigene, ursprüngliche Atmosphäre ausstrahlen.Colours of the World (« Couleurs du monde ») est le recueil idéal pour tout violoniste ayant une certaine expérience du jeu en première, deuxième et troisième positions, et qui souhaite partir ladécouverte de styles et dâ??horizons musicaux nouveaux. Jos van den Dungen sâ??est inspiré de musiques en provenance du monde entier (Irlande, Hongrie, Ã?tats-Unis, Cuba, Argentine, Maroc, entre autres) et de différentes époques.Laissez-vous séduire par les superbes pistes d'accompagnement disponibles en ligne au format MP3. Du rock la house en passant par les sonorités chaleureuses de la musique des Balkans et tex-mex, ce recueil vous proposedâ??excellents moments musicaux.Colours of the World propone musiche in diversi stili musicali quali tango, blues, tex-mex, house, musiche balcaniche e folk. Le registrazioni audio accessibili online come file MP3 permettono di suonare con un accompagnamentofornito da musicisti professionisti.
SKU: HL.48025136
ISBN 9781784547011. UPC: 196288091677. 9.0x12.0x0.14 inches.
The full range of traditional fiddle repertoire is now at your fingertips! Using these generous collections, you can create your own ceilidh, barn dance, jazz club or Sarajevo street-café. Some of this music is familiar, some more exotic, but all of it is absolutely authentic, faithfully arranged and, above all, hugely enjoyable. Each title in the series is available in two formats: the Violin Edition (with an optional easy violin part and guitar chords); or the Complete Edition, which also includes both keyboard and violin accompaniments. Either format is hugely flexible, which means the music can be played as solos, duets or trios as well as with larger ensembles. Edward Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style, giving his own suggestions for a lively performance.
SKU: PR.144407530
ISBN 9781491136614. UPC: 680160687992.
A violinist herself, Lauren Bernofsky has described SONATA FOR SOLO VIOLIN as drawn from autobiographical inspiration, including gestures from Bachâ??s beloved Partita in E Major. Bernofsky opens with a Preludio movement whose references to Bach may be disguised, but they are surely lurking. The second movement is lusciously contrapuntal with the idiomatic finesse of a violinist composing for her own instrument, while musically journaling the emotional pain of living through 2020. The third and final movement is aptly marked â??white-hot,â? and the music certainly is.My SONATA FOR SOLO VIOLIN was commissioned by violinist Megan Healy as part of The Maud Powell Project, which celebrated the 100th anniversary of the ratification of the 19th Amendment. The project included the creation of five new works for solo violin inspired by and dedicated to the memory of pioneering American violinist Maud Powell (1867-1920). Healy premiered the sonata on May 8, 2021 at PianoForte Studios in Chicago.Among the works Powell most frequently performed in her recitals was the â??Preludioâ? movement from Bachâ??s E major Partita, and I decided to refer to that music in my own first movement, also titled â??Preludio.â? The beginning subtly reflects Bachâ??s opening three-note motive, wherein the music dips down a semitone and then comes back up. This melodic material returns throughout the movement in various forms. I also refer to Bachâ??s sixteenth-note dominated texture, and the gesture in the third measure, which outlines a perfect fifth and then fills it in with notes that alternate between a scale and a pedal tone. The corresponding passage in my piece occurs in the same place, measure 3. Apart from these references to Bach, my sonata is much more modern sounding, especially in its chromatic character.I was still thinking of Bachâ??s solo violin writing while composing the second movement, particularly the polyphonic nature of the slow movements, where the melodic interest moves around between the voices. Emotionally, I wanted my movement to reflect the acute sadness I had been experiencing over the political and social situation in the United States as I wrote the piece. I realized that this is a historically noteworthy time in U.S. history, marked not only by political unrest, but also by a challenge to the very values that I consider essential to what makes a person fundamentally human. I wanted to create a record of that pain in my music.The final movement is marked â??White-hot.â? It is imbued with a relentless, passionate intensity. Wanting again to reflect aspects of our own time, I included glissandi that refer to rock music, specifically the â??fall-offsâ? I frequently hear played by electric guitarists. I borrowed from another (completely different) musical tradition as well, one that is near-and-dear to my heart: Klezmer. Klezmer (Eastern European Jewish folk music) is characterized in part by scales colored by augmented seconds, and is often performed by solo instrumentalists who improvise embellishments like quick grace notes. The second, more lyrical theme in this movement is my nod to Klezmer style.While this piece is an homage to Maud Powell, I also think of it as my own musical autobiography, as it combines some of my favorite aspects of music, and is played on my own instrument.
SKU: SU.29110060
1. Sidestep Reel - In 19th Century America, the Afro-Celtic fiddle style was the centerpiece of many a dance. Reels and hornpipes were very popular forms. Their repetitive, even-metered rhythms were easy and fun to dance to, and their infectious singable melodies stayed in the mind and on the tongue. More adventurous fiddlers were given to syncopating on these forms by accenting off beats and by embellishing melodies with oddmetered note groupings. Syncopation is a fundamental rhythmic attitude of jazz and this movement is a celebration of that art. The melodic language is a home-grown concoction of commonality between traditional reels and hornpipes and the Baroque, Ragtime and the quartal concepts of Modern Jazz. 2. As the Wind Goes - the wistful late night song of a lullabye, a campfire song, a ballad...a spiritual. It is sung as if on the wind, yearning to experience once again that which will only ever again live as memory. 3. Jones’ Jig - the Irish Jig, the African 6/8 bell pattern, the shuffle rhythm of jazz and the drum style of Elvin Jones all play around with the relationship of 3 in the time-space of 2. The juxtaposition, negotiation and reconciliation of these opposing rhythmic perspectives create interesting musical relationships all over the globe. 4. Nicola’s Strathspey - In the traditional Strathspey, improvised embellishments, syncopated dotted rhythms and the use of space between notes create expectation, momentum and surprise. These same elements and their effect on the listener are the same in the blues. It seems like a natural marriage. 5. Bye Bye Breakdown - This is good ol’, Saturday night barn dance, hoedown fiddling. It revels in the whining cry of open double stops, in all types of musical onomatopoeia from train sounds to animal calls to country whistling, and in the steady 2/4 rhythm that is as basic as walking. The harmonic framework of several popular fiddle and folk tunes provide a practical grid for the cutting of challenging melodic and rhythmic figures. It is designed to tire fiddler and dancers out. Then we stomp our way home in varying states of delight and disrepair.Solo Violin Duration: 24' Composed: 2018 Published by: Wynton Marsalis (administered by Skayne's Music).
SKU: HL.44007130
ISBN 9789043117951. UPC: 884088167981. International (more than one language).
Oldies but goodies - this book contains a selection of evergreens and folk songs that everyone will know and love. Golden Tunes for Violin ist ein Buch, das fur Stunden voll Mitspiel-Spass sorgt. Zehn bekannte Melodien unterstutzen mit der Begleit-CD die Entwicklung zum Solisten.Von Yankee Doodle bis zu La Bamba sind Erfolg und Spass bei der Vorfuhrung der erlernten Kunste garantiert!
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