C Edition. Composed by Various. Fake Book. Broadway, Country, Jazz, Pop, Standards. Softcover. 802 pages. Published by Hal Leonard

For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Traditional pop and vocal standards. Series: Hal Leonard Fake Books. 424 pages. 9x12 inches. Published by Hal Leonard.

C Instruments. By Various. Fake Book (Includes melody line and chords). Size 9x11 inches. 464 pages. Published by Hal Leonard.

Basso Continuo Part Basso Continuo (Keyboard) - intermediate

SKU: HL.49041213

A Second Set of Seven times Seven plus One Minuet Basso Continu. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: Saddle stitching. Sheet music. Originalmusik fur Blockflote (Recorder Library). Baroque, Classical. Individual part. 20 pages. Schott Music #OFB182-02. Published by Schott Music (HL.49041213).

ISBN 9790001120524. UPC: 841886034044. 9.0x12.0x0.075 inches.

Georg Philipp Telemann gave more consideration to amateur musicians than any of the other great composers of this day. One of the many works he wrote specifically for amateurs is the collection presented here 'A Second Set of Seven times Seven plus One Minuet' by Melante (i.e. Telemann). These are extremely attractive, technically not too demanding pieces for domestic music making. They arealso ideal for teaching with their short, clearly structured movements which introduce a comparatively wide range of key signatures (including E flat major, F minor, A major and B minor). The pieces are ideally suited to introduce young players to the musical language of the High Baroque and the technical demands (arppegiated triads, wide leaps, trills) typical for this period. The bass line may be reinforced by a cello or gamba, bassoon or bass recorder (the basso part is only available separately).

Easy Piano Piano/Keyboard

SKU: HL.282477

The New Decade Series. Composed by Various. Easy Piano Songbook. Pop, Standards. Softcover. 346 pages. Published by Hal Leonard (HL.282477).

ISBN 9781540034342. UPC: 888680789213. 9.0x12.0x0.812 inches.

Almost 100 songs from the birth of the rock and roll era in the 1950s are included in this collection arranged for easy piano with lyrics. Songs include: All I Have to Do Is Dream * Bye Bye Love * Chantilly Lace * Don't Be Cruel * Earth Angel * Fever * Great Balls of Fire * Hound Dog * I Walk the Line * It's So Easy * Kansas City * Lonely Teardrops * Mister Sandman * Only You (And You Alone) * Peter Gunn * Rock Around the Clock * Sh-Boom * Shout * Sixteen Tons * Tequila * Tutti Frutti * Unchained Melody * Volare * Why Do Fools Fall in Love * Yakety Yak * Your Cheatin' Heart * and more.

A Historical Guide to the Basics. By Christensen, Jesper Boje. For Piano. Collection (hard bound). Published by Baerenreiter-Ausgaben (German import).

Second Edition C Instruments. By Various. Fake Book (Includes melody line and chords). Softcover. 464 pages. Published by Hal Leonard.

200 Songs for All Occasions. Easy Piano Songbook (Easy arrangements for piano and voice). Size 9x12 inches. 514 pages. Published by Hal Leonard.

Piano - Level 10

SKU: FH.C6R10

Celebration Series, Sixth Edition. Method book. The Frederick Harris Music Company #C6R10. Published by The Frederick Harris Music Company (FH.C6R10).

ISBN 9781554409426.

The Celebration Series, Sixth Edition will inspire students at every level with its comprehensive collection of graded repertoire and etudes. Carefully curated and edited to support teachers and students in artistic and technical development, this 22-book series provides an engaging compilation of music--from beloved classics to newly commissioned works. New to this series are never-before published works from popular Canadian and US composers that will enhance the musical journey. Each book includes high-quality recordings, easily accessible online, to inspire students and teachers.

The Repertoire books provide students with a wide selection of outstanding pieces. This series provides a representative collection of repertoire from the Baroque, Classical, Romantic, and Contemporary style periods. With composers from more than 20 countries, these volumes are the ultimate resource for examinations, recitals, festivals, competitions, auditions, and personal enjoyment.

About Celebration Series - Frederick Harris Music

Celebration Series is a comprehensive series of graded repertoire and etudes for piano. This outstanding collection of music from the Baroque era to the present day provides thoroughly engaging teaching and learning materials. Each book includes high-quality recordings, easily accessible online, to inspire students and teachers.

(Decade Series Play-Along). Composed by Various. For Piano/Vocal/Guitar. Piano/Vocal/Guitar Songbook. Softcover Audio Online. 368 pages. Published by Hal Leonard

Piano and orchestra

SKU: FG.55011-372-5

Composed by Matthew Whittall. Study score. Fennica Gehrman #55011-372-5. Published by Fennica Gehrman (FG.55011-372-5).

ISBN 9790550113725.

Images of the sea figure prominently throughout my life and memories: from holidays on the Atlantic coast during my Canadian childhood to my current Baltic home, and the imagined, only later experienced Mediterranean of my ancestral heritage. As an immigrant (son of an immigrant) bound to two northern countries, the sea is emblematic of my twin homelands, from the expanses of water surrounding them to those separating them. A Mari usque ad Mare. The sea is also an enduring image of the unknown, of expanses unexplored, of the raw power of nature and, for too many currently, of terror holding a hope of refuge - or the pain of loss.
Such disparate ideas were captured for me in the seascapes of the New York painter MaryBeth Thielhelm, whom I met in 2008 during a residency on the Gulf of Mexico. Her vast, abstract, nearly monochromatic depictions of imaginary seas in wildly varying moods were the catalyst for a concerto where the piano is frequently far from a hero battling a collective, but rather acts as a channel for elemental forces surging up from the orchestra, floating - sometimes barely so - on its constantly shifting surface. There are few themes to speak of, beyond a handful of iconic ideas that periodically cycle upward. Rather, the piano's material is largely an ornamentation of the more primal rhythmic and harmonic impulses from the orchestra below - a poetic interpretation, if you will, of the more immediate experience of facing the vastness of some unknown body of water.
The title Nameless Seas is borrowed from one of Thielhelm's exhibitions, as are those of the four movements, which are bridged together into two halves of roughly equal weight - one rhapsodic and free, the other more single-minded and direct, separated only by a short breath. The opening movement, Nocturne, is predominantly calm, if brooding, darkness and light alternating throughout. Lyrical arabesques sparkle over gently lapping cross-currents in the strings and mirrored timpani, the piano's full power only rarely deployed. The waves gradually build, drawing in the full orchestra for a meeting of forces in Land and Sea, a brighter, more warmly lyrical scene that unfolds in series of dreamlike, sometimes even nostalgic visions, which for me carry strong memories of sitting on rocks above surging Atlantic waves. The third movement, Wake, is a fast, perpetual-motion texture of glinting, darting rhythms and sudden shafts of light, with a prominent part for the steel drums, limning the piano's quicksilver figurations. An ecstatic climax crashes into a solo cadenza that grows progressively calmer and more introspective rather than virtuosic. Much of the tension finally releases into Unclaimed Waters, a drifting, meditative seascape in which the piano is progressively engulfed by a series of ever-taller waves, ultimately dissolving into a tolling, rippling continuum of sound.
It has been a great privilege to realize such a long-held dream as this piece, and to write it for not one, but two great pianists. Risto-Matti Marin and Angela Hewitt, both of whose friendship and support have been unfailing and humbling, share the dedication. Nameless Seas was commissioned by the PianoEspoo festival and Canada's National Arts Centre, with the premieres in Ottawa and Helsinki led by Hannu Lintu and Olari Elts. Thanks are due also to the Jenny and Antti Wihuri fund, whose generous grant provided me with much-needed time, and Escape to Create in Seaside, Florida, the source to which I returned to do a large part of the work.