| String Quartet No. 3 String Quartet: 2 violins, viola, cello Theodore Presser Co.
Chamber Music String Quartet SKU: PR.164002720 Cassatt. Composed b...(+)
Chamber Music String Quartet SKU: PR.164002720 Cassatt. Composed by Dan Welcher. Spiral and Saddle. Premiere: Cassatt Quartet, Northeastern Illinois University, Chicago, IL. Contemporary. Set of Score and Parts. With Standard notation. Composed 2007. WRT11142. 52+16+16+16+16 pages. Duration 24 minutes. Theodore Presser Company #164-00272. Published by Theodore Presser Company (PR.164002720). UPC: 680160573042. 8.5 x 11 inches. My third quartet is laid out in a three-movement structure, with each movement based on an early, middle, and late work of the great American impressionist painter Mary Cassatt. Although the movements are separate, with full-stop endings, the music is connected by a common scale-form, derived from the name MARY CASSATT, and by a recurring theme that introduces all three movements. I see this theme as Mary's Theme, a personality that stays intact while undergoing gradual change. I The Bacchante (1876) [Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania] The painting shows a young girl of Italian or Spanish origin, playing a small pair of cymbals. Since Cassatt was trying very hard to fit in at the French Academy at the time, she painted a lot of these subjects, which were considered typical and universal. The style of the painting doesn't yet show Cassatt's originality, except perhaps for certain details in the face. Accordingly the music for this movement is Spanish/Italian, in a similar period-style but using the musical signature described above. The music begins with Mary's Theme, ruminative and slow, then abruptly changes to an alla Spagnola-type fast 3/4 - 6/8 meter. It evokes the Spanish-influenced music of Ravel and Falla. Midway through, there's an accompanied recitative for the viola, which figures large in this particular movement, then back to a truncated recapitulation of the fast music. The overall feeling is of a well-made, rather conventional movement in a contemporary Spanish/Italian style. Cassatt's painting, too, is rather conventional. II At the Opera (1880) [Museum of Fine Arts, Boston, Massachusetts] This painting is one of Cassatt's most well known works, and it hangs in the Museum of Fine Arts in Boston. The painting shows a woman alone in a box at the opera house, completely dressed (including gloves) and looking through opera glasses at someone or something that is NOT on the stage. Across the auditorium from her, but exactly at eye level, is a gentleman with opera glasses intently watching her - though it is not him that she's looking at. It's an intriguing picture. This movement is far less conventional than the first movement, as the painting is far less conventional. The music begins with a rapid, Shostakovich-type mini-overture lasting less than a minute, based on Mary's Theme. My conjecture is that the woman in the painting has arrived late to the opera, busily stumbling into her box. What happens next is a kind of collage, a kind of surrealistic overlaying of two different elements: the foreground music, at first is a direct quotation of Soldier's Chorus from Gounod's FAUST (an opera Cassatt would certainly have heard in the brand-new Paris Opera House at that time), played by Violin II, Viola, and Cello. This music is played sul ponticello in the melody and col legno in the marching accompaniment. On top of this, the first violin hovers at first on a high harmonic, then descends into a slow melody, completely separate from the Gounod. It's as if the woman in the painting is hearing the opera onstage but is not really interested in it. Then the cello joins the first violin in a kind of love-duet (just the two of them, at first). This music isn't at all Gounod-derived; it's entirely from the same scale patterns as the first movement and derives from Mary's Theme and its scale. The music stays in a kind of dichotomy feeling, usually three-against-one, until the end of the movement, when another Gounod melody, Valentin's aria Avant de quitter ce lieux reappears in a kind of coda for all four players. It ends atmospherically and emotionally disconnected, however. The overall feeling is a kind of schizophrenic, opera-inspired dream. III Young Woman in Green, Outdoors in the Sun (1909) [Worcester Art Museum, Massachusetts] The painting, one of Cassatt's last, is very simple: just a figure, looking sideways out of the picture. The colors are pastel and yet bold - and the woman is likewise very self-assured and not in the least demure. It is eight minutes long, and is all about melody - three melodies, to be exact (Young Woman, Green, and Sunlight). No angst, no choppy rhythms, just ever-unfolding melody and lush harmonies. I quote one other French composer here, too: Debussy's song Green, from Ariettes Oubliees. 1909 would have been Debussy's heyday in Paris, and it makes perfect sense musically as well as visually to do this. Mary Cassatt lived her last several years in near-total blindness, and as she lost visual acuity, her work became less sharply defined - something akin to late water lilies of Monet, who suffered similar vision loss. My idea of making this movement entirely melodic was compounded by having each of the three melodies appear twice, once in a pure form, and the second time in a more diffuse setting. This makes an interesting two ways form: A-B-C-A1-B1-C1. String Quartet No.3 (Cassatt) is dedicated, with great affection and respect, to the Cassatt String Quartet, whose members have dedicated themselves in large measure to the furthering of the contemporary repertoire for quartet. $53.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| String Quartet No. 3 String Quartet: 2 violins, viola, cello [Score] Theodore Presser Co.
String quartet String Quartet SKU: PR.16400272S Cassatt. Composed ...(+)
String quartet String Quartet SKU: PR.16400272S Cassatt. Composed by Dan Welcher. Premiere: Cassatt Quartet, Northeastern Illinois University, Chicago, IL. Contemporary. Full score. With Standard notation. Composed 2007. WRT11142. 52 pages. Duration 24 minutes. Theodore Presser Company #164-00272S. Published by Theodore Presser Company (PR.16400272S). UPC: 680160588442. 8.5 x 11 inches. My third quartet is laid out in a three-movement structure, with each movement based on an early, middle, and late work of the great American impressionist painter Mary Cassatt. Although the movements are separate, with full-stop endings, the music is connected by a common scale-form, derived from the name MARY CASSATT, and by a recurring theme that introduces all three movements. I see this theme as Mary's Theme, a personality that stays intact while undergoing gradual change. I The Bacchante (1876) [Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania] The painting shows a young girl of Italian or Spanish origin, playing a small pair of cymbals. Since Cassatt was trying very hard to fit in at the French Academy at the time, she painted a lot of these subjects, which were considered typical and universal. The style of the painting doesn't yet show Cassatt's originality, except perhaps for certain details in the face. Accordingly the music for this movement is Spanish/Italian, in a similar period-style but using the musical signature described above. The music begins with Mary's Theme, ruminative and slow, then abruptly changes to an alla Spagnola-type fast 3/4 - 6/8 meter. It evokes the Spanish-influenced music of Ravel and Falla. Midway through, there's an accompanied recitative for the viola, which figures large in this particular movement, then back to a truncated recapitulation of the fast music. The overall feeling is of a well-made, rather conventional movement in a contemporary Spanish/Italian style. Cassatt's painting, too, is rather conventional. II At the Opera (1880) [Museum of Fine Arts, Boston, Massachusetts] This painting is one of Cassatt's most well known works, and it hangs in the Museum of Fine Arts in Boston. The painting shows a woman alone in a box at the opera house, completely dressed (including gloves) and looking through opera glasses at someone or something that is NOT on the stage. Across the auditorium from her, but exactly at eye level, is a gentleman with opera glasses intently watching her - though it is not him that she's looking at. It's an intriguing picture. This movement is far less conventional than the first movement, as the painting is far less conventional. The music begins with a rapid, Shostakovich-type mini-overture lasting less than a minute, based on Mary's Theme. My conjecture is that the woman in the painting has arrived late to the opera, busily stumbling into her box. What happens next is a kind of collage, a kind of surrealistic overlaying of two different elements: the foreground music, at first is a direct quotation of Soldier's Chorus from Gounod's FAUST (an opera Cassatt would certainly have heard in the brand-new Paris Opera House at that time), played by Violin II, Viola, and Cello. This music is played sul ponticello in the melody and col legno in the marching accompaniment. On top of this, the first violin hovers at first on a high harmonic, then descends into a slow melody, completely separate from the Gounod. It's as if the woman in the painting is hearing the opera onstage but is not really interested in it. Then the cello joins the first violin in a kind of love-duet (just the two of them, at first). This music isn't at all Gounod-derived; it's entirely from the same scale patterns as the first movement and derives from Mary's Theme and its scale. The music stays in a kind of dichotomy feeling, usually three-against-one, until the end of the movement, when another Gounod melody, Valentin's aria Avant de quitter ce lieux reappears in a kind of coda for all four players. It ends atmospherically and emotionally disconnected, however. The overall feeling is a kind of schizophrenic, opera-inspired dream. III Young Woman in Green, Outdoors in the Sun (1909) [Worcester Art Museum, Massachusetts] The painting, one of Cassatt's last, is very simple: just a figure, looking sideways out of the picture. The colors are pastel and yet bold - and the woman is likewise very self-assured and not in the least demure. It is eight minutes long, and is all about melody - three melodies, to be exact (Young Woman, Green, and Sunlight). No angst, no choppy rhythms, just ever-unfolding melody and lush harmonies. I quote one other French composer here, too: Debussy's song Green, from Ariettes Oubliees. 1909 would have been Debussy's heyday in Paris, and it makes perfect sense musically as well as visually to do this. Mary Cassatt lived her last several years in near-total blindness, and as she lost visual acuity, her work became less sharply defined - something akin to late water lilies of Monet, who suffered similar vision loss. My idea of making this movement entirely melodic was compounded by having each of the three melodies appear twice, once in a pure form, and the second time in a more diffuse setting. This makes an interesting two ways form: A-B-C-A1-B1-C1. String Quartet No.3 (Cassatt) is dedicated, with great affection and respect, to the Cassatt String Quartet, whose members have dedicated themselves in large measure to the furthering of the contemporary repertoire for quartet. $38.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| One Day in Your Life [Score and Parts] - Easy Music Sales
4-Part Flexible Ensemble - early intermediate SKU: BT.1217-05-070-MS Arra...(+)
4-Part Flexible Ensemble - early intermediate SKU: BT.1217-05-070-MS Arranged by Roland Kernen. Music Box. Pop & Rock. Set (Score & Parts). Composed 2005. 16 pages. Music Sales #1217-05-070 MS. Published by Music Sales (BT.1217-05-070-MS). ISBN 9789043128735. 9x12 inches. English-German-French-Dutch. The female pop singer Anastacia, who was born in Chicago and grew up in New York City, is known for her somewhat sassy, strong voice timbre. Her infectious music varies from dance, R&B and rock to powerful ballads. The song One Day in Your Life, with its forceful beat, taken from her CD Freak of Nature, has been arranged for four-part flexible ensemble by Roland Kernen.
De popzangeres Anastacia, die werd geboren in Chicago en is opgegroeid in New York City, staat bekend om haar enigszins brutale, sterke stemgeluid. Haar aanstekelijke muziek varieert van dance, R&B en rock tot krachtige ballads. Hetnummer One Day in Your Life, met zijn stevige beat, is door Roland Kernen gearrangeerd voor vierstemmig variabel ensemble.
Die Popsängerin Anastacia, die in Chicago geboren wurde und in New York aufwuchs, ist bekannt für ihre etwas verruchte, kräftige Stimme. Ihre mitreißende Musik variiert von Dance über R&B und Rock bis zu kraftvollen Balladen. Das Lied One Day in Your Life mit seinem starken Beat stammt aus ihrer CD Freak of Nature und wurde von Roland Kernen für vierstimmig variable Besetzung bearbeitet.
Dotée d’une voix singulière, sensible et puissante, la chanteusepop Anastacia voit la musique sans carcan et interprète tous les styles. Le titre très rythmé One Day in Your Life est extrait de son album Freek of Nature. Roland Kernen en a réalisé un arrangement quatre voix pour ensemble instrumentation variable.
Dotata di una voce fuori dal comune, sensibile e potente, la cantante pop Anastacia vede la musica senza limiti e interpreta tutti gli stili. Il titolo molto ritmato One Day in your Life è tratto dal suo album Freek of Nature. Roland Kernen ne ha realizzato un arrangiamento a quattro voci per ensemble a strumentazione variabile. $36.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Learn Blues Guitar With 6 Great Masters (DVD and Booklet) Guitar [DVD] - Intermediate Hotlicks Videos
By Ronnie Earl / Buddy Guy. For Guitar. Hot Licks. Blues. Level: Intermediate. D...(+)
By Ronnie Earl / Buddy Guy. For Guitar. Hot Licks. Blues. Level: Intermediate. DVD (Region 0), Instrumental Tutor. Text language: English / French / German / Italian / Spanish. 12 pages. Published by Hotlicks Videos.
$19.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Buddy Guy - Teachin' the Blues Guitar Hal Leonard
Guitar SKU: HL.253934 From the Classic Hot Licks Video Series Newly Tr...(+)
Guitar SKU: HL.253934 From the Classic Hot Licks Video Series Newly Transcribed and Edited!. By Buddy Guy. By Grazyna Krzanowska. Hot Licks. Blues Instruction. Softcover Video Online. With guitar tablature. 72 pages. Hal Leonard #AM1014396. Published by Hal Leonard (HL.253934). ISBN 9781540013767. UPC: 888680719951. 9x12 inches. The legendary Hot Licks guitar instruction video series is being made available in book format with online access to all the classic video footage. This book/video provides a unique chance to learn from the greatest Chicago blues guitarist of them all. In these video lessons, Buddy Guy reveals what he learned from such legends as Jimmy Reed, T-Bone Walker, and Lightnin' Hopkins, among others. Includes 40 transcribed examples. You'll learn: 9th chord riffs and licks; playing lead style with fingers; how to emulate slide guitar; boogie riffs; piano-style rhythms; and much more. $19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Sonata for Solo Violin Violin Merion Music
Chamber Music Violin SKU: PR.144407530 Composed by Lauren Bernofsky. 12 p...(+)
Chamber Music Violin SKU: PR.144407530 Composed by Lauren Bernofsky. 12 pages. Duration 10 minutes, 30 seconds. Merion Music #144-40753. Published by Merion Music (PR.144407530). ISBN 9781491136614. UPC: 680160687992. A violinist herself, Lauren Bernofsky has described SONATA FOR SOLO VIOLIN as drawn from autobiographical inspiration, including gestures from Bachâ??s beloved Partita in E Major. Bernofsky opens with a Preludio movement whose references to Bach may be disguised, but they are surely lurking. The second movement is lusciously contrapuntal with the idiomatic finesse of a violinist composing for her own instrument, while musically journaling the emotional pain of living through 2020. The third and final movement is aptly marked â??white-hot,â? and the music certainly is. My SONATA FOR SOLO VIOLIN was commissioned by violinist Megan Healy as part of The Maud Powell Project, which celebrated the 100th anniversary of the ratification of the 19th Amendment. The project included the creation of five new works for solo violin inspired by and dedicated to the memory of pioneering American violinist Maud Powell (1867-1920). Healy premiered the sonata on May 8, 2021 at PianoForte Studios in Chicago.Among the works Powell most frequently performed in her recitals was the â??Preludioâ? movement from Bachâ??s E major Partita, and I decided to refer to that music in my own first movement, also titled â??Preludio.â? The beginning subtly reflects Bachâ??s opening three-note motive, wherein the music dips down a semitone and then comes back up. This melodic material returns throughout the movement in various forms. I also refer to Bachâ??s sixteenth-note dominated texture, and the gesture in the third measure, which outlines a perfect fifth and then fills it in with notes that alternate between a scale and a pedal tone. The corresponding passage in my piece occurs in the same place, measure 3. Apart from these references to Bach, my sonata is much more modern sounding, especially in its chromatic character.I was still thinking of Bachâ??s solo violin writing while composing the second movement, particularly the polyphonic nature of the slow movements, where the melodic interest moves around between the voices. Emotionally, I wanted my movement to reflect the acute sadness I had been experiencing over the political and social situation in the United States as I wrote the piece. I realized that this is a historically noteworthy time in U.S. history, marked not only by political unrest, but also by a challenge to the very values that I consider essential to what makes a person fundamentally human. I wanted to create a record of that pain in my music.The final movement is marked â??White-hot.â? It is imbued with a relentless, passionate intensity. Wanting again to reflect aspects of our own time, I included glissandi that refer to rock music, specifically the â??fall-offsâ? I frequently hear played by electric guitarists. I borrowed from another (completely different) musical tradition as well, one that is near-and-dear to my heart: Klezmer. Klezmer (Eastern European Jewish folk music) is characterized in part by scales colored by augmented seconds, and is often performed by solo instrumentalists who improvise embellishments like quick grace notes. The second, more lyrical theme in this movement is my nod to Klezmer style.While this piece is an homage to Maud Powell, I also think of it as my own musical autobiography, as it combines some of my favorite aspects of music, and is played on my own instrument. $12.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Real Book - Volume V Eb Instruments Hal Leonard
E-flat Edition. Composed by Various. Fake Book. Jazz. Softcover. 504 page...(+)
E-flat Edition. Composed by Various. Fake Book. Jazz. Softcover. 504 pages. Published by Hal Leonard (HL.175279).
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Let's Play Jazz and More * Book 2 Piano solo [Sheet music + CD] Santorella Publications
Let's Play Jazz and More * Book 2 composed by Jay Latulippe and Sonny Doss. For ...(+)
Let's Play Jazz and More * Book 2 composed by Jay Latulippe and Sonny Doss. For easy piano. This edition: Paperback. Instructional. Jazz Method. Book and CD. Text Language: English. 48 pages. Published by Santorella Publications
$14.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Learn to Play Blues Harmonica Harmonica Walton Music
Waltons Irish Music Books. Blues, Instruction. Softcover. 48 pages. Waltons Iri...(+)
Waltons Irish Music Books. Blues, Instruction. Softcover. 48 pages. Waltons Irish Music #WM1360. Published by Waltons Irish Music (HL.634005).
$16.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Fifteenth-Century Liturgical Music VI Stainer and Bell
Choir SKU: ST.EC49 Composed by Various. Edited by Reinhard Strohm. Librar...(+)
Choir SKU: ST.EC49 Composed by Various. Edited by Reinhard Strohm. Library Volumes. Transcribed and Edited by Reinhard Strohm. First published in 2007. Pages: 216. Format: Hardback. Dimensions (mm): 325 x 245 x 22. Choral Score. Stainer & Bell Ltd. #EC49. Published by Stainer & Bell Ltd. (ST.EC49). ISBN 9790220221613. Complemented by Professor Strohm's facsimile edition of the entire source by the University of Chicago Press, the publication of eight Mass settings from the Lucca Choirbook is a signal contribution to our understanding of the dissemination of English music in fifteenth-century Europe. Only two are ascribed, to Walter Frye and Henricus Tik, but the insular provenance of the music is confirmed on grounds of style, repertoire and performance procedure. None of the Masses is preserved complete, but three are unica, and three others have been completed from concordances reflecting the significant influence of native-born composers on European music at this time. $135.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| 24 Low Legato Studies for Trombone with F attachment Trombone Cherry Lane
Composed by William Bill Hill. Arranged by Charles Vernon. Classical. Score an...(+)
Composed by William Bill
Hill. Arranged by Charles
Vernon. Classical. Score and
Parts. Cherry Classics
#CC3022. Published by Cherry
Classics
$25.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The New Sammy Cahn Songbook Piano, Vocal and Guitar [Softcover] Cherry Lane Music
Composed by Sammy Cahn. For Piano/Vocal/Guitar. P/V/G Composer Collection. Softc...(+)
Composed by Sammy Cahn. For Piano/Vocal/Guitar. P/V/G Composer Collection. Softcover. 320 pages. Cherry Lane Music #VF1567. Published by Cherry Lane Music
$24.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Real Book - Volume V
Bb Instruments Hal Leonard
B-flat Edition. Composed by Various. Fake Book. Softcover. 504 pages. Publish...(+)
B-flat Edition. Composed by
Various. Fake Book.
Softcover. 504 pages.
Published by Hal Leonard
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Real Book - Volume V
C Instruments [Fake Book] Hal Leonard
(C Edition). By Various. By Various. For C Instruments. Fake Book. Softcover. 46...(+)
(C Edition). By Various. By Various. For C Instruments. Fake Book. Softcover. 464 pages. Published by Hal Leonard
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Jazz Guitar Etudes by Greg Fishman Guitar [Sheet music + CD] Greg Fishman Jazz Studios
By Greg Fishman. For Guitar. Play-Along (Book CD). Published by Greg Fishman Jaz...(+)
By Greg Fishman. For Guitar. Play-Along (Book CD). Published by Greg Fishman Jazz Studios
$24.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Quartet No. 22, K. 589 in B-flat for Trombone Quartet Brass Quartet: 4 trombones [Score and Parts] Cherry Classics
Trombone quartet - virtuoso SKU: CY.CC2855 Composed by Wolfgang Amadeus M...(+)
Trombone quartet - virtuoso SKU: CY.CC2855 Composed by Wolfgang Amadeus Mozart. Arranged by Charles Vernon. Classical. Score and parts. Published by Cherry Classics (CY.CC2855). String Quartet No. 22 in B-flat major, K. 589 was composed in May 1790 and is the second of the Prussian Quartets in four movements: 1. Allegro, 2. Larghetto, 3. Menuetto, 4. Allegro assai The quartet, written in the style of Haydn, is dedicated to Friedrich Wilhelm II, the King of Prussia, an amateur cellist. This excellent arrangement by Charles Vernon of the Chicago Symphony for Trombone quartet is about 24 minutes in length and is appropriate for virtuoso performers. $42.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Cantate Domino Choral SATB Paraclete Press
SATB choir choral score, Brass Quintet and Organ - Medium SKU: PL.9605 Co...(+)
SATB choir choral score, Brass Quintet and Organ - Medium SKU: PL.9605 Composed by David Ashley White. Cathedral/Parish. Choral, Festival, General. Choral score. Paraclete Press #9605. Published by Paraclete Press (PL.9605). This exciting work was the winner of the Sesquicentennial Composition Competition sponsored by St. Paul's United Church of Christ in Chicago. Dr. White combines traditional harmonic style with refreshing changes of mode and dynamics. The brass and organ parts are quite vibrant, as Dr. White uses their range and dynamic capabilities to the fullest potential. This festive work would serve well in a concert program as well as a worship service. $3.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Alec Wilder - 25 Songs for Solo Voice Medium voice, Piano TRO - The Richmond Organization
Medium Voice and Piano. By Alec Wilder. Vocal Collection. Size 9x12 inches. 92 p...(+)
Medium Voice and Piano. By Alec Wilder. Vocal Collection. Size 9x12 inches. 92 pages. Published by Tro - The Richmond Organization.
(1)$22.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Learn to Play Blues Harmonica Harmonica [Sheet music + CD] Walton Music
Waltons Irish Music Books. Blues, Instruction. Softcover with CD. 48 pages. Walt...(+)
Waltons Irish Music Books. Blues, Instruction. Softcover with CD. 48 pages. Waltons Irish Music #WM1361CD. Published by Waltons Irish Music
$20.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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