SKU: HL.102781

UPC: 884088676568. 6.75x10.5 inches.

Get the party started on your stage tonight with the irresistible #1 song by American electro duo LMFAO. From the opening fist-pumping drum groove, to the riveting synth chords and powerful vocals, this mega-hit is unstoppable!

SKU: BA.BA11397

ISBN 9790006568598. 39.7 x 21 cm inches. Text Language: English. Text: Bergling, Tim / James, Etta / Woods, Pearl / Kirkland, Leroy / Pournouri, Ash.

“Oh, sometimes I get a good feeling, yeah
Get a feeling that I never, never, never, never had before …”

In its original form, “Levels” is more of an instrumental number featuring a short passage from a song by soul-singer Etta James. The energy of this exhilarating electro-pop piece with the inimitable Avicii sound is an ear-catching delight and brings audiences to their feet: a good time is guaranteed!


The editor:

Hans Vainikainen (b. 1976) hails from a new generation of conductors in the Swedish choral tradition. His conducting repertoire covers a wide range of genres and eras, from Mahler’s Eighth Symphony to the Swedish DJ Avicii. In 2005 he won the Swedish Conductors’ Prize, and two years later he was appointed artistic director of the Katarina kyrka, the home of Katarinakörerna, one of Sweden’s largest choral societies.

Hans Vainikainen heads Stockholm’s Katarinakörerna with more than 500 singers in various combinations. Their programmes cover both sacred and secular music. In his search for suitable arrangements, his eye fell on one the world’s best-known pop artists, Tim Bergling, known professionally as Avicii. He then arranged three of Avicii’s best songs for classical choirs, intending them to be encore pieces.

“Hey Brother”, “Levels” and “Without you” are now available for six-part mixed or female choir. The arrangements offer a wide variety of vocal and choral possibilities and attention has been paid that all parts are of the same musical standard. Whether homophonic or unisono, they artfully intertwine from one passage to the next. However, for all their sophistication the arrangements remain manageable and easy to learn, displaying the typical groove of each Avicii song within a multi-layered texture.

SKU: BT.DHP-0940581-015

The Pet Shop Boys are one of the finest examples of an English electro pop group. Since their formation in the early 1980s they have had 38 top 40 hits in the UK and are still often in the charts today. This highly inventive duo owes their long-term career to the ability to bridge melodic pop and dance music with intelligence and style. Go West was one of their hits from 1993 and this arrangement by Ron Sebregts retains all the splendor of the original. A fantastic pop arrangement which will have all your audience dancing in the aisles.

De coverhit Go West van The Pet Shop Boys(oorspronkelijk van Village People) stond in 1993 en 1994 wekenlang aan de top van de hitlijsten over de hele wereld. Disco die ook tot voetbalscene is door gedrongen- een heerlijkemeezinger.

Die Fans verschiedener Vereine singen es mit diversen, auf ihre Spieler gemünzten Texte, die Melodie lässt jedoch das Herz jedes Fußballfans höher schlagen. Ob zur Einstimmung auf eine Fußballparty, zur Feier danach oder zu jedem anderen Fest - dieses Mitsinglied ist ein absolutes Muss!

Dans les années 70, Jacques Morali et Henri Belolo lancent le groupe Village People, célèbre pour son tube YMCA. Ils composent la plus grande partie des chansons interprétées par le groupe, dont Go West (1979). En 1993, le groupe pop Pet Shop Boys reprend cette chanson disco qui devient un nouveau succès mondial. Go West sera, des semaines durant, au sommet des hit-parades du monde entier.

Negli anni ’70, Jacques Morali e Henri Belolo lanciano il gruppo Village People, celebre per la canzone YMCA. Essi compongono la maggioranza delle canzoni interpretate dal gruppo, tra le quali Go West (1979). Nel 1993, il gruppo pop Pet Shop Boys riprende questa canzone che diviene un nuovo successo mondiale. Go West sar in vetta alla hit-parade del mondo intero per molte settimane.

SKU: HL.284059

UPC: 888680798055. 5.0x5.0x0.15 inches.

An electro-pop tune as infectious as it is timely with its singular message, the creative hands of Zedd, Maren Morris and Grey teamed up to create something reflective and vibrant. Released during the Grammy Awards broadcast in 2018, the chorus asks of us, Why don't you just meet me in the middle?.

SKU: BT.1513-07-120-MS

9x12 inches. English-German-French-Dutch.

She's Madonna was a 2007 hit single for world pop mega-star Robbie Williams. This up-beat single has a 1980's electro/pop feel due to it being a colaboration with The Pet Shop Boys. A classic song from one of today's biggest names in pop music.

She’s Madonna is de derde single van het album Rudebox van de wereldberoemde Britse popzanger Robbie Williams. Hij schreef het nummer samen met Chris Lowe en Neil Tennant, de Pet Shop Boys, en dat is goed te horen aande sound. De opvallende titel verwijst naar het gerucht dat Guy Ritchie - toen hij zijn vriendin verliet voor superster Madonna - zei: “I love you baby, but face it, she’s Madonna.” Peter Kleine Schaars maakte een vakkundig arrangementvan deze herkenbare hit.

Mit She’s Madonna, einer Hommage an die große Popdiva Madonna, die Williams zusammen mit den Pet Shop Boys aufnahm, gelang es dem Briten, an seine größten Hits wie Angel oder She’s the One anknüpfen. Peter Kleine Schaars bearbeitete den schönen, langsamen Song für Fanfareorchester.

SKU: HL.14019145

ISBN 9788759860625. 12.0x16.5x0.436 inches. English.

This work was written with a mix between computer technology and the more traditional orchestra, the piece was composed in such a way that it would support its own acoustics. Lindberg worked with amplification of instruments and electronically transformed sounds thus producing greater possibilities to abandon acoustic limits. In order for the piece to be supported by it's own acoustics, the piece had to be written in terms of foreground and background harmony, every foreground chord would always have it's background, a shadow existing without it's main chord. Another theme to the piece is that of textural motion as rapid gestures and motions are a big part of the composer's interest. Static repitions seemed to limit the piece however so they were compensated for on another level, so with a repetitive rhythmic pattern, the harmonic material changes rapidly or when a chain of chords is static the rhythmic and timbral qualities vary frequently. Work for orchestra commissioned by the Finnish Broadcasting Company.