(Five-Finger Scales and Chords). For Piano/Keyboard. Faber Piano Adventures®. Softcover. 48 pages. Faber Piano Adventures #FF3024. Published by Faber Piano Adventures

(Symphony Themes, Opera Gems and Classical Favorites). Arranged by Nancy Faber and Randall Faber. For Piano/Keyboard. Faber Piano Adventures�®. Softcover. Faber Piano Adventures #FF3030. Published by Faber Piano Adventures

Faber Piano Adventures. Technique, Method, Teacher Resource. Softcover. Faber Piano Adventures #FF3044. Published by Faber Piano Adventures

Faber Piano Adventures. Educational, Method, Teacher Resource. Softcover. 12 pages. Faber Piano Adventures #FF3043. Published by Faber Piano Adventures

Timeless Hits and Popular Favorites. Faber Piano Adventures�®. Softcover. 88 pages. Faber Piano Adventures #FF3033. Published by Faber Piano Adventures (HL.198963).

(Popular). Arranged by Nancy Faber and Randall Faber. For Piano. This edition: Revised Edition. Faber Piano Adventures®. Popular. SMP Level 2 (Late Elementary). Softcover. 32 pages

For Piano. Includes a high-quality printed music score and a compact disc containing a complete version of each composition with soloist (1st piano), in split-channel stereo (soloist on the right channel); then a second version in full stereo of the orchestral accompaniment, minus the soloist. Published by Music Minus One.

(Backing Tracks and Improv Lessons). Composed by Loren Gold. For Keyboard; Piano. Book; DVD; Keyboard/Piano; Method/Instruction; Play- Along. Sitting In Series. Blues; Swing. Beginner. 80 pages. Published by Alfred Music

Piano

SKU: BT.EMBZ14505A

Suppl. 10. By Adrienne Kaczmarczyk_Ágnes Sas. By Franz Liszt. EMB New Listz Edition. Book Hardcover. Composed 2014. 224 pages. Editio Musica Budapest #EMBZ14505A. Published by Editio Musica Budapest (BT.EMBZ14505A).

English-German-Hungarian.

Of the early versions of works included in this volume the first versions of the notably popular Consolations cycle and Grand solo de concert (published in 1850) are of particular interest. In the first version of Consolations the third movement was a style hongrois piece whose thematic material was later used by Liszt in his Hungarian Rhapsody No. 1 (published in 1851). The first version of Grand solo de concert shows that the work did not originally include a slow middle section to be recapitulated towards the end as seen in the final version. This is a characteristically Lisztian feature that would reappear a few years later in his Sonata in B minor. A detailed preface inHungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included.

Of the early versions of works included in Supplementary Volume 10, particular interest is expected in the first versions of the notably popular Consolations cycle and the monumental Grand solo de concert of 1850. In the first version of Consolationsthe third movement was a style hongrois piece whose thematic material Liszt used again later in the first piece of the Hungarian Rhapsodies published in 1851. The first version of the Grand solo de concert shows that the original concept did notinclude the slow “movement” that would be placed in the middle of the work and recapitulated towards the end in the final version - a characteristically Lisztian feature that would reappear a few years later in the Sonata in B flat minor.A detailed preface in Hungarian, English and German, including new research results, numerous manuscript facsimiles and critical notes make this volume of the New Liszt Edition a specially important publication of scholarly value. Simultaneously withthe Complete Edition volume in colth-bound, its paperback for practical purposes is also published, the contents of which, except for the critical notes, is identical with the Complete Edition volume.

Von den im vorliegenden Band veröffentlichten Werkversionen dürften der außerordentlich populäre Consolations-Zyklus sowie die Erstfassung des 1850 entstandenen Grand solo de concert (Großes Konzertsolo) auf besonderes Interesse stoßen. In der ersten Fassung der Consolations stand an dritter Stelle noch ein Stück im ungarischen Stil, dessen Thematik Liszt später im 1851 herausgegebenen 1. Stück der Ungarischen Rhapsodien verwendete. Die erste Version des Großen Konzertsolos belegt, dass der in der Mitte der Komposition angelegte und kurz vor Ende rekapitulierte langsame Teil, welcher zum typisch Lisztschen Element der endgültigen Fassung des Konzertsolos - und einige Jahre späterauch der H-Moll-Sonate - wird, noch kein Bestandteil der ursprünglichen Konzeption war.