Choral SATB chorus - early intermediate

SKU: XC.2202011

Composed by Pinkzebra. Arranged by Pinkzebra. Octavo. Pinkzebra #2202011. Published by Pinkzebra (XC.2202011).

9 x 12 inches.

Put on a cape and channel your inner superhero! Empowering lyrics that reach toward the future will have your students feeling like superheroes, rising to meet the challenge of the hour. Punchy rhythms and a catchy melody make this inspiring song easy to learn. Sure to deliver an energy blast to your concert, graduation, or moving-up program! Perform with the accompaniment MP3. Rehearse with the part-dominant MP3 practice tracks, available in a multi-user bundle to share with your whole choir.

Chamber Music Percussion 1, Percussion 2, Percussion 3, Percussion 4, Percussion 5, Percussion 6, Percussion 7, Percussion 8

SKU: PR.11440909S

Composed by Robert Maggio. Full score. With Standard notation. 58 pages. Duration 15 minutes. Theodore Presser Company #114-40909S. Published by Theodore Presser Company (PR.11440909S).

UPC: 680160013814.

Each movement has two or three sections which get progressively faster by passing through a metric (or pulse) modulation, like a boat moving through a lock. At these moments of the piece, there is also a color/texture shift from one quartet to the other. The three movements essentially present the same rhythmic theme in different colors. The first movement utilizes only indefinite pitched metal and wood instruments. The second movement presents a repetition and extension of the rhythms in the first movement using definite pitched metal and wood instruments. In this way, the first two movements present the aural equivalent of non-representational (indefinite pitch) and representational imagery (definite pitch) in visual art. Or, to use another visual metaphor, this process of recasting the same material without and with definite pitches is akin to color-izing an image that was originally seen in black and white. The third movement repeats and extends the music of the second, returning to indefinite pitched instruments, all eight players on skins. The movements are not exact rhythmic repetitions of one another. Much of the writing is imitative, canonic, and even fugal at times; it also includes passages of call and response, and hocketing. The main theme is simple and elemental, and the predominant rhythmic patterns are additive, irregular groupings.

By Catherine Rollin. For piano solo. Keyboard. Supplemental Piano Books. Published by Alfred Publishing.

Full orchestra

SKU: LO.30-3738MD

Composed by Mary McDonald. Arranged by Jay Rouse. Choral, cantatas. Advent, Christmas, Sacred. Full score. Medallion Music #30/3738MD. Published by Medallion Music (LO.30-3738MD).

UPC: 000308154795.

Full Score for 65/2104MD Mary McDonald and Jay Rouse combine their compositional gifts to bring us this moving musical for Advent and Christmas. Beautiful music from Mary and Jay, deeply thoughtful narrations from Rose Aspinall, and a fabulous orchestration by Ed Hogan and Jay highlight the message at the heart of Christmas—God’s love through Jesus Christ. You’ll find a bit of everything here, including original songs, familiar carols, fresh settings of timeless Christmas favorites, and ministry songs that will reach the heart of every listener. Songs like Mary’s Sing Out Our Savior’s Birth and Look on Him with Love and Jay’s A Midwinter Noel and Love Made a Way all serve to bring into focus God’s undeserved and unfathomable love through Jesus Christ. Celebrate how love made a way for each of us with this impactful musical! His coming means freedom for the captive, sight for the blind, good news for the poor. Jesus is Love incarnate, and He alone makes a way home for fallen man..

Arranged by Mark Hayes. For Voice. (Medium High Voice). Vocal Collection. The Mark Hayes Vocal Solo Collection. Spiritual; play along. Book and CD. 64 pages. Published by Alfred Publishing.

(Men's Edition Volume 2). Arranged by Richard Walters. Vocal Collection. 256 pages. Published by Hal Leonard

SKU: LO.99-4078MD

Composed by Mary McDonald. Arranged by Jay Rouse. Choral, cantatas. Advent, Christmas, Sacred. SA/TB part-dominant rehearsal CD (reproducible). Medallion Music #99/4078MD. Published by Medallion Music (LO.99-4078MD).

UPC: 000308154825.

SA/TB Part-dominant Rehearsal CDs for 65/2104MD Mary McDonald and Jay Rouse combine their compositional gifts to bring us this moving musical for Advent and Christmas. Beautiful music from Mary and Jay, deeply thoughtful narrations from Rose Aspinall, and a fabulous orchestration by Ed Hogan and Jay highlight the message at the heart of Christmas—God’s love through Jesus Christ. You’ll find a bit of everything here, including original songs, familiar carols, fresh settings of timeless Christmas favorites, and ministry songs that will reach the heart of every listener. Songs like Mary’s Sing Out Our Savior’s Birth and Look on Him with Love and Jay’s A Midwinter Noel and Love Made a Way all serve to bring into focus God’s undeserved and unfathomable love through Jesus Christ. Celebrate how love made a way for each of us with this impactful musical! His coming means freedom for the captive, sight for the blind, good news for the poor. Jesus is Love incarnate, and He alone makes a way home for fallen man..

Composed by Judy East Wells. Piano Suite; Piano Supplemental; Solo; Solo Small Ensembles. Recital Suite Series. Form: Suite. Recital. Sheet. 12 pages. Alfred Music #00-48702. Published by Alfred Music

String Quartet (2vl,va,vc)

SKU: BR.EB-9383

Composed by Misato Mochizuki. Chamber music; stapled. Edition Breitkopf. New music (post-2000). Full score. Composed 2019/2020. 12 pages. Duration 7'. Breitkopf and Haertel #EB 9383. Published by Breitkopf and Haertel (BR.EB-9383).

ISBN 9790004188538. 9 x 12 inches.

Two years ago in Rome, I encountered a murmuration of starlings and I was amazed with its overwhelming beauty, changing shape as it moved. Moving of a fish school that you can watch in an aquarium, has the same beauty and the energy. According to the scientists, their fine movement in a flock is based on the following three simple rules: - steer to avoid crowding local flockmates - steer towards the average heading of local flockmates - steer to move towards the average position (center of mass) of local flockmates The word Boids refers to bird-like objects (bird-oids), representing the beauty of their movements in a flock which is a result of balancing out with each other, following the principle of least effort. I wonder if these rules can be applied to the way a string quartet is shaped. Boids again has been written as a sequel to the piece Boids (2017), a 4 minute study for string quartet in the frame of the Kronos Quartet's educational project 50 for the Future. (Misato Mochizuki)

World premiere: Osaka, International Chamber Music Competition, February 12, 2021 Commissioned by Osaka International Chamber Music Competition and Festa Commission.

SKU: LO.99-3502H

Composed by Mark Patterson. Choral. Concert, Festival. Performance/accompaniment CD. Heritage Music Press #99/3502H. Published by Heritage Music Press (LO.99-3502H).

UPC: 000308139754.

This piece describes how collective wisdom is handed down from one generation to another; the stories, memories, and truths that swirl like the constantly moving wind throughout our lives. It is a particularly appropriate choice for graduations or heritage celebrations.

Brass Quintet

SKU: ST.Y290

Composed by Timothy Wilson. Wind & brass music. Score and Parts. Score and parts. Stainer & Bell Ltd. #Y290. Published by Stainer & Bell Ltd. (ST.Y290).

ISBN 9790220223228.

Winner of the 2011 Stainer & Bell Award for Brass Composition held at the Royal Welsh College of Music and Drama, Timothy Wilson's Avidity is a dynamic endorsement of the competition's aim to provide exciting new brass music for schools, conservatoires and professional ensembles. Generated by the composer's skilful invention and purposeful structure, its fast-moving six-minute sonata form for brass quintet delivers the musical counterpart of the eagerness and expectancy implied by its title.

In the outer sections of Avidity strongly accented rhythms command the attention, with arresting unisono phrases balanced by effervescent staccato passages. The level of energy is sustained through unexpected rhythmic twists and turns distorting the pulse of the music, with striking crescendi and strong dynamic contrasts that are a particular strength of the brass idiom. There is respite however, with two episodes of solemn, chorale-like material whose arched lines sound no less well on the five instruments. But the last word is with the opening theme, returning with unstoppable momentum and concluding Avidity with a decisive cadence of abrupt repeated chords.