SKU: TM.06956SET
Prelude, Menuet, Clair de Lune, Pasapied. hp/pf in P/C only. Hp/pf in 1st and 3rd movements only.
SKU: TM.07991SET
SKU: TM.07989XPC
SKU: CY.CC2578
The Cello Sonata No. 2 was published in 1887, more than 20 years after his first. The Sonata is dedicated to Robert Hausmann who had premiered the 1st Sonata and was a collaborator with Joseph Joachim in the premier of the Double Concerto.The work is in four movements:Allegro vivaceAdagioAllegro passionataAllegro molto (rondo)Sonata No. 2 is a major work of over 30 minutes in length, having been exquisitely arranged by Ralph Sauer for advanced performers,Cherry Classics is the distributor for Balquhidder Music.
SKU: CA.3530269
ISBN 9790007311629. German.
None other than Johann Sebastian Bach arranged Giovanni Battista Pergolesi’s well-known Stabat Mater for performances at Leipzig’s Thomaskirche. Bach replaced the old liturgical sequence of the original with a rhymed version in German of the 51st Psalm, Tilge, Höchster, meine Sünden (God, annull all my transgression) (available from Carus under Carus 35.302).Both Pergolesi’s composition and Bach’s arrangement have only two solo vocal parts (soprano and alto). As early as the 18th century, the tradition developed of performing individual movements of the Stabat mater chorally, since some movements literally demand a choir. The presented edition now also offers this possibility for Bach’s version Tilge, Höchster, meine Sünden. Jörn Bartels has created choral versions for verses 3, 5-7 and 10-15 by adding male voices based on the basso continuo as well as Bach’s original viola part.- Bach's adaptation of the poignant Stabat Mater by Pergolesi- Suitable for small choirs and ensembles. Score and parts available separately - see item CA.3530200.
SKU: CA.3530255
ISBN 9790007302696. German.
None other than Johann Sebastian Bach arranged Giovanni Battista Pergolesi’s well-known Stabat Mater for performances at Leipzig’s Thomaskirche. Bach replaced the old liturgical sequence of the original with a rhymed version in German of the 51st Psalm, Tilge, Höchster, meine Sünden (God, annull all my transgression) (available from Carus under Carus 35.302).Both Pergolesi’s composition and Bach’s arrangement have only two solo vocal parts (soprano and alto). As early as the 18th century, the tradition developed of performing individual movements of the Stabat mater chorally, since some movements literally demand a choir. The presented edition now also offers this possibility for Bach’s version Tilge, Höchster, meine Sünden. Jörn Bartels has created choral versions for verses 3, 5-7 and 10-15 by adding male voices based on the basso continuo as well as Bach’s original viola part.- Bach's adaptation of the poignant Stabat Mater by Pergolesi- Suitable for small choirs and ensembles. Score available separately - see item CA.3530200.
SKU: CA.3530250
ISBN 9790007302689. German.
SKU: EC.RBM-103A
UPC: 688670440052.
This carol medley was commissioned by the Dallas Symphony Orchestra in 1992 and has been performed nationwide on Holiday and Christmas programs- both in the concert hall and for church-based presentations.
The following four carols appear, without interruption, in this manner:Shiloh (William Billings)Joy To the WorldSilent Night (German / English)Angels We Have Heard On High.
SKU: MN.56-0076
UPC: 688670220791. Latin.
This mass setting was commissioned by the Friends of Christ Church Cathedral, Oxford and first performed on Ascension Sunday, 1994. Suitable for both church and concert use, the music is both lyrical and dramatic. The ââ¬ÅBenedictusââ¬Â is for SATB divisi and begins with a short 6/8 declamation, then moves into a section where the rhythmic idea is set in a sort of off-the-beat fashion, with all parts divisi playing against each other. A unison section with the off-the-beat motif follows. A majestic ââ¬ÅHosannaââ¬Â follows. The ââ¬ÅAgnus Deiââ¬Â is set in a rubato triple meter in a homophonic style with close chords (also divisi.) At the ââ¬Åmiserere,ââ¬Â the choir 1/choir 2 call and response motif from the ââ¬ÅGloriaââ¬Â returns. That same motif continues into the ââ¬Ådona nobis pacem,ââ¬Â as the movement (and the entire Mass) ends with a long decrescendo into a quiet call, ââ¬ÅPacem.ââ¬Â Duration 7:33.
SKU: MN.56-0106
UPC: 688670221231. English, Latin.
Invictus: A Passion addresses one of the world’s most powerful stories through the lens of the modern world. The texts, written or inspired by women, describe not only human suffering and persecution but also the human capacity for love and humility in the face of tyranny. Composer Howard Goodall is uniquely suited to bring these texts to life with music of emotional clarity and sweeping force. This movement, scored for soprano solo, SATB choir and piano, expresses the unimaginable pain felt by a mother seeing her child torn away from her at a slave auction. To this harrowing account are appended the words of William Wilberforce, spoken in the House of Commons on 18th April 1791, “You may choose to look the other way but you can never say again that you did not know.†Duration 6:47.
SKU: MN.CH-1243
(Vocal Jazz Suite) Commissioned for the Gregg Smith Singers 40th Anniversary. A three movement Vocal Jazz Suite that was inspired by many composers and arrangers of many dispirit styles of music - from the Baroque period through the most sophisticated, modern jazz era. Suite contains: 1. Red Hot!, 2. Green Peace, 3. Blue Ice.
SKU: MN.56-0029
UPC: 688670220340. Latin. Matthew 5:3-11.
Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For solo and unison voices, cello, and organ, the music has a light, ethereal feeling. The text is in Latin. Appropriately for the title, this movement has the simplest construction of any of the Beatitude pieces. An angular but comfortable vocal line is sung first by the soloist and then by an increasing number of voices. The organ and muted cello accompany with a sustained, almost cantus-firmus-like line. Peaceful, legato, and sublime. Duration 4:30
SKU: MN.56-0073
UPC: 688670220760. Latin.
This mass setting was commissioned by the Friends of Christ Church Cathedral, Oxford and first performed on Ascension Sunday, 1994. Suitable for both church and concert use, the music is both lyrical and dramatic. The ââ¬ÅGloriaââ¬Â is set for SATB divisi (all parts divide) in a quick and rhythmic mixed meter. The movement begins with a sort of call and response where Choir 1 states a motif and Choir 2 responds with the same motif (sometimes at a different pitch level.) A soloist begins the middle section, Piu Allegro (ââ¬ÅQui tollisââ¬Â) and the first material returns, but in unison this time, at ââ¬ÅJesu Christe.ââ¬Â Duration 5:30.
SKU: MN.70-200
UPC: 688670702006.
This hymn festival provides a unique experience in hymn singing. The congregation and choir sing ten hymns from various Christian traditions. The accompaniments are arranged for organ or piano, and several of the hymn settings include optional handbells and timpani. The accompanying narration provides commentary on the words and deeds of Jesus and also creates a transition from one hymn to the next. This spiral-bound edition allows for reproduction of handbell and timpani parts, narrator pages, and congregation pages. Organist plays from the hymn festival score (70-200A). All instrumental parts, narrator pages, and congregation pages are included in the full score. Contents: Alleluia! Sing to JesusLord, When You Came to JordanJesus Calls Us O'er the TumultThough I May Speak with Bravest FireThis Little Light of MineThe Lord's My Shepherd, I'll Not WantBe Thou My VisionAll Who Hunger, Gather GladlyChrist Is Risen! Should Hosanna!Go, My Children with My Blessing.
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