| The Best of Passion Piano, Vocal and Guitar Hal Leonard
By Passion. For Piano/Vocal/Guitar. Piano/Vocal/Guitar Songbook. Softcover...(+)
By Passion. For
Piano/Vocal/Guitar.
Piano/Vocal/Guitar Songbook.
Softcover. 258 pages.
Published by Hal Leonard
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Children's Sacred Solos Children choir [Sheet music + Audio access] - Beginner Hal Leonard
Composed by Various. Vocal Collection. Children, Sacred. Softcover Audio Online....(+)
Composed by Various. Vocal Collection. Children, Sacred. Softcover Audio Online. 40 pages. Published by Hal Leonard
$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| One Love One Song - Music Collection GIA Publications
SKU: GI.G-7172 Composed by Chris De Silva. Sacred. Collection. GIA Public...(+)
SKU: GI.G-7172 Composed by Chris De Silva. Sacred. Collection. GIA Publications #7172. Published by GIA Publications (GI.G-7172). UPC: 785147717232. English. Yes, it’s liturgical. Songs like Come, Taste and See, “Hold Us, Jesus,†and “Go Out to the World†will have your cantors, choirs, and assemblies raising their voices. Is this collection good for listening? You bet! “In Your Presence†is inspirational, “Can You See God†is convincing. Some might say there’s a good deal of originality with a slight touch of cleverness in de Silva’s text writing. The verses for “Make a Joyful Noise,†for example, are taken from the Beatitudes, while the refrain draws its inspiration from Psalm 100—a skillful combination. The music is solid, yet fresh, with a contemporary sound. The melodies are memorable, you’ll come away humming the tunes. We’re certain this new release will cross generational lines as well. Both the young and the not-so-young love the fine work Chris is doing at his parish, St. Brendan’s, in the Archdiocese of Los Angeles. We have a feeling your whole parish family will love Chris’s compositions as well. These new songs definitely deserve a listen, and for a very good reason. There’s a lot of “contemporary†music available these days that makes for great listening. But with de Silva there’s a difference—with de Silva, folks just can’t help but sing along. This is Chris’s first collection with GIA, and we warmly welcome him to the GIA family. Contents: Can You See God, We Are One, In Your Presence, Welcome, All Generations Will Praise Your Name, I Will Give Thanks, Among All, Hold Us, Jesus, Listen to My Cry, Come, Taste and See, Make a Joyful Noise, Go Out to the World, God of All. $17.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| What Can I Play on Sunday?, Complete Collection Piano solo - Intermediate Alfred Publishing
(60 Easily Prepared Piano Arrangements for Services Throughout the Year). Arrang...(+)
(60 Easily Prepared Piano Arrangements for Services Throughout the Year). Arranged by Cindy Berry. For Piano. Book; Piano Collection; Piano Supplemental. Sacred Performer Collections. Sacred. Late Intermediate. 232 pages. Published by Alfred Music
$35.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Daybreak Music BonusTrax CD - Vol. 4, No. 1 Choral [Accompaniment CD] Daybreak Music
(BONUSTRAX CD). Daybreak Choral Series. Sacred. CD only. Size 5x5 inches. Publis...(+)
(BONUSTRAX CD). Daybreak Choral Series. Sacred. CD only. Size 5x5 inches. Published by Daybreak Music.
$49.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Album (51 Songs) Medium voice, Piano Peters | | |
| My Easter Story - Choral Book Word Music
Intermediate SKU: WD.080689618178 Personal Accounts of the Life, Death...(+)
Intermediate SKU: WD.080689618178 Personal Accounts of the Life, Death and Resurrection of Jesus. Composed by Cliff Duren. Choral, cantatas. Eastertide. Book. Word Music #080689618178. Published by Word Music (WD.080689618178). UPC: 080689618178. The Easter Story. The story of unfailing, sacrificial love. The story told for centuries of a King Who gave His life to save His people for generations to come. The story that would eradicate darkness and radiate perfect Light into the lives of imperfect people. The Easter story is not one with an end, but one with a ripple effect, creating Easter stories for every person who believes and proclaims the name of Jesus as Lord and Savior. Because of Him, our stories are forever changed! From Word Music & Church Resources, created by Johnathan Crumpton and arranger Cliff Duren, MY EASTER STORY is a Praise & Worship-style musical with personal accounts of the life, death, and resurrection of Jesus. Bursting with dynamic songs that will give your choir and congregation an opportunity to sing about their own personal stories with the Savior, MY EASTER STORY is the perfect unique and compelling musical to celebrate Jesus' resurrection and the powerful stories Christ has created in and through each of us. $12.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Album (51 Songs) High voice, Piano Peters
By H. Wolf. Edited by Gerhardt. For high voice, piano. (Eng-Ger). Published by C...(+)
By H. Wolf. Edited by Gerhardt. For high voice, piano. (Eng-Ger). Published by C.F. Peters.
$47.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| E-Z Play Today #22. Sacred Sounds Easy Piano - Easy Hal Leonard
E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and...(+)
E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and electronic keyboard). Size 9x12 inches. 64 pages. Published by Hal Leonard.
(1)$10.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| English Church Music, Volume 1: Anthems and Motets Choral SATB SATB, Piano [Vocal Score] Oxford University Press
By Robert King. Arranged by John Rutter. For SATB choir with keyboard/unaccompan...(+)
By Robert King. Arranged by John Rutter. For SATB choir with keyboard/unaccompanied/basso continuo. Mixed Voices. Oxford Choral Classics Collections. Sacred, Choral Collection. Vocal score. 384 pages. Published by Oxford University Press
$25.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Sacred Vocal Solos for Kids Piano, Voice [Sheet music + Audio access] Hal Leonard
With online audio of piano accompaniments. Composed by Various. Vocal Collection...(+)
With online audio of piano accompaniments. Composed by Various. Vocal Collection. Children, Christian. Softcover Audio Online. 96 pages. Published by Hal Leonard
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Alfred's Basic Piano Course - Hymn Book (Complete Level 1)
Piano, Voice [Sheet music] - Easy Alfred Publishing
Written by Amanda Vick Lethco, Morton Manus, Willard A. Palmer. For voice and pi...(+)
Written by Amanda Vick Lethco, Morton Manus, Willard A. Palmer. For voice and piano. Includes piano/vocal songbook and instructional book. With vocal melody, lyrics and introductory text. Instructional and hymn. 48 pages. 9x12 inches. Published by Alfred.
(2)$11.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Laudate, Volume 4 Organ Concordia Publishing House
By Kosnik. For organ. General, sacred. Published by Concordia Publishing House. ...(+)
By Kosnik. For organ. General, sacred. Published by Concordia Publishing House. Level: Moderately Easy.
$18.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Phillips Collection of Traditional American Fiddle Tunes Vol 1 Violin [Sheet music] Mel Bay
by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels....(+)
by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels. Book. Solos. Size 8.75x11.75. 268 pages. Published by Mel Bay Pub., Inc.
(1)$39.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Double bass (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-27(+)
Double bass (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-27 Urtext based on the Brahms Complete Edition of the Gesellschaft der Musikfreunde in Vienna. Composed by Johannes Brahms. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). EB 6043 is printed in score form; two copies are needed for performance. Have a look into study score PB 3654. Solo concerto; Romantic. Part. 8 pages. Duration 43'. Breitkopf and Haertel #OB 3210-27. Published by Breitkopf and Haertel (BR.OB-3210-27). ISBN 9790004300732. 10 x 12.5 inches. Johannes Brahms' first Piano Concerto was the fruit of a complex, protracted, and extremely trying creative process. Its origin goes back to a sonata in D minor for two pianos conceived in spring 1854. The impulse for the creation of the main subject was however a shocking event: According to Joseqph Joachim, the theme originated after hearing about Schumanns suicide attempt. A few months earlier, Schumann had revealed Brahms to the musical world in his essay New Paths. In this article, Brahms is extolled as the musician who is called to give expression to the feeling of his times in an ideal fashion. The unusually rapid genesis of the D-minor sonata and its prevailingly dark, monumental mood can be interpreted as an impassioned compositional response to Schumann's suicide attempt. However, the year-long struggle to arrive at the final form of the work should perhaps also be seen in the context of the resounding praise of Schumann's prophetic article. Brahms undoubtly felt a growing inner pressure to live up to the expectations aroused therein.Together with Clara Schumann, Brahms played the three so far existing movements of the sonata, but he was very self-critical. He felt that he had not been able to realize the monumentality he had envisioned, and which Clara Schumann felt, by merely doubling the piano sound. He soon decided to transform the sonata into a symphony (his first orchestral project). However, this idea did not seem to fit his vision either. Only in spring 1855 did he strike upon the definitive solution: a piano concerto. With Brahms as soloist, this concerto premiered in 1859, though he initially had little success. He wrote to Joachim about one of the first performances that the concerto was a brilliant and unmistakable - failure. This hardly surprised Brahms, for he was undoubtedly aware of the newness of the work, which surpassed the expectations of the audience. The work's complex structure and symphonic dimensions, the solo part's rejection of showy, elegant brilliance, and the uniquely Brahmsian orchestral density it maintains throughout; all of these qualities inevitably exasperated audiences at first - until they raised this work to the ranks of the most celebrated concertos of all time. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Violin 1 (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-15 ...(+)
Violin 1 (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-15 Urtext based on the Brahms Complete Edition of the Gesellschaft der Musikfreunde in Vienna. Composed by Johannes Brahms. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str. Solo concerto; Romantic. Part. 8 pages. Duration 43'. Breitkopf and Haertel #OB 3210-15. Published by Breitkopf and Haertel (BR.OB-3210-15). ISBN 9790004300695. 10 x 12.5 inches. Johannes Brahms' first Piano Concerto was the fruit of a complex, protracted, and extremely trying creative process. Its origin goes back to a sonata in D minor for two pianos conceived in spring 1854. The impulse for the creation of the main subject was however a shocking event: According to Joseqph Joachim, the theme originated after hearing about Schumanns suicide attempt. A few months earlier, Schumann had revealed Brahms to the musical world in his essay New Paths. In this article, Brahms is extolled as the musician who is called to give expression to the feeling of his times in an ideal fashion. The unusually rapid genesis of the D-minor sonata and its prevailingly dark, monumental mood can be interpreted as an impassioned compositional response to Schumann's suicide attempt. However, the year-long struggle to arrive at the final form of the work should perhaps also be seen in the context of the resounding praise of Schumann's prophetic article. Brahms undoubtly felt a growing inner pressure to live up to the expectations aroused therein.Together with Clara Schumann, Brahms played the three so far existing movements of the sonata, but he was very self-critical. He felt that he had not been able to realize the monumentality he had envisioned, and which Clara Schumann felt, by merely doubling the piano sound. He soon decided to transform the sonata into a symphony (his first orchestral project). However, this idea did not seem to fit his vision either. Only in spring 1855 did he strike upon the definitive solution: a piano concerto. With Brahms as soloist, this concerto premiered in 1859, though he initially had little success. He wrote to Joachim about one of the first performances that the concerto was a brilliant and unmistakable - failure. This hardly surprised Brahms, for he was undoubtedly aware of the newness of the work, which surpassed the expectations of the audience. The work's complex structure and symphonic dimensions, the solo part's rejection of showy, elegant brilliance, and the uniquely Brahmsian orchestral density it maintains throughout; all of these qualities inevitably exasperated audiences at first - until they raised this work to the ranks of the most celebrated concertos of all time. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Violoncello (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-23(+)
Violoncello (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-23 Urtext based on the Brahms Complete Edition of the Gesellschaft der Musikfreunde in Vienna. Composed by Johannes Brahms. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). EB 6043 is printed in score form; two copies are needed for performance. Have a look into study score PB 3654. Solo concerto; Romantic. Part. 8 pages. Duration 43'. Breitkopf and Haertel #OB 3210-23. Published by Breitkopf and Haertel (BR.OB-3210-23). ISBN 9790004300725. 10 x 12.5 inches. Johannes Brahms' first Piano Concerto was the fruit of a complex, protracted, and extremely trying creative process. Its origin goes back to a sonata in D minor for two pianos conceived in spring 1854. The impulse for the creation of the main subject was however a shocking event: According to Joseqph Joachim, the theme originated after hearing about Schumanns suicide attempt. A few months earlier, Schumann had revealed Brahms to the musical world in his essay New Paths. In this article, Brahms is extolled as the musician who is called to give expression to the feeling of his times in an ideal fashion. The unusually rapid genesis of the D-minor sonata and its prevailingly dark, monumental mood can be interpreted as an impassioned compositional response to Schumann's suicide attempt. However, the year-long struggle to arrive at the final form of the work should perhaps also be seen in the context of the resounding praise of Schumann's prophetic article. Brahms undoubtly felt a growing inner pressure to live up to the expectations aroused therein.Together with Clara Schumann, Brahms played the three so far existing movements of the sonata, but he was very self-critical. He felt that he had not been able to realize the monumentality he had envisioned, and which Clara Schumann felt, by merely doubling the piano sound. He soon decided to transform the sonata into a symphony (his first orchestral project). However, this idea did not seem to fit his vision either. Only in spring 1855 did he strike upon the definitive solution: a piano concerto. With Brahms as soloist, this concerto premiered in 1859, though he initially had little success. He wrote to Joachim about one of the first performances that the concerto was a brilliant and unmistakable - failure. This hardly surprised Brahms, for he was undoubtedly aware of the newness of the work, which surpassed the expectations of the audience. The work's complex structure and symphonic dimensions, the solo part's rejection of showy, elegant brilliance, and the uniquely Brahmsian orchestral density it maintains throughout; all of these qualities inevitably exasperated audiences at first - until they raised this work to the ranks of the most celebrated concertos of all time. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Viola (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-19 ...(+)
Viola (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-19 Urtext based on the Brahms Complete Edition of the Gesellschaft der Musikfreunde in Vienna. Composed by Johannes Brahms. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). EB 6043 is printed in score form; two copies are needed for performance. Have a look into study score PB 3654. Solo concerto; Romantic. Part. 12 pages. Duration 43'. Breitkopf and Haertel #OB 3210-19. Published by Breitkopf and Haertel (BR.OB-3210-19). ISBN 9790004300718. 10 x 12.5 inches. Johannes Brahms' first Piano Concerto was the fruit of a complex, protracted, and extremely trying creative process. Its origin goes back to a sonata in D minor for two pianos conceived in spring 1854. The impulse for the creation of the main subject was however a shocking event: According to Joseqph Joachim, the theme originated after hearing about Schumanns suicide attempt. A few months earlier, Schumann had revealed Brahms to the musical world in his essay New Paths. In this article, Brahms is extolled as the musician who is called to give expression to the feeling of his times in an ideal fashion. The unusually rapid genesis of the D-minor sonata and its prevailingly dark, monumental mood can be interpreted as an impassioned compositional response to Schumann's suicide attempt. However, the year-long struggle to arrive at the final form of the work should perhaps also be seen in the context of the resounding praise of Schumann's prophetic article. Brahms undoubtly felt a growing inner pressure to live up to the expectations aroused therein.Together with Clara Schumann, Brahms played the three so far existing movements of the sonata, but he was very self-critical. He felt that he had not been able to realize the monumentality he had envisioned, and which Clara Schumann felt, by merely doubling the piano sound. He soon decided to transform the sonata into a symphony (his first orchestral project). However, this idea did not seem to fit his vision either. Only in spring 1855 did he strike upon the definitive solution: a piano concerto. With Brahms as soloist, this concerto premiered in 1859, though he initially had little success. He wrote to Joachim about one of the first performances that the concerto was a brilliant and unmistakable - failure. This hardly surprised Brahms, for he was undoubtedly aware of the newness of the work, which surpassed the expectations of the audience. The work's complex structure and symphonic dimensions, the solo part's rejection of showy, elegant brilliance, and the uniquely Brahmsian orchestral density it maintains throughout; all of these qualities inevitably exasperated audiences at first - until they raised this work to the ranks of the most celebrated concertos of all time. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Woodwinds (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-30 ...(+)
Woodwinds (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-30 Urtext based on the Brahms Complete Edition of the Gesellschaft der Musikfreunde in Vienna. Composed by Johannes Brahms. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library). EB 6043 is printed in score form; two copies are needed for performance. Have a look into study score PB 3654. Solo concerto; Romantic. Set of parts. 90 pages. Duration 43'. Breitkopf and Haertel #OB 3210-30. Published by Breitkopf and Haertel (BR.OB-3210-30). ISBN 9790004300749. 10 x 12.5 inches. Johannes Brahms' first Piano Concerto was the fruit of a complex, protracted, and extremely trying creative process. Its origin goes back to a sonata in D minor for two pianos conceived in spring 1854. The impulse for the creation of the main subject was however a shocking event: According to Joseqph Joachim, the theme originated after hearing about Schumanns suicide attempt. A few months earlier, Schumann had revealed Brahms to the musical world in his essay New Paths. In this article, Brahms is extolled as the musician who is called to give expression to the feeling of his times in an ideal fashion. The unusually rapid genesis of the D-minor sonata and its prevailingly dark, monumental mood can be interpreted as an impassioned compositional response to Schumann's suicide attempt. However, the year-long struggle to arrive at the final form of the work should perhaps also be seen in the context of the resounding praise of Schumann's prophetic article. Brahms undoubtly felt a growing inner pressure to live up to the expectations aroused therein.Together with Clara Schumann, Brahms played the three so far existing movements of the sonata, but he was very self-critical. He felt that he had not been able to realize the monumentality he had envisioned, and which Clara Schumann felt, by merely doubling the piano sound. He soon decided to transform the sonata into a symphony (his first orchestral project). However, this idea did not seem to fit his vision either. Only in spring 1855 did he strike upon the definitive solution: a piano concerto. With Brahms as soloist, this concerto premiered in 1859, though he initially had little success. He wrote to Joachim about one of the first performances that the concerto was a brilliant and unmistakable - failure. This hardly surprised Brahms, for he was undoubtedly aware of the newness of the work, which surpassed the expectations of the audience. The work's complex structure and symphonic dimensions, the solo part's rejection of showy, elegant brilliance, and the uniquely Brahmsian orchestral density it maintains throughout; all of these qualities inevitably exasperated audiences at first - until they raised this work to the ranks of the most celebrated concertos of all time. $92.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Violin 2 (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-16 ...(+)
Violin 2 (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-16 Urtext based on the Brahms Complete Edition of the Gesellschaft der Musikfreunde in Vienna. Composed by Johannes Brahms. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). EB 6043 is printed in score form; two copies are needed for performance. Have a look into study score PB 3654. Solo concerto; Romantic. Part. 8 pages. Duration 43'. Breitkopf and Haertel #OB 3210-16. Published by Breitkopf and Haertel (BR.OB-3210-16). ISBN 9790004300701. 10 x 12.5 inches. Johannes Brahms' first Piano Concerto was the fruit of a complex, protracted, and extremely trying creative process. Its origin goes back to a sonata in D minor for two pianos conceived in spring 1854. The impulse for the creation of the main subject was however a shocking event: According to Joseqph Joachim, the theme originated after hearing about Schumanns suicide attempt. A few months earlier, Schumann had revealed Brahms to the musical world in his essay New Paths. In this article, Brahms is extolled as the musician who is called to give expression to the feeling of his times in an ideal fashion. The unusually rapid genesis of the D-minor sonata and its prevailingly dark, monumental mood can be interpreted as an impassioned compositional response to Schumann's suicide attempt. However, the year-long struggle to arrive at the final form of the work should perhaps also be seen in the context of the resounding praise of Schumann's prophetic article. Brahms undoubtly felt a growing inner pressure to live up to the expectations aroused therein.Together with Clara Schumann, Brahms played the three so far existing movements of the sonata, but he was very self-critical. He felt that he had not been able to realize the monumentality he had envisioned, and which Clara Schumann felt, by merely doubling the piano sound. He soon decided to transform the sonata into a symphony (his first orchestral project). However, this idea did not seem to fit his vision either. Only in spring 1855 did he strike upon the definitive solution: a piano concerto. With Brahms as soloist, this concerto premiered in 1859, though he initially had little success. He wrote to Joachim about one of the first performances that the concerto was a brilliant and unmistakable - failure. This hardly surprised Brahms, for he was undoubtedly aware of the newness of the work, which surpassed the expectations of the audience. The work's complex structure and symphonic dimensions, the solo part's rejection of showy, elegant brilliance, and the uniquely Brahmsian orchestral density it maintains throughout; all of these qualities inevitably exasperated audiences at first - until they raised this work to the ranks of the most celebrated concertos of all time. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Nothing but the Blood - Anthem Word Music
SKU: WD.080689544231 Composed by Tim Paul. Choral. Sacred Anthem, Eastert...(+)
SKU: WD.080689544231 Composed by Tim Paul. Choral. Sacred Anthem, Eastertide. Octavo. Word Music #080689544231. Published by Word Music (WD.080689544231). UPC: 080689544231. Ephesians 1:7 says, “In Him, we have redemption through His blood, the forgiveness of sins, in accordance with the riches of God’s grace that lavished on us.” This melodic offering of praise and worship brings to light the truth and foundation of the gospel; we are saved, not by anything we have done, but by the blood of Jesus shed for us on the cross. Perfect for Easter or any time of the year, your church will love singing Tim Paul’s arrangement of Nothing but the Blood. $3.20 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Johann Gottfried Walther: Three Chorale Preludes For Organ Organ Music Sales
Three Chorale Preludes For Organ by Johann Gottfried Walther. Edited by Walter E...(+)
Three Chorale Preludes For Organ by Johann Gottfried Walther. Edited by Walter Emery
$14.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Eternal - Music Collection - Easy GIA Publications
Keyboard - Early intermediate SKU: GI.G-8569 Composed by Liam Lawton. Arr...(+)
Keyboard - Early intermediate SKU: GI.G-8569 Composed by Liam Lawton. Arranged by Chris De Silva. Sacred. Collection. GIA Publications #8569. Published by GIA Publications (GI.G-8569). UPC: 785147856931. English. This collection is definitive Lawton: expressive texts, soaring melodies, and deep emotions all imbued with the power of God's comforting embrace. Inspired by life and his experiences in the world around him Lawton captures these holy moments, gives them a song, and preserves them for all eternity. Beautifully scored and orchestrated by Chris de Silva song-after song inspires a swell of love for God and the gifts bestowed upon us day-by-day. CONTENTS: Holy Ground • Into the Quiet • In God We Live • Eternal Is Your Love • To You Glory and Praise • The Lord Is My Shelter • Christ Has No Body Now but Yours • Ave Maria • Bethlehem Sky • Holy Is God's Name • How Good Is God • Breastplate. $20.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| This Is the Day Choral Unison Unison/2-part, Piano Celebrating Grace
Composed by Ken Berg. Christian. Octavo. Celebrating Grace #622022301. Publis...(+)
Composed by Ken Berg.
Christian. Octavo.
Celebrating Grace #622022301.
Published by Celebrating
Grace
$2.10 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Greater Than Anything Choral SATB - Easy Zebe Publishing
Mixed Voices, Solo voice and Accompaniment - Grade 2 SKU: ZB.ZE-4071 ...(+)
Mixed Voices, Solo voice and Accompaniment - Grade 2 SKU: ZB.ZE-4071 11 Songs for Mixed Voices, Soloist and Accompaniment. Composed by Niko Schlenker. 11 Songs for Mixed Voices, Soloist and Accompaniment. Gospel Music. Vocal Score. Zebe Publishing #ZE 4071. Published by Zebe Publishing (ZB.ZE-4071). ISBN 9783940745514. Greater Than Anything consists of 11 songs which will be hits in concerts and church services, during workshops and on CDs. This collection generates the good message of the Gospel in a concentrated form in music and lyrics, touching and enthralling both the choir and the listeners. For the mixed choir in three to four parts (S.A.Bar./S.A.T.B.) and the soloists it means performing refreshing modern arrangements at a medium skill level. The piano accompaniment is written in an exemplary gospel style. $9.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Greater Than Anything [Score] - Easy Zebe Publishing
Mixed Voices, Solo voice and Accompaniment - Grade 2 SKU: ZB.ZE-4070 ...(+)
Mixed Voices, Solo voice and Accompaniment - Grade 2 SKU: ZB.ZE-4070 11 Songs for Mixed Voices, Soloist and Accompaniment. Composed by Niko Schlenker. Contemporary Gospel Music by Niko Schlenker. 11 Songs for Mixed Voices, Soloist and Accompaniment. Gospel Music. Full Score. Zebe Publishing #ZE 4070. Published by Zebe Publishing (ZB.ZE-4070). ISBN 9783940745507. Greater Than Anything consists of 11 songs which will be hits in concerts and church services, during workshops and on CDs. This collection generates the good message of the Gospel in a concentrated form in music and lyrics, touching and enthralling both the choir and the listeners. For the mixed choir in three to four parts (S.A.Bar./S.A.T.B.) and the soloists it means performing refreshing modern arrangements at a medium skill level. The piano accompaniment is written in an exemplary gospel style. $19.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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