For 2 Sopranos, S.A.T.B. Chorus, and Orchestra (Piano Reduction). By Adolphus Hailstork. Choir (SATB, keyboard). For SATB Chorus, Piano Reduction, Soprano I, Soprano II. This edition: Pre-publication Interim Draft. Choral. Piano/Vocal Score. Composed 1991. 57 pages. Duration 12:00. Published by Theodore Presser Company.

(2+1.2.2.2/4.2.3.0,timp,perc,str,pf solo)

SKU: TM.00073SET

Composed by Charles-Camille Saint-Saens. Set Type: D. Set of parts. Lucks Music Library #A1960. Published by Lucks Music Library (TM.00073SET).

Transposed: Cl 1&2. Orig. Cls in A & Bb. Solo/pf. (Reduction is not for 1 piano with 2 hands.) Clothbound score.

6 soli, 6 speakers, SSA choir, piano 2-4 hands - Level 2

SKU: CA.5003711

Komisches Singspiel in Versen fur Kinder. Composed by Josef Gabriel Rheinberger. Edited by Harald Wanger. Children's music and musicals. German title: Der arme Heinrich. Ouverture. Cantatas and Singspiele for children, Secular choral music. Single Part, Violin 1. Composed 1883. Op. 37. 8 pages. Duration 45 minutes. Carus Verlag #CV 50.037/11. Published by Carus Verlag (CA.5003711).

ISBN 9790007222840. Language: German. Text: Bonn, Franz. Text: Franz Bonn.

Score available separately - see item CA.5003700.

Violin 1 (0.0.0.0 - 0.1.0.0 - perc(3) - ratchet rattle.nightingale.cuckoo.quail - str(without va))

SKU: BR.OB-4905-15

Berchtolsgaden. Composed by Leopold Mozart. Edited by Gustave Sandre. Arranged by Gustave Sandre. Stapled. Orchester-Bibliothek (Orchestral Library). The piano versions of the Children's Symphony have been part of Breitkopf's orchestral materials for over a hundred years now. They are not merely piano parts, however, but full-blooded reductions for piano twohands or four-hands. Symphony; Early classical. Part. 4 pages. Duration 11'. Breitkopf and Haertel #OB 4905-15. Published by Breitkopf and Haertel (BR.OB-4905-15).

ISBN 9790004324448. 9 x 12 inches.

The work, originally titled Berchtolsgader-Musik, goes back to the Cassatio ex G by Leopold Mozart, whose movements 3, 4 and 7 are identical to the Kinder-Symphonie [Children's Symphony]. For a long time, the authorship of the work was uncertain. It was attributed to Joseph Haydn and his brother Michael, at times also to Edmund Angerer and Leopold Mozart's pupil Johann Rainprechter. The work probably first received the designation Kinder-Symphonie in 1813 through an edition by the music publisher Hofmeister.In the Children's Symphony, a cuckoo, a quail and other unusual instruments are used in addition to the usual orchestral scoring. These belong to the Berchtesgaden instruments: flutes, whistles and rattles carved from wood, manufactured in the Berchtesgaden region and widely used as children's toys throughout the country. Today, these instruments can also be replaced by flutes, whistles as well as ratchets, rattles or bell trees.

The piano versions of the Children's Symphony have been part of Breitkopf's orchestral materials for over a hundred years now. They are not merely piano parts, however, but full-blooded reductions for piano twohands or four-hands.

Basso (cello/double bass) (0.0.0.0 - 0.1.0.0 - perc(3) - ratchet rattle.nightingale.cuckoo.quail - str(without va))

SKU: BR.OB-4905-26

Berchtolsgaden. Composed by Leopold Mozart. Edited by Georg Sandre. Arranged by Gustave Sandre. Stapled. Orchester-Bibliothek (Orchestral Library). The piano versions of the Children's Symphony have been part of Breitkopf's orchestral materials for over a hundred years now. They are not merely piano parts, however, but full-blooded reductions for piano twohands or four-hands. Symphony; Early classical. Part. 4 pages. Duration 11'. Breitkopf and Haertel #OB 4905-26. Published by Breitkopf and Haertel (BR.OB-4905-26).

ISBN 9790004324462. 9 x 12 inches.

The work, originally titled Berchtolsgader-Musik, goes back to the Cassatio ex G by Leopold Mozart, whose movements 3, 4 and 7 are identical to the Kinder-Symphonie [Children's Symphony]. For a long time, the authorship of the work was uncertain. It was attributed to Joseph Haydn and his brother Michael, at times also to Edmund Angerer and Leopold Mozart's pupil Johann Rainprechter. The work probably first received the designation Kinder-Symphonie in 1813 through an edition by the music publisher Hofmeister.In the Children's Symphony, a cuckoo, a quail and other unusual instruments are used in addition to the usual orchestral scoring. These belong to the Berchtesgaden instruments: flutes, whistles and rattles carved from wood, manufactured in the Berchtesgaden region and widely used as children's toys throughout the country. Today, these instruments can also be replaced by flutes, whistles as well as ratchets, rattles or bell trees.

The piano versions of the Children's Symphony have been part of Breitkopf's orchestral materials for over a hundred years now. They are not merely piano parts, however, but full-blooded reductions for piano twohands or four-hands.

Horn and orchestra (0.0.0.0 - 0.1.0.0 - perc(3) - ratchet rattle.nightingale.cuckoo.quail - str(without va))

SKU: BR.PB-4905

Berchtolsgaden. Composed by Leopold Mozart. Edited by Georg Sandre. Arranged by Gustave Sandre. Orchestra; stapled. Partitur-Bibliothek (Score Library).

The piano versions of the Children's Symphony have been part of Breitkopf's orchestral materials for over a hundred years now. They are not merely piano parts, however, but full-blooded reductions for piano twohands or four-hands.

Symphony; Early classical. Full score. 8 pages. Duration 11'. Breitkopf and Haertel #PB 4905. Published by Breitkopf and Haertel (BR.PB-4905).

ISBN 9790004207017. 9 x 12 inches.

The work, originally titled Berchtolsgader-Musik, goes back to the Cassatio ex G by Leopold Mozart, whose movements 3, 4 and 7 are identical to the Kinder-Symphonie [Children's Symphony]. For a long time, the authorship of the work was uncertain. It was attributed to Joseph Haydn and his brother Michael, at times also to Edmund Angerer and Leopold Mozart's pupil Johann Rainprechter. The work probably first received the designation Kinder-Symphonie in 1813 through an edition by the music publisher Hofmeister.In the Children's Symphony, a cuckoo, a quail and other unusual instruments are used in addition to the usual orchestral scoring. These belong to the Berchtesgaden instruments: flutes, whistles and rattles carved from wood, manufactured in the Berchtesgaden region and widely used as children's toys throughout the country. Today, these instruments can also be replaced by flutes, whistles as well as ratchets, rattles or bell trees.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cabasa, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Tambourine, Timpani and more. - Grade 2.5

SKU: CF.YPS212

Composed by Larry Clark. Young Band (YPS). Set of Score and Parts. With Standard notation. 16+4+8+8+4+4+10+4+4+8+8+8+12+6+6+2+2+4+10+20+4 pages. Duration 3 minutes, 39 seconds. Carl Fischer Music #YPS212. Published by Carl Fischer Music (CF.YPS212).

ISBN 9781491152317. UPC: 680160909810. Key: C minor.

Taking its title from a poem about grief and loss by Chrissie Pinney, Live On honors the life of band director Linda Mann, to whom the piece is dedicated. The piece begins with a pensive intro before shifting to a whimsical theme that brings about happy thoughts of a life well-lived. After a return to the poignant opening material, the music surges to a triumphant conclusion based on an augmented version of the whimsical theme.
Live On was commissioned by Diplomat Middle School's staff, faculty and students, in Cape Coral, Florida, and is dedicated to the memory of their Director of Bands, Linda Mann. Director of Orchestras, Roland Forti, championed the commissioning of this piece to honor the life of Linda after her untimely passing in February of 2017. Linda Mann’s impact on the field of music education was profound and wide-reaching. She was a beloved member of the staff at Diplomat Middle School, as well as the music community of Cape Coral and the state of Florida. Linda was highly respected throughout the state, serving as recent past-president of the Florida Bandmasters Association.In discussing the type of piece the school wanted to honor Ms. Mann, they indicated the piece should “depict Linda’s personality: dynamic, sassy, yet thoughtful and almost mentor-like.” They wanted a piece that was upbeat, yet still had moments that were thoughtful, portraying the grief that the Diplomat Middle School community has suffered from the sudden loss of such a beloved teacher.After contemplating their thoughts, I did some research to find inspiration for the piece. This led me to poetry about grief and loss. In time, I stumbled upon a short, yet poignant poem that I felt perfectly depicted the sentiment that I wanted the piece to convey.  That poem is entitled Live On by Chrissie Pinney.Live OnNow as I live onWithout youI hope to keepThe pieces of youThat I loved so dearlyYour mannerismsAnd compassionate characterAnd smiles through struggleSo that youMay live on too -Chrissie PinneyI reached out to Ms. Pinney, and she graciously agreed to allow me to quote her powerful poem in these notes. She expressed that she was deeply touched that her work would inspire me to write a piece in honor of Linda Mann.The piece begins with a poignant, pensive opening section. The use of the musical interval of a tritone between the first two openly voiced chords are used to represent the sadness we all feel from this type of loss. When I sat in front of my piano and started to work on this piece, my hands seemed to naturally and immediately play these first two chords, which set the process in motion of composing the piece.After the somber opening, the piece shifts to a whimsical theme that I hope brings about happy thoughts of Linda and her personality. It was also my intent, however, to include some musical dissonance in the theme that still reflected the bittersweet loss at the same time. The piece develops into a secondary theme that is a quasi inversion of the main fast theme. This section is followed by a return of the opening material, with snippets of the fast theme intertwined, before the piece builds to a triumphant, augmented presentation of the main theme in a lush form to complete the work.It is my hope that in some small way, this piece will bring comfort to those affected by the loss of Linda Mann, and that the music will allow her memory to Live On.–Larry ClarkLakeland, FL 2017.