| Edvard Grieg, Edward MacDowell, Gabriel Faure: To a Wild Rose (Flute / Piano) Flute and Piano Schirmer
15 Romantic Pieces for Flute and Piano. By Edvard Grieg, Edward MacDowell, Gabri...(+)
15 Romantic Pieces for Flute and Piano. By Edvard Grieg, Edward MacDowell, Gabriel Faure, Foster. Instrumental Folio. 56 pages. Published by G. Schirmer, Inc.
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| Fauré Song Album I (für Flöte und Klavier) Flute and Piano Verlag Dohr
Flute and piano SKU: VD.ED88512 Composed by Gabriel Faure. Arranged by Ad...(+)
Flute and piano SKU: VD.ED88512 Composed by Gabriel Faure. Arranged by Adrian Connell. Adrian's Song Album Series. Classical. Score, solo part. 17 S. Part. + 6 S. Stimme pages. Verlag Dohr #ED88512. Published by Verlag Dohr (VD.ED88512). ISBN 9790202095126. 12 x 9 inches. $14.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| The Easy Classical Fake Book Fake Book [Fake Book] Hal Leonard
Melody, Lyrics & Simplified Chords in the Key of C. By Various. Fake Book (Inclu...(+)
Melody, Lyrics & Simplified Chords in the Key of C. By Various. Fake Book (Includes melody line and chords). Softcover. Size 9x12 inches. 200 pages. Published by Hal Leonard.
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| Flute Repertoire 5 Flute - Intermediate The Frederick Harris Music Company
Flute - Intermediate SKU: FH.FLR05 2010 Edition. Composed by The R...(+)
Flute - Intermediate SKU: FH.FLR05 2010 Edition. Composed by The Royal Conservatory. Overtones: A Comprehensive Flute Series. Book/Piano Accompaniment/CD. The Frederick Harris Music Company #FLR05. Published by The Frederick Harris Music Company (FH.FLR05). ISBN 978-1-55440-293-9. Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental repertoire and supporting materials such as Studies, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study.This compilation of standard orchestral passages for flute is an indispensable resource for the developing years and beyond. Teachers and students will find this unrivalled volume essential for examination or audition preparation. Sonata in F Major, op. 1, no. 11, HWV 369, First movement and Second movement George Frideric Handel, arr. Kathleen Wood Sonata in D Major, op. 21, no. 1, Second movement Franz Anton Hoffmeister, arr. Kathleen Wood Sonata in F Major, op. 1, no. 4, First movement and Second movement Jean-Baptiste Loeillet (de Gant), arr. Kathleen Wood Sonata in F Major, TWV41:F2, First movement and Second movement Georg Philipp Telemann, arr. Kathleen Wood Sicilienne, op. 78 Gabriel Faure Sonatina, First movement and Second movement Endre Szervanszky I conversed with you in a dream, Fourth movement Jocelyn Morlock Seguidilla, from Carmen Georges Bizet, arr. Stephen Chatman Lawn Tennis Wilhelm Peterson-Berger, arr. Goeran Marcusson Capriccio-Sonata in A Major, Second movement Anton Johann Stamitz Echoes for Solo Flute, Second movement: Espressivo Maya Badian Petite suite pour flute, First movement and Second movement Srul Irving Glick. About Overtones Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental Repertoire and supporting materials such as Etudes, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study and is the official series for those using The Royal Conservatory Music Development program. $35.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Barrere Album Flute and Piano Schirmer
Flute and Piano. By Various. Arranged by Georges Barrere. (Flute). Woodwind Sol...(+)
Flute and Piano. By Various. Arranged by Georges Barrere. (Flute). Woodwind Solo. Size 9x12 inches. 64 pages. Published by G. Schirmer, Inc.
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| Messe de Requiem op. 48 Choral SATB SATB [Score] Barenreiter
By Gabriel Faure (1845-1924). Edited by Christina M. Stahl; Michael Stegemann. F...(+)
By Gabriel Faure (1845-1924). Edited by Christina M. Stahl; Michael Stegemann. For soprano voice solo, baritone voice solo, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, 2 harps, 2 violins, 2 violas, 2 cellos, double bass, organ. This edition: Clothbound, Complete edition, Urtext edition. Gabriel Faure: The Complete Works. Series I, Volume 2. Version of 1900. Score. Language: Latin, Text Language: French/German/English. Opus 48. 238 pages. Published by Baerenreiter Verlag
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| Pavane, Op. 50 Concert band [Score and Parts] - Easy Carl Fischer
(Full Score and Parts). By Gabriel Faure (1845-1924). Arranged by Larry Clark. C...(+)
(Full Score and Parts). By Gabriel Faure (1845-1924). Arranged by Larry Clark. Concert Band. For Flute, Oboe, Flute II, Clarinet I, Clarinet II, Bass Clarinet, Bassoon, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Horn, Tenor, Euphonium, Tuba, Vibraphone, Timpani, Triangle, Suspended Cymbal, Bass Drum. Carl Fischer Young Performance Series. Grade 2-2.5. Score and parts. Standard notation. Opus 50. 17 pages
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| Classical Fake Book - 2nd Edition
Fake Book [Fake Book] - Easy Hal Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.
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| 3e Symphonie en ut mineur, op. 78 - Advanced Barenreiter
Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B,...(+)
Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B, 2 bassoon, bassoon-Co, Hn1, Hn2 , Hn3(chrom.), Hn4(chrom.), 3Trp, 3trombone, timpani, Tr-Gr, Tri, Be, Org, piano-4ms, 2 Violin, Viola, Cello, Double Bass) - Level 5 SKU: BA.BA10303-01 Composed by Camille Saint-Saens. Edited by Michael Stegemann. This edition: Edition of selected works, Urtext edition. Linen. Saint-Saens, Camille. Oevres instrumentales completes I/3. Edition of selected works, Score. Opus 78. Duration 39 minutes. Baerenreiter Verlag #BA10303_01. Published by Baerenreiter Verlag (BA.BA10303-01). ISBN 9790006559503. 33 x 26 cm inches. Key: C minor. Preface: Michael Stegemann. The third symphony by Camille Saint-Saens, known as the Organ Symphony, is the first publication in a complete historical-critical edition of the French composer's instrumental works.
I gave everything I was able to give in this work. [...] What I have done here I will never be able to do again.Camille Saint-Saens was rightly proud of his third Symphony in C minor Op.78, dedicated to the memory of Franz Liszt. Called theOrgan Symphonybecause of its novel scoring, the work was a commission from the Philharmonic Society in London, as was Beethoven's Ninth, and was premiered there on 19 May 1886. The first performance in Paris followed on 9 January 1887 and confirmed the composer's reputation asprobably the most significant, and certainly the most independent French symphonistof his time, as Ludwig Finscher wrote in MGG. In fact the work remains the only one in the history of that genre in France to the present day, composed a good half century after the Symphonie fantastique by Hector Berlioz and a good half century before Olivier Messiaen's Turangalila Symphonie.
You would think that such a famous, much-performed and much recorded opus could not hold any more secrets, but far from it: in the first historical-critical edition of the Symphony, numerous inconsistencies and mistakes in the Durand edition in general use until now, have been uncovered and corrected. An examination and evaluation of the sources ranged from two early sketches, now preserved in Paris and Washington (in which the Symphony was still in B minor!) via the autograph manuscript and a set of proofs corrected by Saint-Saens himself, to the first and subsequent editions of the full score and parts. The versions for piano duet (by Leon Roques) and for two pianos (by the composer himself) were also consulted. Further crucial information was finally found in his extensive correspondence, encompassing thousands of previously unpublished letters. The discoveries made in producing this edition include the fact that at its London premiere, the Symphony probably looked quite different from its present appearance ...
No less exciting than the work itself is the history of its composition and reception, which are described in an extensive foreword. With his Symphony, Saint-Saens entered right into the dispute which divided French musical life into pro and contra Wagner in the 1880s and 1890s. At the same time, the work succeeded in preserving the balance between tradition and modernism in masterly fashion, as a contemporary critic stated:The C minor Symphony by Saint-Saens creates a bridge from the past into the future, from immortal richness to progress, from ideas to their implementation.
On 19 March 1886 Saint-Saens wrote to the London Philharmonic Society, which commissioned the work:
Work on the symphony is in full swing. But I warn you, it will be terrible. Here is the precise instrumentation: 3 flutes / 2 oboes / 1 cor anglais / 2 clarinets / 1 bass clarinet / 2 bassoons / 1 contrabassoon / 2 natural horns / [3 trumpets / Saint-Saens had forgotten these in his listing.] 2 chromatic horns / 3 trombones / 1 tuba / 3 timpani / organ / 1 piano duet and the strings, of course. Fortunately, there are no harps. Unfortunately it will be difficult. I am doing what I can to mitigate the difficulties.
As in my 4th Concerto [for piano] and my [1st] Violin Sonata [in D minor Op.75] at first glance there appear to be just two parts: the first Allegro and the Adagio, the Scherzo and the Finale, each attacca. This fiendish symphony has crept up by a semitone; it did not want to stay in B minor, and is now in C minor.
It would be a pleasure for me to conduct this symphony. Whether it would be a pleasure for others to hear it? That is the question. It is you who wanted it, I wash my hands of it. I will bring the orchestral parts carefully corrected with me, and if anyone wants to give me a nice rehearsal for the symphony after the full rehearsal, everything will be fine.
When Saint-Saens hit upon the idea of adding an organ and a piano to the usual orchestral scoring is not known. The idea of adding an organ part to a secular orchestral work intended for the concert hall was thoroughly novel - and not without controversy. On the other hand, Franz Liszt, whose music Saint-Saens' Symphony is so close to, had already demonstrated that the organ could easily be an orchestral instrument in his symphonic poem Hunnenschlacht (1856/57). There was also a model for the piano duet part which Saint-Saens knew and may possibly have used quite consciously as an exemplar: theFantaisie sur la Tempetefrom the lyrical monodrama Lelio, ou le retour a la Vie op. 14bis (1831) by Berlioz. The name of the organist at the premiere ist unknown, as, incidentally, was also the case with many of the later performances; the organ part is indeed not soloistic, but should be understood as part of the orchestral texture.
In fact the subsequent success of the symphony seems to have represented a kind of breakthrough for the composer, who was then over 50 years of age.My dear composer of a famous symphony, wrote Saint-Saens' friend and pupil Gabriel Faure:You will never be able to imagine what a pleasure I had last Sunday [at the second performance on 16 January 1887]! And I had the score and did not miss a single note of this Symphony, which will endure much longer than we two, even if we were to join together our two lifespans!
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
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| French Piano Music: The Ultimate Collection, Part 2 Piano solo CD Sheet Music
SKU: SU.00220526 Composed by Claude Debussy and Gabriel Faure. Keyboard, ...(+)
SKU: SU.00220526 Composed by Claude Debussy and Gabriel Faure. Keyboard, Piano/Harpsichord. CD (PDF Scores). CD Sheet Music #00220526. Published by CD Sheet Music (SU.00220526). Voice, Flute, Clarinet, Piano, Violin, Cello Duration: 16' Sephardic Songbook (translated by the composer) 1. A la una nacà yo (At one I was born); 2. El mi querido bevió vino (My lover drank wine); 3. Al kenar de la nixava (Around the corner); 4. Pregoneros van y vienen (Town criers come and go); 5. Una matica de ruda (A little plant of rue); 6. Dolores tiene la reina (The queen has pains); 7. Avridme galanica (Open up for me, beautiful girl) Full Score and Parts: available on rental Composed: 1999 Published by: Subito Music Publishing. $20.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Short Classical Clarinet Pieces Clarinet and Piano Chester
Composed by Various Artists. Music Sales America. Classical. Book Only. 48 pages...(+)
Composed by Various Artists. Music Sales America. Classical. Book Only. 48 pages. Chester Music #MUSCH71841. Published by Chester Music
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