SKU: AP.49921S
ISBN 9781470659424. UPC: 038081576688. English.
The powerful theme from the action-packed DC Superhero adventure Black Adam comes to life in this fantastic arrangement by Chris M. Bernotas. The epic theme is dark and bold, and all sections of the string orchestra have engaging and exciting parts. The original score by Lorne Balfe is brilliant. This arrangement will be a hit at your next concert. (2:25).
SKU: GI.G-8398
English. Text Source: Anonymous, English, 15th c.
Bring new life to your Lessons and Carols service through the ancient beauty of this 15th-century English text, which reflects on the mystery of the sin of Adam that led to Mary’s queenship—thanks be to God! A pronunciation guide and paraphrase are provided.
SKU: LM.PB1308
ISBN 3137990013080.
La Dolce Vita - J'aime J'aime pas - Excuse moi - Toc Toc Toc - La Pluie et le beau temps - Mon coeur a la science - Lola majeure - Rodeo - Slow - Doolididom - Sauver le monde - Oui - J'arrive - Rue de la paix - On eteint - Danse avec les loups - Adam et Yves - Aux armes citoyennes - Sur toi - La Zizanie - Cheese - Tais-toi et rap - Dans la lune - Qui m'aime me fuit - La Fan de sa vie - Si J'etais moi - Je ne fais pas le poids.
SKU: HL.14048022
6.75x9.75x0.05 inches.
Andrew Cusworth 's Adam Lay Ibounden is a work for Unaccompanied SAB Choir, a setting of an anonymous 15th century English text. A performance lasts around 1 and a half minutes.
SKU: RM.ADAM00662-CO
SKU: BA.BA04066
ISBN 9790006495832. 33 x 26 cm inches. Text Language: Italian. Nicola Francesco Haym.
This volume of the “Halle Handel Edition†presents the music of the second version of the opera which was premiered on 28 December 1720 at the King's Theatre, Haymarket, London as well as the amendments made for November 1721 revival. The appendix includes the amendments for the January/February 1728 version.The first season of the Royal Academy ended on 25 June 1720. The new vocal soloists arrived in London in September. As the first version of “Radamisto†had been a great success during the first season, Handel revised the opera for the oncoming season to accommodate it to his new more proficient cast.The revision was extensive. It included:1) Changes to the vocal range of Radamisto (soprano to alto for the singer Senesino), Zenobia (alto to soprano for the female singer Durastanti) and Tiridate (tenor to bass for the singer Boschi),2) compositions of new arias and ensembles,3) significant changes to the plot consisting of the reduction of Fraartes’ role from brother to servant Tiridates and the omission of his not so original love affair to Zenobia.For most of Handel's operas it can be said that the first version is the best version. This is due to the fact that when a work was performed again in later seasons, Handel was often forced to make changes due to casting constraints which often affected the equilibrium and the dramatic context of the work. “Radamisto†is an exception to this rule – the December 1720 adaptation is a much more superior composition than the version performed in April of the same year.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
