SKU: CL.RWS-2004-01
Teach your young musicians to work together with this African groove that comes from the heart. With limited ranges and technical demands, your students will be able to focus on balance, intonation and rhythmic accuracy. Not only will they enhance their musical skills, they will have fun playing music together and presenting it to their audience.
SKU: UT.CH-289
ISBN 9790215325852. 9 x 12 inches.
Giovanni Podera: Fantasia (In memoriam JoaquÃn Rodrigo)Marco Reghezza: Nana EstrelladaMarco Simoni: Junto a RodrigoMarco Smaili: Fronda de la tarde (Homenaje a JoaquÃn Rodrigo)Paolo Ugoletti: Fuga a 4 vociFollowing the successful publication of Homenaje a Rodrigo (2015), containing four pieces by Alessandro Spazzoli – one of which was performed in the presence of the composer’s daughter, Cecilia Rodrigo, during her visit to the International Convention in Alessandria –, here is the second volume. It contains more tributes to Rodrigo written on my input by five well-known Italian and Spanish composers, two of whom are also guitarists and have therefore written the fingering for their own pieces.Giovanni Podera plunges us into a typically Rodrigo-like atmosphere with his evocative Fantasia, while the following three compositions are full of direct quotations from pieces also for guitar by the great composer from Valencia. Thus, Marco Simoni, in his expressive Junto a Rodrigo – which also provides the title to the volume – plays with themes taken from Junto al Generalife and from Dos piezas caballerescas for a cello ensemble as well as hinting at reminiscences of Tiento antiguo. As for Marco Smaili, in his impressionistic Fronda de la tarde, he evokes quite evidently Zarabanda lejana and Invocación y Danza, but there are more hidden references to Caminos de Santiago and even to the very famous Concierto de Aranjuez. Marco Reghezza builds his heart-breaking Nana estrellada on a sequence of chords used by Rodrigo in the fantasia ¡Que buen caminito!. On the other hand, there are no direct quotations and echoes of Rodrigo’s way of writing in the Fuga a quattro voci by Paolo Ugoletti. However it was Rodrigo himself who constructed four-part imitative passages for guitar in Pasacalle and in the Ricercare of the Fantasia para un Gentilhombre. The close polyphony of the piece by Ugoletti may be considered as a tribute to this kind of craft shown by Rodrigo who, like Ugoletti, was able to write such dense and idiomatic counterpoint without being a guitar-player.I am pleased that this volume comes out in the imminence of the 20th anniversary of the disappearance of the illustrious Spanish composer who gave so much to the musicians – and not only to them.(Piero Bonaguri)Muchas gracias por este emotivo y excelente musical homenaje a mi padre. La edición es excelente y la difundiremos con todos nuestros medios por las redes sociales a nuestro alcance. Ha sido un gran trabajo por su parte, fruto de sus grandes conocimientos guitarrÃsticos y su devoción por JoaquÃn Rodrigo. Le reitero mi gratitud y mi felicitación con el ruego transmita a los cinco compositores mi felicitación y deseos de éxito. (Cecilia Rodrigo).
SKU: CL.RWS-2004-00
SKU: GI.G-8864
UPC: 785147886433. English.
New from Rory Cooney comes a glorious collection of music for the Advent and Christmas seasons. Many of the selections in this collection use tunes gathered from the traditions of various European cultures. Rory arranges these beautiful melodies and adds his own evocative texts, creating nostalgic yet new expres- sions of the Christmas story. The jewel in this Christmas crown is surely Rory’s SAB arrangement of “In the Bleak Midwinter.†It begins gently, quoting the first stanza of the Christina R ossetti text, then branches out into Rory’s own moving exploration of Christ’s incarnation. The “Christmas Gloriaâ€â€” based on the familiar French carol “Angels We Have Heard on Highâ€â€”employs the text from the 2010 R evised Order of Mass. In this arrangement the third stanza of the prayer soars above the final refrain as an exhilarating soprano descant. Much of the newer music in this collection can be done a cappella. To enhance the texture, include the piano accompaniment, strings, and flute. Perfect for any choir large or small, the songs in Like No God We Had Imagined will add sparkle to your holiday liturgies. Contents: Friends in Christ, Rejoice, My Soul Gives Glory, The Advent Herald, Sing We Maranatha, In the Bleak Midwinter, Tomorrow Shall Be My Dancing Day, Still, Still, Still, In the Stillness of the Night, Christmas Gloria, Psalm 96: Christmas Midnight, Song at the Manger, Carol of the Stranger, Lullaby, Little One, Rise Up, Shepherd, and Follow, I Saw Three Ships, Light in the Darkness.