SKU: SU.46200050
Clarinet, Violin & Piano Duration: 10' Composed: 2001 Published by: Verdehr Trio Every measure of Collage – 1912 is based on one or more snippets taken from one composition each by Béla Bartók, Irving Berlin, Claude Debussy, W.C. Handy, Charles Ives, Gustav Mahler, Maurice Ravel, Arnold Schoenberg, James Scott, Richard Strauss, Igor Stravinsky, and JoaquÃn Turina. The work is about 12 minutes long and consists of two parts that are performed without pause. Michigan State University Press.
SKU: HL.44007413
UPC: 884088251819. 9x12 inches.
Opening with the exciting Also Sprach Zarathustra theme, The Masters Take the Airwaves explores melodies of the great composers which have also found a home in modern popular music. The casual radio listener might be surprised just how often pop music has borrowed themes from the classics. Melodies from Bach, Chopin, Beethoven, and Richard Strauss combine to make an arrangement you are sure to enjoy. Great music is great music, wherever you find it!
SKU: HL.400061
ISBN 9781596153585. UPC: 077712334112. 9x12 inches.
Performed by Elaine Douvas, oboe Accompaniment: Erik Nielsen, piano This wonderful album for the beginning to early intermediate oboe player includes thirteen pieces ranging from Boccherini to Grieg to Richard Strauss to William Walton. Says James Roe of The Double Reed: “With the poise of a great virtuoso, [Ms. Douvas] approaches these 'easy' pieces as she would a solo line in a great symphony...the richness of her tone, the variety in her articulation, and the beauty and clarity of her line all represent the very best example for students as they develop their concept of playing. And it's all pretty inspiring for us professional oboists as well.†Ms. Douvas's extensive performance notes “are a delight, and will be inspiring to students and an important aid to teachers.†Includes a complete printed solo part annotated with performance suggestions and access to online recordings with complete versions (with soloist) followed by piano accompaniments to each piece, minus the soloist.
SKU: AP.1-ADV40008
UPC: 805095400083. English.
Jingle Bells is a Christmas hit known all over the world, so why not play it in some diverse global styles? This was Konrad Koselleck's initial thought when he began working on this arrangement. The opening takes us straight into a Disney movie, then some Irish flutes invite you to take a sleigh ride somewhere up north in Lapland. Down by the river Volga, a Russian hero sings a ballad and a complete Rimsky-Korsakov orchestra answers. A harp invites you for a French waltz a la Ravel . . . or is it Strauss? Thereafter a Bavarian polka sets the right tempo to finish the song, sounding like a Big Band with a boulevard of Hollywood strings before Rudolf leaves us with a last farewell. Arranged for full orchestra.
SKU: IS.OP4179EM
ISBN 9790365041794.
In 1901, Flor Alpaerts finished his music studies at the Flemish School of Music of Antwerp, which later became the Royal Flemish Conservatory. He studied harmony and composition with Jan Blockx. In 1903 he became professor at this institute and from 1934 until 1941 its director. For one season (1922-1923) he was also director of the Royal Flemish Opera House of Antwerp together with the bass Arthur Steurbaut. His fame, as a composer and a conductor, came shortly after World War I, when he succeeded Eduard Keurvels in 1919 as conductor of the concerts organized by the Royal Zoological Society of Antwerp and as artistic director of the Peter Benoit Fonds. He also conducted the choral group Arti Vocali. As a composer, Flor Alpaerts was the leading figure in the Flemish impressionistic movement, utilizing an impressionism that came closer to Richard Strauss and Ottorino Respighi than to Claude Debussy. A highlight in this direction was the symphonic poem Pallieter (1921-1924). With his suite James Ensor, inspired by four works of the Ostend painter, he created an expressionistic work. In his later compositions he turned to neo-classicism. Though mostly known for writing larger scale works during his life, this Concertstuk for oboe and piano, composed towards the end of his life came at a time when he unexpectedly because to compose chamber music. In addition to this work for oboe, he composed a solo piece for clarinet, as well as four string quartets during his final years.
SKU: IS.VCP4195EM
ISBN 9790365041954.
In 1901, Flor Alpaerts finished his music studies at the Flemish School of Music of Antwerp, which later became the Royal Flemish Conservatory. He studied harmony and composition with Jan Blockx. In 1903 he became professor at this institute and from 1934 until 1941 its director. For one season (1922-1923) he was also director of the Royal Flemish Opera House of Antwerp together with the Bass Arthur Steurbaut. His fame, as a composer and a conductor, came shortly after World War I, when he succeeded in 1919 Eduard Keurvels as conductor of the concerts organized by the Royal Zoological Society of Antwerp and as artistic director of the Peter Benoit Fonds. He also conducted the choral group Arti Vocali. As a composer, Flor Alpaerts was the leading figure in the Flemish impressionistic movement. An impressionism that came closer to Richard Strauss and Ottorino Respighi than to Claude Debussy. A highlight in this direction was the symphonic poem Pallieter (1921-1924). With his suite James Ensor, inspired by four works of the Ostend painter, he created an expressionistic work. In his later compositions he turned to neo-classicism.
SKU: HL.44001791
UPC: 073999697780. 8.25x11.75x0.202 inches.
SKU: AP.1-ADV40007
UPC: 805095400076. English.
Jingle Bells is a Christmas hit known all over the world, so why not play it in some diverse global styles? This was Konrad Koselleck's initial thought when he began working on this arrangement. The opening takes us straight into a Disney movie, then some Irish flutes invite you to take a sleigh ride somewhere up north in Lapland. Down by the river Volga a Russian hero sings a ballad and a complete Rimsky-Korsakov orchestra answers. A harp invites you for a French waltz a la Ravel . . . or is it Strauss? Thereafter a Bavarian polka sets the right tempo to finish the song, sounding like a Big Band with a boulevard of Hollywood strings before Rudolf leaves us with a last farewell. Just have fun.
SKU: IM.3026
SKU: IS.VLP4190EM
ISBN 9790365041909.
In 1901, Flor Alpaerts finished his music studies at the Flemish School of Music of Antwerp, which later became the Royal Flemish Conservatory. He studied harmony and composition with Jan Blockx. In 1903 he became professor at this institute and from 1934 until 1941 its director. For one season (1922-1923) he was also director of the Royal Flemish Opera House of Antwerp together with the bass Arthur Steurbaut. His fame, as a composer and a conductor, came shortly after World War I, when he succeeded Eduard Keurvels in 1919 as conductor of the concerts organized by the Royal Zoological Society of Antwerp and as artistic director of the Peter Benoit Fonds. He also conducted the choral group Arti Vocali. As a composer, Flor Alpaerts was the leading figure in the Flemish impressionistic movement, utilizing an impressionism that came closer to Richard Strauss and Ottorino Respighi than to Claude Debussy. A highlight in this direction was the symphonic poem Pallieter (1921-1924). With his suite James Ensor, inspired by four works of the Ostend painter, he created an expressionistic work. In his later compositions he turned to neo-classicism.
SKU: BA.BA06482
ISBN 9790006479979. 27 x 19 cm inches.
8 Kinder- und Jugendsongs fur 3 bis 4 Stimmen mit Klavier- oder Stabspielbegleitung ad lib
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