By F.R. Hrabal. For clarinet, 2 violins, viola (cello) and piano. Winds, Strings and Piano. Quintets. Romantic. Score and set of parts. Published by Rosewood Publications

For Piano. Composed by Stacy Garrop. Sws. Duration 5 minutes. Theodore Presser Company #110-41832. Published by Theodore Presser Company

Wq. 95. By Carl Philipp Emanuel Bach. Edited by Don Stewart. For Arranged for Piano and Wind Quintet by Harold Fink. This edition: Score & Parts. Duration 15:00. Published by Trillenium Music Company.

18 Beloved Masterpieces for Solo Piano. Composed by Various. Arranged by Lee Evans. Piano Solo Songbook. Softcover Audio Online. Published by Hal Leonard

with a Critical Commentary in English. By Johannes Brahms. Edited by Margit L. McCorkle. Piano (Harpsichord), 2-hands. Pages: VIII and 156. Urtext edition-paper bound. Published by G. Henle.

(Easy Arrangements for Brass Quartet, Quintet or Sextet) Arranged by Larry Moore. Performance part for keyboard/piano (as part of brass quintet). 32 pages. Published by Hal Leonard. (HL.50485215)

By Johannes Brahms. String ensembles without piano. Published by International Music Co.

Piano; Piano/Keyboard (Piano)

SKU: HL.49007117

Piano Solo. Composed by Hans Werner Henze. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Composed 1984. 5 pages. Duration 2'. Schott Music #ED7293. Published by Schott Music (HL.49007117).

ISBN 9790001076227. UPC: 073999282931. 9.0x12.0x0.036 inches.

The director-producer Volker Schlondorff added the string sextet version of the elegiac piano piece Une petite phrase (with variations by students of Henze's composition class in Cologne) to the Marcel Proust adaptation of Un amour de Swann.

Piano SKU: HU.HN440 Composed by Johannes Brahms. Edited by Ernst Herttrich, Hans Kann, Margit L. McCorkle, and Sonja Gerlach. Piano Solo, Piano and Keyboard, Repertoire, Collections. Variations for Piano. Classical, Romantic. Softcover Book. 163 pages. G. Henle #HN440. Published by G. Henle (HU.HN440).

Piano and string quintet (2 violins, viola, cello and double bass) - intermediate

SKU: HL.49008314

Composed by Zimmermann. Arranged by Bernd Alois Zimmermann. Sheet music. Edition Schott. Classical. Score and Parts. Composed 1950. 30 pages. Duration 8'. Schott Music #ED 9126. Published by Schott Music (HL.49008314).

ISBN 9790001126267. 9.0x12.0x0.124 inches.

Until his appointment as composition teacher at the Musikhochschule ofCologne in 1957, Bernd Alois Zimmermann earned his living chiefly byarranging works of other composers for the radio. Vier Bearbeitungen (FourArrangements) for the Ellegiers Sextet was written at the WDR in Cologne at that time. Zimmermann held the concertmaster Ellegiers in high esteem because of his profound musicality and arranged about twenty pieces for his ensemble between 1949 and 1952. The three Schubert arrangements'Sehnsuchtswalzer', 'Landler' and 'Moments musicaux', as well as 'Traumerei' from Kinderszenen Op. 15 by Robert Schumann show very clearly how popular these works were in the radio programme of the broad-casting station.

Piano

SKU: BR.EB-9253

Composed by Helmut Lachenmann. Solo instruments; stapled. Edition Breitkopf.

World premiere of the orchestral version: Stuttgart, January 1, 2018World premiere of the piano version: Mito, June 17, 2017

Have a look into EB 9283.

New music (post-2000). Score. Composed 2016/17/20. 12 pages. Duration 8'. Breitkopf and Haertel #EB 9253. Published by Breitkopf and Haertel (BR.EB-9253).

ISBN 9790004185537. 9 x 12 inches.

Marche fatale is an incautiously daring escapade that may annoy the fans of my compositions more than my earlier works, many of which have prevailed only after scandals at their world premieres. My Marche fatale has, though, little stylistically to do with my previous compositional path; it presents itself without restraint, if not as a regression, then still as a recourse to those empty phrases to which modern civilization still clings in its daily utility music, whereas music in the 20th and 21st centuries has long since advanced to new, unfamiliar soundscapes and expressive possibilities. The key term is banality. As creators we despise it, we try to avoid it - though we are not safe from the cheap banal even within new aesthetic achievements.Many composers have incidentally accepted the banal. Mozart wrote Ein musikalischer Spass [A Musical Jape], a deliberately amateurishly miscarried sextet. Beethoven's Bagatellen op. 119 were rejected by the publisher on the grounds that few will believe that this minor work is by the famous Beethoven. Mauricio Kagel wrote, tongue in cheek, so to speak, Marsche, um den Sieg zu verfehlen [Marches for being Unvictorious], Ligeti wrote Hungarian Rock; in his Circus Polka Stravinsky quoted and distorted the famous, all too popular Schubert military march, composed at the time for piano duet. I myself do not know, though, whether I ought to rank my Marche fatale alongside these examples: I accept the humor in daily life, the more so as this daily life for some of us is not otherwise to be borne. In music, I mistrust it, considering myself all the closer to the profounder idea of cheerfulness having little to do with humor. However: Isn't a march with its compelling claim to a collectively martial or festive mood absurd, a priori? Is it even music at all? Can one march and at the same time listen? Eventually, I resolved to take the absurd seriously - perhaps bitterly seriously - as a debunking emblem of our civilization that is standing on the brink. The way - seemingly unstoppable - into the black hole of all debilitating demons: that can become serene. My old request of myself and my music-creating surroundings is to write a non-music, whence the familiar concept of music is repeatedly re-defined anew and differently, so that derailed here - perhaps? - in a treacherous way, the concert hall becomes the place of mind-opening adventures instead of a refuge in illusory security. How could that happen? The rest is - thinking.(Helmut Lachenmann, 2017)CD (Version for Piano):Nicolas Hodges CD Wergo WER 7393 2 Bibliography:Ich bin nicht ,,pietistisch verformt. Ein Gesprach [von Jan Brachmann] mit dem Komponisten Helmut Lachenmann, in: FAZ vom 7. Juni 2018, p. 15.

World premiere of the piano version: Mito/Japan, June 17, 2017, World premiere of the orchestral version: Stuttgart, January 1, 2018, World premiere of the ensemble version: Frankfurt, December 9, 2020.

By Arnold Schoenberg. String ensembles without piano. Published by International Music Co.

Piano

SKU: BT.CM168

Composed by Roderick Elms. Classical. Book Only. Composed 2014. Camden Music #CM168. Published by Camden Music (BT.CM168).

Twelve Astrological Preludes were written over a period of roughly two years and several were broadcast on BBC Radio 2's Friday Night is Music Night as well as in other concerts. Aquarius was written in 1994 as a filler to apopular BBC solo piano series of the time called At the Piano. It was named Aquarius for programming purposes and as Elms left the studio the producer called after him 'Only eleven to go' and so Twelve Astrological Preludes cameinto being.

The preludes, which run in the usual cycle, are based upon two melodic strands and there is one piece in each of the twelve major keys. The character and style of each
prelude alludes to certaincharactertraits of its particular birth sign and each piece bears the initials of a friend born under that particular sign.
Each prelude is prefaced by a printed description of some of the general characteristics deemed to beassociated with that sign. These are, of course, generalisations! Some preludes show a little deference to some of my favourite 'masters'.

Elms has recorded Twelve Astrological Preludes for the Herald label and they areavailable on the CD Moody Moves together with other pieces of his chamber music including the piano sextet from which the CD takes its name. More information is available at masterkeyboards.co.uk.