| Serenade Carl Fischer
Full orchestra Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Crash C...(+)
Full orchestra Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Crash Cymbals, Flute 1, Flute 2, Glockenspiel, Harp, Horn 1, Horn 2, Horn 3, Oboe 2, Percussion 1, Percussion 2, Piccolo, Suspended Cymbal, Timpani, Trombone 1, Trombone 2, Trumpet 1 and more. SKU: CF.SC88 Composed by William Grant Still. Full score. 32 pages. Duration 9 minutes, 20 seconds. Carl Fischer Music #SC88. Published by Carl Fischer Music (CF.SC88). ISBN 9781491158845. UPC: 680160917563. William Grant Stillas catalog of works comprises over 200 pieces, including five symphonies, nine operas, four ballets and numerous works for chamber ensembles. He initially found employment as an oboist in pit orchestras in New York City, later as an arranger of popular music for various ensembles, including those by William C. Handy, James P. Johnson and Paul Whiteman. His career as a composer was launched with a performance in 1931 of his Symphony No. 1 aAfro-Americana by the Rochester Philharmonic, conducted by Howard Hanson, who would remain a life-long champion of Stillas orchestral works. By the 1950s the symphony had been performed in New York, Chicago, Los Angeles and various European capitals. This notoriety earned Still a Guggenheim Fellowship in 1934, after which he moved to Los Angeles. He is credited as the first African-American to conduct a major orchestra (the Los Angeles Philharmonic Orchestra), the first to have an opera performed by a major company (Troubled Island by the New York City Opera in 1949), and one of the first composers to write for radio, films and television. So numerous were his awards and accolades, including three Guggenheim Fellowships and a variety of honorary doctorates, that he was designated as the aDean of Afro-American Composers.a Still composed his Serenade for Orchestra in 1957 on a commission by the Great Falls High School in Great Falls, Montana. He later transcribed the work for a chamber ensemble of flute, clarinet, harp and strings. The piece reflects Stillas interest in American folk idioms, with conventional melodies and harmonies that nonetheless express a fresh and individual compositional voice. William Grant Still's catalog of works comprises over 200 pieces, including five symphonies, nine operas, four ballets and numerous works for chamber ensembles. He initially found employment as an oboist in pit orchestras in New York City, later as an arranger of popular music for various ensembles, including those by William C. Handy, James P. Johnson and Paul Whiteman. His career as a composer was launched with a performance in 1931 of his Symphony No. 1 Afro-American by the Rochester Philharmonic, conducted by Howard Hanson, who would remain a life-long champion of Still's orchestral works. By the 1950s the symphony had been performed in New York, Chicago, Los Angeles and various European capitals. This notoriety earned Still a Guggenheim Fellowship in 1934, after which he moved to Los Angeles. He is credited as the first African-American to conduct a major orchestra (the Los Angeles Philharmonic Orchestra), the first to have an opera performed by a major company (Troubled Island by the New York City Opera in 1949), and one of the first composers to write for radio, films and television. So numerous were his awards and accolades, including three Guggenheim Fellowships and a variety of honorary doctorates, that he was designated as the Dean of Afro-American Composers. Still composed his Serenade for Orchestra in 1957 on a commission by the Great Falls High School in Great Falls, Montana. He later transcribed the work for a chamber ensemble of flute, clarinet, harp and strings. The piece reflects Still's interest in American folk idioms, with conventional melodies and harmonies that nonetheless express a fresh and individual compositional voice. William Grant Still’s catalog of works comprises over 200 pieces, including five symphonies, nine operas, four ballets and numerous works for chamber ensembles. He initially found employment as an oboist in pit orchestras in New York City, later as an arranger of popular music for various ensembles, including those by William C. Handy, James P. Johnson and Paul Whiteman. His career as a composer was launched with a performance in 1931 of his Symphony No. 1 “Afro-American†by the Rochester Philharmonic, conducted by Howard Hanson, who would remain a life-long champion of Still’s orchestral works. By the 1950s the symphony had been performed in New York, Chicago, Los Angeles and various European capitals.This notoriety earned Still a Guggenheim Fellowship in 1934, after which he moved to Los Angeles. He is credited as the first African-American to conduct a major orchestra (the Los Angeles Philharmonic Orchestra), the first to have an opera performed by a major company (Troubled Island by the New York City Opera in 1949), and one of the first composers to write for radio, films and television. So numerous were his awards and accolades, including three Guggenheim Fellowships and a variety of honorary doctorates, that he was designated as the “Dean of Afro-American Composers.â€Still composed his Serenade for Orchestra in 1957 on a commission by the Great Falls High School in Great Falls, Montana. He later transcribed the work for a chamber ensemble of flute, clarinet, harp and strings. The piece reflects Still’s interest in American folk idioms, with conventional melodies and harmonies that nonetheless express a fresh and individual compositional voice. $25.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Meet The Great Jazz Legends - Book Musical course - Solfege Alfred Publishing
Meet the Great Jazz Legends. (Short Sessions on the Lives, Times and Music of th...(+)
Meet the Great Jazz Legends. (Short Sessions on the Lives, Times and Music of the Great Jazz Legends). By Ronald C. McCurdy. Classroom/Pre-School; General Music and Classroom Publications; Reproducible. Jazz. Book. 72 pages. Published by Alfred Music Publishing
$14.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Meet the Great Jazz Legends Alfred Publishing
(Short Sessions on the Lives, Times & Music of the Great Jazz Legends (Deluxe Cl...(+)
(Short Sessions on the Lives, Times & Music of the Great Jazz Legends (Deluxe Classroom Kit)). By Ronald C. McCurdy. Classroom/Pre-School; General Music and Classroom Publications; Reproducible. Contemporary; Jazz. Book, CD & Reproducible Activity Sheets. 72 pages. Published by Alfred Music Publishing
$39.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| From the Black Belt Carl Fischer
Orchestra Bass Clarinet, Bassoon, Clarinet 1, Clarinet 2, Contrabass, Flute 1, F...(+)
Orchestra Bass Clarinet, Bassoon, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Oboe, Percussion, Timpani, Trumpet 1, Trumpet 2, Trumpet 3, Viola, Violin 1, Violin 2, Violoncello SKU: CF.SC89L Seven Little Pieces. Composed by William Grant Still. Large Score. 36 pages. Duration 12 minutes. Carl Fischer Music #SC89L. Published by Carl Fischer Music (CF.SC89L). William Grant Still’s catalog of works comprises over 200 pieces, including five symphonies, nine operas, four ballets and numerous works for chamber ensembles. He initially found employment as an oboist in pit orchestras in New York City, later as an arranger of popular music for various ensembles, including those by William C. Handy, James P. Johnson and Paul Whiteman. His career as a composer was launched with a performance in 1931 of his Symphony No. 1 “Afro-American†by the Rochester Philharmonic, conducted by Howard Hanson, who would remain a life-long champion of Still’s orchestral works. By the 1950s the symphony had been performed in New York, Chicago, Los Angeles and various European capitals.This notoriety earned Still a Guggenheim Fellowship in 1934, after which he moved to Los Angeles. He is credited as the first African-American to conduct a major orchestra (the Los Angeles Philharmonic Orchestra), the first to have an opera performed by a major company (Troubled Island by the New York City Opera in 1949), and one of the first composers to write for radio, films and television. So numerous were his awards and accolades, including three Guggenheim Fellowships and a variety of honorary doctorates, that he was designated as the “Dean of Afro-American Composers.â€The “Black belt†refers to a region in the southern United States that was distinguished by the color of its fertile soil. It was an area whose rich economy was based on cotton and tobacco plantations that were controlled by rich white people and worked by poor black laborers. Still’s piece From the Black Belt from 1926 is presumably a musical representation of these laborers. He described its seven parts in the following ways: William Grant Still’s catalog of works comprises over 200 pieces, including five symphonies, nine operas, four ballets and numerous works for chamber ensembles. He initially found employment as an oboist in pit orchestras in New York City, later as an arranger of popular music for various ensembles, including those by William C. Handy, James P. Johnson and Paul Whiteman. His career as a composer was launched with a performance in 1931 of his Symphony No. 1 “Afro-American†by the Rochester Philharmonic, conducted by Howard Hanson, who would remain a life-long champion of Still’s orchestral works. By the 1950s the symphony had been performed in New York, Chicago, Los Angeles and various European capitals.This notoriety earned Still a Guggenheim Fellowship in 1934, after which he moved to Los Angeles. He is credited as the first African-American to conduct a major orchestra (the Los Angeles Philharmonic Orchestra), the first to have an opera performed by a major company (Troubled Island by the New York City Opera in 1949), and one of the first composers to write for radio, films and television. So numerous were his awards and accolades, including three Guggenheim Fellowships and a variety of honorary doctorates, that he was designated as the “Dean of Afro-American Composers.â€The “Black belt†refers to a region in the southern United States that was distinguished by the color of its fertile soil. It was an area whose rich economy was based on cotton and tobacco plantations that were controlled by rich white people and worked by poor black laborers. Still’s piece From the Black Belt from 1926 is presumably a musical representation of these laborers. He described its seven parts in the following ways: Li’l Scamp If one were to base his judgment on the volume of sound, he would think this little fellow, who delights in playing childish pranks, a big scamp. But the aptness of the title is determined by the brevity of the piece rather than by the volume of sound. Honeysuckle A musical suggestion of the saccharine odor of the honeysuckle. Dance This title is self-explanatory. Brown GirlA tone picture of a lovely girl. Mah Bones Is Creakin’An old man, afflicted with rheumatism, complains loudly. BlueThe lament of a weary soul. Clap Yo’ Han’sThe participants in a game for children form a circle and clap their hands at intervals. $48.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Die Evolution des Solo Jazz Pianos Teil 1-2 Piano solo Advance Music
Piano SKU: AP.1-ADV20072 Traditionelle Stile & Moderne Stile (German L...(+)
Piano SKU: AP.1-ADV20072 Traditionelle Stile & Moderne Stile (German Language Edition). Composed by Bill Dobbins. Jazz DVD; Method/Instruction; Reference Textbooks; Technique Musicianship. Advance Music. Jazz. DVD. Advance Music #01-ADV20072. Published by Advance Music (AP.1-ADV20072). UPC: 805095200720. German. Die Evolution des Solo Jazz Pianos ist eine Studie über 24 der einflussreichsten Solo Jazz Piano Stile, von 1900 bis heute. Um die spezifischen Beiträge der einzelnen Pianisten deutlich zu veranschaulichen, komponierte Bill Dobbins ein Thema, das auf der Akkordfolge des bekannten Standards All of Me basiert. Durch die Übertragung der stilistischen Eigenheiten auf ein und dasselbe Thema ist es möglich, die subtilen aber trotzdem einprägsamen Elemente jedes Stiles klar zu erkennen. Gemeinsamkeiten zwischen Waller, Ellington, Tatum, Monk und Rowles, Tatum, Hines und Wilson, Smith und Ellington, Corea und Beirach etc. veranschaulichen, dass musikalische Individualität größtenteils das Ergebnis unbewusster Bevorzugung bestimmter musikalischer Elemente ist, und nicht die Kultivierung der Originalität um ihrer selbst willen. Wir hoffen aufrichtig, daß diese DVD das Interesse am Solo Jazz Piano aber auch an kreativer Musik im allgemeinen anregt. LEHR-Programm gemäß § 14 JuSchG
Titles: Teil 1: Traditionelle Stile Scott Joplin * Jelly Roll Morton * James P. Johnson * Willie The Lion Smith * Earl Fatha Hines * Thomas Fats Waller * Teddy Wilson * Duke Ellington * Art Tatum * Meade Lux Lewis * Pete Johnson * Jimmy Yancey * Teil 2: Moderne Stile Thelonious Monk * Bud Powell * Oscar Peterson * Erroll Garner * Lennie Tristano * Bill Evans * Clare Fischer * Jimmy Rowles * Cecil Taylor * Chick Corea * Keith Jarrett * Richie Beirach. $29.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| The Contemporary Jazz Pianist Vol. 4 Piano solo Charles Colin Music
Piano SKU: M7.AHW-3008 Composed by Bill Dobbins. Sheet music. Performance...(+)
Piano SKU: M7.AHW-3008 Composed by Bill Dobbins. Sheet music. Performance book. Charles Colin Corp. #AHW 3008. Published by Charles Colin Corp. (M7.AHW-3008). English. Eine einmalige und informative Stilstudie von 24 der einflussreichsten Pianisten der Jazzgeschichte.
A comprehensive approach to keyboard improvisation.Both a continuation of the study of styles in Volume 3 and a representation of these style as developed by 24 of the most influential soloists ever, including Jelly Roll Morton, Earl Hines, Art Tatum, Monk, Cecil Taylor, Oscar Peterson, Chick Corea, and Keith Jarrett. $54.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| The Evolution of Solo Jazz Piano Piano solo Advance Music
Piano SKU: AP.1-ADV20071 Part 1--2 Traditional Styles + Modern Styles<...(+)
Piano SKU: AP.1-ADV20071 Part 1--2 Traditional Styles + Modern Styles. Composed by Bill Dobbins. Jazz DVD; Method/Instruction; Reference Textbooks; Technique Musicianship. Advance Music. Jazz. DVD. Advance Music #01-ADV20071. Published by Advance Music (AP.1-ADV20071). UPC: 805095200713. English. The Evolution of Solo Jazz Piano is a study of solo piano styles developed by 24 of the most influential solo pianists from 1900 to the present. In order to clearly illustrate the specific contributions of the various pianists, Bill Dobbins composed a theme based on the well-known standard All of Me. By applying the stylistic approaches of the different pianists to the same theme, one becomes aware of the subtle yet evocative elements of each individual style. Common elements between Waller, Ellington, Tatum, Monk and Rowles, Tatum, Hines and Wilson, Smith and Ellington, Corea and Beirach etc., should make it clear that musical individuality is largely the result of the subconscious emphasis of some musical elements over others, rather than the self-conscious cultivation of originality for its own sake. We sincerely hope that this DVD may serve as a stimulus toward the further study of the solo jazz piano tradition in particular and for creative music in general.
Titles: Part 1: Traditional Styles Scott Joplin * Jelly Roll Morton * James P. Johnson * Willie The Lion Smith * Earl Fatha Hines * Thomas Fats Waller * Teddy Wilson * Duke Ellington * Art Tatum * Meade Lux Lewis * Pete Johnson * Jimmy Yancey * Part 2: Modern Styles Thelonious Monk * Bud Powell * Oscar Peterson * Erroll Garner * Lennie Tristano * Bill Evans * Clare Fischer * Jimmy Rowles * Cecil Taylor * Chick Corea * Keith Jarrett * Richie Beirach. $29.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Early Jazz Dances, Songs, Instrumentals for Fingerstyle Guitar Guitar [Sheet music + Audio access] - Intermediate Mel Bay
Guitar - Intermediate SKU: MB.31060M Perfect binding. Jazz. Book and onli...(+)
Guitar - Intermediate SKU: MB.31060M Perfect binding. Jazz. Book and online audio. 180 pages. Mel Bay Publications, Inc #31060M. Published by Mel Bay Publications, Inc (MB.31060M). ISBN 9781513468051. 8.75x11.75 inches. As aspiring fingerpicking guitarists started expanding their horizons from folk, blues, and ragtime in the 1970s, it was only logical to look towards early jazz tunes as a vast source for new possibilities. For one thing, they could follow the same evolutionary path from ragtime to jazz that had been taken by pianists such as Jelly Roll Morton and Harlem stride players like James P. Johnson and Fats Waller. These musicians all composed in a variety of styles, but their most ambitious piano solos expanded on the classic ragtime format developed by the likes of Scott Joplin, James Scott, and Joseph Lamb, using several strains that usually changed keys at least once. Morton, the self-proclaimed inventor of jazz, would record versions of tunes like King Porter Stomp and The Original Jelly Roll Blues that are similar to straight ragtime performances, and others where there is lots of room left for embellishment and jazz improvisation.
The present collection is a bonanza for guitarists who want to tackle advanced arrangements along the lines of ragtime but featuring jazz age harmonies from the playing of Jelly Roll Morton, Louis Armstrong, Bix Beiderbecke, WC Handy, the Original Dixieland Jazz Band and other early jazz legends. The 32 arrangements included are by a wide assortment of guitarists including Ernie Hawkins, Pat Donohue, Lasse Johansson, Duck Baker, Ton Van Bergeyk, Sandy Shalk, Steve McWilliam, and Dorian Henry.
Titles include: Oh, You Beautiful Doll, I’ve Got The Blues, High Society, St. Louis Blues, Davenport Blues, Poor Butterfly, Dixie Jass Band One-Step, Memphis Blues, Big Foot Ham, Grandpa’s Spells, The Original Jelly Roll Blues, Midnight Mama, Milenberg Joys, Fizz Water, Back Home in Indiana, Sweet Georgia Brown, Red Wing (An Indian Intermezzo), There’ll Be Some Changes Made, Way Down Yonder In New Orleans, Charleston, Where The Morning Glories Grow, Limehouse Blues, Susie (of the Islands), I Need Some Pettin’, Weather Bird, Cornet Chop Suey, Kansas City Stomps, King Porter Stomp, Jubilee Stomp, Take It Easy, If I Had You, Moonlight Serenade $24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Reflections Piano solo Theodore Presser Co.
Scott Joplin Reconsidered. Composed by Scott Joplin (1868-1917). Edited by L...(+)
Scott Joplin Reconsidered.
Composed by Scott Joplin
(1868-1917). Edited by Lara
Downes. Collection. Theodore
Presser Company #440-40028.
Published by Theodore Presser
Company
$21.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Beginning Band Collection (Bb Trombone BC) Concert band Curnow Music
Concert Band - easy SKU: BT.CMP-1163-07-719 Beginning Band. Concert Piece...(+)
Concert Band - easy SKU: BT.CMP-1163-07-719 Beginning Band. Concert Piece. Book Only. Composed 2006. 28 pages. Curnow Music #CMP 1163-07-719. Published by Curnow Music (BT.CMP-1163-07-719). ISBN 9789043126267. 12 X 9 inches. English-German-French-Dutch. Met genoegen presenteert Curnow Music Press een manier om tegelijkertijd uw lesmateriaal te verrijken, uw bibliotheek efficiënt te beheren en geld te besparen. The Beginning Band Collection is een compilatie van een aantal van debeste stukken van CMP voor jeugdorkesten - uitgegeven in boekvorm. In deze publicatie vindt u stukken van Mike Hannickel, James Curnow, Timothy Johnson, Paul Curnow, Douglas Court, Elliot Del Borgo en Stephen Bulla. Ze zijn in didactischopzicht inmiddels allemaal succesvol, maar ook als het gaat om het vasthouden van de interesse van leerlingen en de aandacht van het publiek! CMP staat bekend om kwaliteitsmuziek voor jeugdorkesten - en die kwaliteit komtin deze uitgave zeker naar voren. De boekvorm zorgt ervoor dat u minder tijd hoeft te besteden aan het uitzoeken van muziek. De geldelijke waarde van deze collectie ligt voor de hand als u een vergelijking maakt met de prijs van eenenkele set harmoniemuziek.
The Beginning Band Collection ist eine Sammlung von zwölf Orchesterarrangements, die das oft spärliche Repertoire an Übungs- und Spielliteratur für Vor- und Jugendblasorchester deutlich bereichern und - im Vergleich zu einzeln gekauften Stücken - zugleich das Budget des Dirigenten oder Lehrers schonen. Alle Titel in diesem Band stammen aus der Feder erfahrener Komponisten und Arrangeure auf dem Gebiet lehrreicher, gut klingender Blasmusik in niedrigen Schwierigkeitsgraden.
The Beginning Band Collection contient douze arrangements de grande qualité pour Orchestre Junior. Cette collection permet la fois de développer de façon importante votre matériel d’enseignement tout en offrant une solution plus économique. L’ensemble des œuvres ont été écrites par d’excellent compositeurs et pédagogues qui connaissent parfaitement les besoins des formations Juniors. Les pièces sont en parfaite adéquation avec l’expérience des musiciens. Le contexte est pédagogiquement structuré et musicalement motivant pour les Orchestres Juniors. $8.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Beginning Band Collection (Eb Horn) Concert band Curnow Music
Eb Horn - easy SKU: BT.CMP-1162-07-718 Beginning Band. Concert Piece. Boo...(+)
Eb Horn - easy SKU: BT.CMP-1162-07-718 Beginning Band. Concert Piece. Book Only. Composed 2006. 16 pages. Curnow Music #CMP 1162-07-718. Published by Curnow Music (BT.CMP-1162-07-718). ISBN 9789043126250. 12 X 9 inches. English-German-French-Dutch. Met genoegen presenteert Curnow Music Press een manier om tegelijkertijd uw lesmateriaal te verrijken, uw bibliotheek efficiënt te beheren en geld te besparen. The Beginning Band Collection is een compilatie van een aantal van debeste stukken van CMP voor jeugdorkesten - uitgegeven in boekvorm. In deze publicatie vindt u stukken van Mike Hannickel, James Curnow, Timothy Johnson, Paul Curnow, Douglas Court, Elliot Del Borgo en Stephen Bulla. Ze zijn in didactischopzicht inmiddels allemaal succesvol, maar ook als het gaat om het vasthouden van de interesse van leerlingen en de aandacht van het publiek! CMP staat bekend om kwaliteitsmuziek voor jeugdorkesten - en die kwaliteit komtin deze uitgave zeker naar voren. De boekvorm zorgt ervoor dat u minder tijd hoeft te besteden aan het uitzoeken van muziek. De geldelijke waarde van deze collectie ligt voor de hand als u een vergelijking maakt met de prijs van eenenkele set harmoniemuziek.
The Beginning Band Collection ist eine Sammlung von zwölf Orchesterarrangements, die das oft spärliche Repertoire an Übungs- und Spielliteratur für Vor- und Jugendblasorchester deutlich bereichern und - im Vergleich zu einzeln gekauften Stücken - zugleich das Budget des Dirigenten oder Lehrers schonen. Alle Titel in diesem Band stammen aus der Feder erfahrener Komponisten und Arrangeure auf dem Gebiet lehrreicher, gut klingender Blasmusik in niedrigen Schwierigkeitsgraden.
The Beginning Band Collection contient douze arrangements de grande qualité pour Orchestre Junior. Cette collection permet la fois de développer de façon importante votre matériel d’enseignement tout en offrant une solution plus économique. L’ensemble des œuvres ont été écrites par d’excellent compositeurs et pédagogues qui connaissent parfaitement les besoins des formations Juniors. Les pièces sont en parfaite adéquation avec l’expérience des musiciens. Le contexte est pédagogiquement structuré et musicalement motivant pour les Orchestres Juniors. $8.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Real Dixieland Book
Fake Book [Fake Book] Hal Leonard
(C Instruments). By Various. Arranged by Robert Rawlins. Fake Book. Softcover. 3...(+)
(C Instruments). By Various. Arranged by Robert Rawlins. Fake Book. Softcover. 380 pages. Published by Hal Leonard
(1)$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Real Dixieland Book Bb Instruments [Fake Book] Hal Leonard
(B-Flat Instruments). Composed by Various. Arranged by Robert Rawlins. For B...(+)
(B-Flat Instruments). Composed
by Various. Arranged by Robert
Rawlins. For B-flat
Instruments. Fake Book.
Softcover. 380 pages.
Published by Hal Leonard
$44.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Real Dixieland Book Eb Instruments Hal Leonard
Eb Instruments. Composed by Various. Arranged by Robert Rawlins. Fake Book. D...(+)
Eb Instruments. Composed by
Various. Arranged by Robert
Rawlins. Fake Book.
Dixieland, Jazz. Softcover.
Published by Hal Leonard
$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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