SKU: LM.25439
ISBN 9790230954396.
BEETHOVEN : Danse allemande - Hymne a la Joie - Lettre pour Elise - BIZET : Marche (Carmen) - BRAHMS : Berceuse Bonsoir, bonne nuit - Danse hongroise n. 5 - CHOPIN : Tristesse (Etude Op.10 n. 3) - DELIBES : Valse Lente (Coppelia) - DVORAK : Humoresque Op.101 n. 7 - Largo (Symphonie du Nouveau Monde) - HAENDEL : Largo (Xerxes) - HAYDN : Danse allemande - Symphonie La Surprise - JOPLIN : The Entertainer - LISZT : Reve d'amour (Nocturne n. 3) - MARTINI : Plaisir d'amour - MOZART : Air du champagne (Don Juan) - Menuet (Don Juan) - Marche turque (Sonate KV 331) - Menuet KV 2 - Petite musique de nuit (Serenade KV 525) - OFFENBACH : Cancan (Orphee aux Enfers) - RAMEAU : Menuet - SCHUBERT : Ecossaise Op.18 n. 4 - Marche militaire - Valse Le desir - STRAUSS (fils) : Le Beau Danube bleu - Valse de l'Empereur - TCHAIKOVSKI : Capriccio italien Op.45 - TRADITIONNEL : Greensleeves - Hava Nagila - Pop Corn - Rock Around the Clock - When the Saints go Marchin'in - VERDI : Choeur des esclaves (Nabucco) - La Donna e Mobile (Rigoletto) - Marche triomphale (Aida) - WAGNER : Marche nuptiale (Lohengrin).
SKU: HL.14014940
ISBN 9783936026016. 9.0x12.0x0.09 inches.
The Romantic Pop Piano series provides a tremendous collection of some of the most beautiful and best known romantic works. This is the eighth volume of dream melodies for Piano, in easy arrangements by Hans-Gunter Heumann.
SKU: LM.PB1259
ISBN 3137990012595.
Docteur Renaud Mister Renard - Petit Pede - Je vis cache - Coeur perdu - Manhattan Kaboul - Elle a vu le loup - Tout arreter - Baltique - L'Entarte - Boucan d'enfer - Mon nain de jardin - Mal barres - Corsic'Armes - Mon bistrot prefere - Mon paradis perdu (Inedit).
SKU: HL.49033068
ISBN 9783795756000. 9.0x12.0x0.664 inches. German.
Whoever pursues piano playing as a hobby mostly focusses on two things: playing from music, with as wide a range of works from classical, pop and jazz music as possible, and playing without the book, i.e. the ability to accompany melodies with chords, play songs by ear and improvise freely. In this volume, both topics are dealt with thoroughly and systematically. Whereas most piano methods prefer either classical or popular music, both kinds of music are well-balanced herein.Clearly structured chapters cover a variety of interesting topics: the Baroque, Classical and Romantic eras, popular piano styles (e.g. ragtime, boogie, rock 'n' roll, pop ballad), the blues and the genres of opera, operetta and ballet.
SKU: HL.14021534
English-French.
Les titres de ce recueil sont issus des grands succes de la variete francaise et internationale. Tous les themes sont arranges de maniere a faire de chaque piece un oeuvre pianistique complete, doigtes et chiffrage harmonique a l'appui. Les professeurs trouveront aussi dans ce volume un repertoire plaisant et motivant a donner a leurs eleves. Afin de'apporter un cote ludique a recueil, les midi-files contenus dans le CD mixte (CD audio CD rom) offrent la possibilite d'ecouter les titres en MIDI au moyen de la carte son d'un ordinateur. De plus, avec un materiel approprie (sequenceur, editeur de partitions et autres), il est possible de changer les sons et les tempi, de jouer facilement des passages en boucles ainsi que toute autre possibilite offerte par les differents logiciels actuels. Nous vous souhaitons donc un excellent voyage au pays de Pops Hits et esperons vous apporter un reel plaisir pianistique. The titles in this collection are abstracts from the greatest French and International hits. All of the titles are arranged in a way to make each piece a complete pianistic work, fingered with support of chord symbol. Piano teachers will also find in this volume a pleasant and attractive repertory to make their students play with. The playful aspect is added to this anthology by way of the midi-files which accompany the mixte CD (CD audio and CD rom) offering the possibility to listen to the pieces in midi by using the sound card of a computer. In addition, it is possible to change the sounds and the tempi with appropriate equipment (e.g. sequencer, score editors and others). You acn also easily play in loop passages. Other options are offered by today's different software. We wish you an excellent journey into the Piano Pop Hits world and hope it will bring you true pianist pleasure.
SKU: M7.VHR-3564
ISBN 9783864340765. German.
Zum 20-jährigen Jubiläum der Zusammenarbeit von Anne Terzibaschitsch und dem Holzschuh-Verlag erscheint vorliegende Sammlung. Enthalten sind sowohl Eigenkompositionen von Anne Terzibaschitsch als auch Bearbeitungen der Autorin von Werken aus Barock über Klassik und Romantik bis hin zu Musik des 20. Jahrhunderts. Populäre Melodien - Traditionals, Volkslieder sowie Themen aus Film, Musical und Pop - bereichern diese Edition.
SKU: HL.49007899
ISBN 9783795751623. UPC: 840126938852. 12.0x8.75x0.203 inches. German. Andreas Schuermann.
Die beliebte Klavierschule jetzt in der Neuauflage!Seit vielen Jahren erlernen Kinder das Klavierspielen mit Hilfe der 1995 erstmals veroffentlichten Klavierschule Piano Kids. Deshalb erschien es sinnvoll, eine Aktualisierung und Erweiterung dieses bewahrten Lehrwerks vorzunehmen. Durch neue Lieder kommt frischer Wind in den Unterricht und durch zusatzliche klassische Spielstucke werden die Lernschritte noch einfacher. Der Umfang der Neuausgabe 2014 wurde von 64 auf 88 Seiten erweitert. Viele neue farbige Illustrationen unterstutzen die Freude beim Lernen. Die Klavierschule Piano Kids will solides musikalisches Wissen und Konnen vermitteln, Freude an der Musik wecken, attraktive, moderne Spielstucke aus den Bereichen Volks- und Kinderlied, Folklore, Klassik und Pop anbieten, langweilige und trockene Ubungen vermeiden, Musiktheorie verstandlich und spielerisch vermitteln und zum eigenen Improvisieren anregen. Zu jedem Band der Klavierschule gibt es ein Aktionsbuch in dem alle Themen aus der Schule in spielerischer, fantasievoller Form aufgearbeitet und vertieft werden.
SKU: BT.EMBZ14505
English-German-Hungarian.
Of the early versions of works included in this volume the first versions of the notably popular Consolations cycle and Grand solo de concert (published in 1850) are of particular interest. In the first version of Consolations the third movement was a style hongrois piece whose thematic material was later used by Liszt in his Hungarian Rhapsody No. 1 (published in 1851). The first version of Grand solo de concert shows that the work did not originally include a slow middle section to be recapitulated towards the end as seen in the final version. This is a characteristically Lisztian feature that would reappear a few years later in his Sonata in B minor. A detailed preface inHungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included. Of the early versions of works included in Supplementary Volume 10, particular interest is expected in the first versions of the notably popular Consolations cycle and the monumental Grand solo de concert of 1850. In the first version of Consolationsthe third movement was a style hongrois piece whose thematic material Liszt used again later in the first piece of the Hungarian Rhapsodies published in 1851. The first version of the Grand solo de concert shows that the original concept did notinclude the slow “movement†that would be placed in the middle of the work and recapitulated towards the end in the final version - a characteristically Lisztian feature that would reappear a few years later in the Sonata in B flat minor.A detailed preface in Hungarian, English and German, including new research result and, numerous manuscript facsimiles make the practical paperback version of this volume of the New Liszt Edition a specially important publication of scholarly value.Von den im vorliegenden Band veröffentlichten Werkversionen dürften der außerordentlich populäre Consolations-Zyklus sowie die Erstfassung des 1850 entstandenen Grand solo de concert (Großes Konzertsolo) auf besonderes Interesse stoßen. In der ersten Fassung der Consolations stand an dritter Stelle noch ein Stück im ungarischen Stil, dessen Thematik Liszt später im 1851 herausgegebenen 1. Stück der Ungarischen Rhapsodien verwendete. Die erste Version des Großen Konzertsolos belegt, dass der in der Mitte der Komposition angelegte und kurz vor Ende rekapitulierte langsame Teil, welcher zum typisch Lisztschen Element der endgültigen Fassung des Konzertsolos - und einige Jahre späterauch der H-Moll-Sonate - wird, noch kein Bestandteil der ursprünglichen Konzeption war.
SKU: BT.EMBZ14505A
Of the early versions of works included in this volume the first versions of the notably popular Consolations cycle and Grand solo de concert (published in 1850) are of particular interest. In the first version of Consolations the third movement was a style hongrois piece whose thematic material was later used by Liszt in his Hungarian Rhapsody No. 1 (published in 1851). The first version of Grand solo de concert shows that the work did not originally include a slow middle section to be recapitulated towards the end as seen in the final version. This is a characteristically Lisztian feature that would reappear a few years later in his Sonata in B minor. A detailed preface inHungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included. Of the early versions of works included in Supplementary Volume 10, particular interest is expected in the first versions of the notably popular Consolations cycle and the monumental Grand solo de concert of 1850. In the first version of Consolationsthe third movement was a style hongrois piece whose thematic material Liszt used again later in the first piece of the Hungarian Rhapsodies published in 1851. The first version of the Grand solo de concert shows that the original concept did notinclude the slow “movement†that would be placed in the middle of the work and recapitulated towards the end in the final version - a characteristically Lisztian feature that would reappear a few years later in the Sonata in B flat minor.A detailed preface in Hungarian, English and German, including new research results, numerous manuscript facsimiles and critical notes make this volume of the New Liszt Edition a specially important publication of scholarly value. Simultaneously withthe Complete Edition volume in colth-bound, its paperback for practical purposes is also published, the contents of which, except for the critical notes, is identical with the Complete Edition volume.Von den im vorliegenden Band veröffentlichten Werkversionen dürften der außerordentlich populäre Consolations-Zyklus sowie die Erstfassung des 1850 entstandenen Grand solo de concert (Großes Konzertsolo) auf besonderes Interesse stoßen. In der ersten Fassung der Consolations stand an dritter Stelle noch ein Stück im ungarischen Stil, dessen Thematik Liszt später im 1851 herausgegebenen 1. Stück der Ungarischen Rhapsodien verwendete. Die erste Version des Großen Konzertsolos belegt, dass der in der Mitte der Komposition angelegte und kurz vor Ende rekapitulierte langsame Teil, welcher zum typisch Lisztschen Element der endgültigen Fassung des Konzertsolos - und einige Jahre späterauch der H-Moll-Sonate - wird, noch kein Bestandteil der ursprünglichen Konzeption war.
© 2000 - 2024 Home - New releases - Composers Legal notice - Full version