SKU: HL.49037644

SKU: BT.BWH004981

English.

SKU: HL.49016045

ISBN 9780793554072. UPC: 073999305708. 305 X 229 inches.

Contents: Allegro Appassionata (Saint-Saëns) • Bourrée (Bach) • Cantilena (Goltermann) • Hungarian Dance No. 1 (Brahms) • Lament (Dvorák) • Minuetto (Schubert) • Playera (Granados)• Romance (Schumann) • Sarabande (Debussy) • Scherzo (Beethoven) • Sleighride (Tchaikovsky) • Song Without Words (Mendelssohn) • Spanish Dance (Moszkowski) • Violin Sonata (Grieg).

Selected and edited by Larry Teal. Fourteen numbers by J.S. Bach, Beethoven, Brahms, Dvorak, Granados, Mendelssohn, Saint-Saens, Schubert and Tchaikovsky. With piano accompaniment. For ABRSM examinations grade 6 and 7 Tenor Sax.

SKU: BT.EMBZ14512

Begun in 1999, the work, which is Kurtág s fourth string quartet, had been completed in 2005. In this suite of 6 movements Kurtág reuses music from other compositions, most often from his long-running Játékok for piano. 6 Moments musicaux was dedicated to György Kurtág junior, the first entire performance of the work took place by the Keller Quartet in February 2006 during the five-day 80th birthday celebration for Kurtág in Bordeaux.

Kurtág begann 1999 die Komposition seines vierten Streichquartetts und beendete sie 2005. In dieser Suite aus sechs Sätzen verwendet Kurtág die Musik von anderen Kompositionen, größtenteils aus seinem großzügigen Klavierserie, Játékok wieder. Die Sechs Moments musicaux wurden György Kurtág junior gewidmet, die Premiere fand im Februar 2006, im Rahmen der fünftägigen Feierlichkeiten zum 80. Geburtstag Kurtágs in Bordeaux statt, Ausführende waren die Mitglieder des Keller Quartet.

SKU: BT.DHP-1023139-401

ISBN 9789043115438. French.

Les Styles Musicaux permettent d’élargir les perspectives travers différents styles allant du baroque aux musiques du monde en passant par le classique, la musique dodécaphonique, etc.

SKU: BR.EB-8285

ISBN 9790004176016. 9 x 12 inches.

World premiere Cologne, February 26, 1984 For me, one of the most interesting aspects of composition is to draw the most varied consequences from one and the same musical idea. Thus my pieces Umbra, Mythos, Resonance and Moments Musicaux, for all their disparity, form a group of works in that they are based on a common Klanggestalt, a 34-note melodic-harmonic structure from whose formal basis the overall shape of the piece is derived by projection. I have called the method 'Gestalt composition', Thus there are 12 clearly differentiated formal characters or motives, which appear frequently in irregular sequence and are variously interconnected. The 'bell' motives play a special role here: the piano part frequently bears the instruction quasi Campane, Campanelli, Campane grandi.(York Holler, translated by Niall Hoskin)

World premiere Cologne, February 26, 1984.